As a war between humankind and monstrous sea creatures wages on, a former pilot and a trainee are paired up to drive a seemingly obsolete special weapon in a desperate effort to save the world from the apocalypse.

Pacific Rim is one of the best and most memorable films from Guillermo Del Toro (Cronos, Devil's Backbone, Pan's Labyrinth, Hellboy), and is easily the best 'monsters vs. giant robots' movie to date. However, as imaginative as Del Toro's film is, it suffers from a flawed and distracting subplot involving a pair of over-the-top scientists. This cut removes the superfluos material to keep the movie focused on the Jaegers, their pilots and their Kaiju nemesis.

Spider-Man tries to defeat the new menaces in the city. Soon he will discover that something bigger than him is happening.

I just tried to speed up the pace of this movie and make it more fun and enjoyable without yawning. I was kinda like "Eh?" when I saw the theatrical version, not really blown away like I should have been. So making the movie more fast paced with more of the action is what I was aiming for.

A leaner, meaner and more realistic cut which retains the nihilistic mood and tone of the theatrical cut and minimizes the poor characterization and excess 'emotional' moments resulting in a far darker and better Monster movie... The stars of this version are not the humans, but the monsters.

During an assignment to take down a new arms dealer in Miami, Sonny Crockett runs into a ghost from his past which sends him spiralling down a path of regret and darkness. As his focus on the case slips, he becomes involved with a mysterious femme fatale, a person he knows is playing him but lets her anyway. Crockett goes on a personal voyage, questioning his motives, morality and existence in what are widely considered to be the best episodes of the original show.

The Vice squad has a new commanding officer, Lieutenant Martin Castillo, a tough ex-DEA with a dark past. Crockett and Tubbs stumble upon a plot to heist a hotel vault and attempt to intervene, leading to the discovery of a much larger and more dangerous criminal enterprise involving an old nemesis of Castillo's from his days in the Golden Triangle drug zone. The Vice team is quickly forced into a game of cat-and-mouse with a deadly foe.

Miami Beach, 1984. Colombian drug kingpin Calderone is ruthlessly seizing territory, eliminating all competitors in a series of violent murders. Miami Vice Detective Sonny Crockett is assigned to take down the drug lord but is faced with double-crosses, assassination and incompetence at every turn. Enter Ricardo Tubbs, a stranger from New York who has a personal vendetta against Calderone. Crockett and Tubbs are forced into an unlikely alliance that will take them from the sandy shores of Miami to the clear waters of the Bahamas in a hunt for Calderone, full of danger, death and pastel suits.

This is the most complete version of the film Serenity. All deleted scenes have been added back in and whenever possible, they have been scored with music from the score composed by David Newman.

Death From Venus

A terror from space had crash-landed in America's heartland, and it carving a path of death and destruction where ever it goes! Colonel Steve Austin must solve the mystery of this Death Probe and find a way to stop it before more lives are lost!

Bonus Feature:
Revenge Of The Death Probe
It's back!!! The Death Probe returns to wreak havoc and once again our weary bionic hero must give chase and stop the marauding machine!

With a well publicised troubled production Terry Gilliam's 'The Brothers Grimm' is in Terry's own words "Not the film they wanted and it's not quite the film I wanted". The "They" in this case would be The Brothers Weinstein, the film's producers, whose on-set arguments with Terry got so bad that production was even shut down while things calmed down.

Still what remains is by most other Director's standards, a great film. A decade later it's stood the test of time and it reflects well on Gilliam that he cast actors like Matt Damon and the late Heath Ledger against-type in the lead roles, at a time when they perhaps weren't taken as seriously as today. Plus giving future 'Game Of Thrones' star Lena Headey the female lead, seems like genius in retrospect. I felt it was time to take another look at this wonderfully loopy and fanciful film through the prism of fanediting...

Using all the available 'Deleted Material' and hints provided in Terry's Director's Commentary, I've tried to bring this film a little closer to the longer and
crazier cut that Terry originally might have wished to have seen the light of day. Hopefully this cut is also better, less mainstream and more like Terry's other work.

The available 'Deleted Material' was excellent but only available in a very poor and largely unfinished state. So as much as was possible, I've tried to finish VisFX, complete the Soundmix and Colour-Grade the footage to match the body of the movie. However, the scenes are still in a less than perfect state, which is why I call this...

"The Fairytale Workprint"

No barrel gymnastics. No molten gold.

The Desolation of Smaug is Peter Jackson's adaptation of the middle third of JRR Tolkien's The Hobbit. Despite some incredible visuals and fine performances, it was too long and encumbered by many scenes that not only slowed the film, but also were completely invented for the film and deviated from the novel significantly. "Fire of the Dragon" is an earlier edit of this film, where I cut out all the extra made-up-for-the movie padding that stretched a perfectly good 2 hour movie into almost three. 'Dragon' was a version that didn't drag and had good pacing, and is what I feel the Theatrical cut should have been--I emphasize that because a lot of the material I liked from the actual movie and I felt made it entertaining (namely, the barrel fight and the dragon showdown in the end) are left intact in Dragon-- I just felt those made the movie more fun and gave it the feel of adventure it needed.

However, I strongly agree with a lot of the criticism of both the original film and my first cut, in that these things (1) were a little over-the-top at times, and (2) still never happened in the book. So I decided to go ahead and make further changes to produce a "purist cut" of the movie. Instead of just being a watered down version of "Dragon", I trimmed more, reordered certain scenes, and made a new opening for it, as well as a new title.

This is as close as Desolation comes to being a 'book' cut of Tolkien's the Hobbit.

This is a Matrix sequels edit like you've never seen before. "The Matrix Revolutions Decoded" presents a complete and focused narrative executed in the same run time as the original "Matrix" while unveiling a brand new and more satisfying conclusion to the Matrix saga. Over 2 hours have been removed from the original source material without logical gaps or jump cuts.

Decoded 2.0 released August 2016 creates an improved ending as well as a quick trip to Zion to explain many points that were left out of the original Decoded.

This edit completely replaces 2013's 'The Matrix Revolutions Reprogrammed'.

The second chapter in the Serenity Chronicles finds the Firefly crew harboring two Alliance fugitives and looking for any job they can find to keep their ship flying. The more time they spend hiding from the Alliance, the more Simon Tam fears for his sister River's mental stability as she begins to show signs of aggression that could endanger everyone on board.

Desperation will take the crew of Serenity down a dark and dangerous road. A high risk gamble to help River and a heist job for the most ruthless gangster in the 'verse will lead the crew to question their own morals - even if it leads to their demise.

Ben-Hur is the greatest of the 'classic' Hollywood epics, and is widely regarded as one of the best of all time. The story is of a Jewish prince (Charlton Heston in an Oscar winning role) who is wrongfully accused of attempting to assassinate the new Roman governor by a Roman provincial who was his one-time trusted friend, causing him to be exiled as a slave and his mother and sister to be locked away, but not before he swears vengeance.

The original clocked in at almost 4 hours, as it attempted to tell the tale of the rise of Christianity along with Ben-Hur's struggles. This edit removes almost all instances of the tale of Christianity, to focus on Ben-Hur, his quest for vengeance, redemption and salvation, all in the far more manageable time of 2 hours and 24 minutes.

The Chronicles of Serenity follows the story of Malcolm Reynolds, a soldier who fought for the losing side of the Unification War. After losing his faith in the bloodiest battle of the war, he takes to the skies in a firefly-class transport ship seeking whatever jobs he can get to keep flying. Enter a ragtag crew and some passengers with secrets of their own and you have the beginning of an epic 3-part adventure that mixes Sci-Fi and Westerns like never before.

Thunderball really is Connery's last great performance as 007 before he completely checked out of the role. It's the last one where he really owns the film and proves why he is still regarded as the best actor to ever play 007. It's also full of exotic location shots, great music and one of the most famous villain plots in the series, involving stolen nuclear warheads but the film itself has always been criticized, mainly due to a plodding pace, the bulk of which is due to some overlong underwater sequences.

Thunderball failed to become the "best bond ever" as its theatrical tagline promises because it almost feels rushed, as if the editing was unfinished in certain instances. Well, now the editing is finished. Almost no major scenes or sequences have been removed but almost every scene has been trimmed for pacing, resulting in a faster film with an enhanced narrative.

When a mysterious alien crashes near Coast City, Hal Jordan existence is turned upside down. Chosen by a mysterious Power Ring, which grants the ability to turn thoughts into reality, he becomes part of an intergalactic peacekeeping force known as the Green Lantern Corps.

Using only his willpower, Hal Jordan must protect the Earth and defeat an ancient and fearful enemy that threatens both mankind and the Corps. To win, Hal must over come great fear and prove his worth as a Green Lantern.

This is a TV-to-Movie Edit of Seasons 1 And 2 of AMC's The Walking Dead (a total runtime of 875 minutes) into a 177-minute zombie epic. The is the story of Officer Rick Grimes who wakes up after a coma during the zombie apocalypse and goes on a quest to find his family. The numerous horrors he and a small group of survivors endure while seeking refuge from the legions of the undead are chronicled here. The goal of this edit was not to cram every detail of the series into a limited time-frame, but to create a film version of the Walking Dead story which would appeal to both fans of the show and newcomers alike.

This edit presents the entire Moriarty arc of BBC's Sherlock in one film-- not dispersed over four episodes as in the original. London's most famous "amateur" detective gets his regular routine of solving kidnappings and thefts rattled when faced with a new game of terror: he is given a limited amount of time to solve five challenges by an unknown madman or innocent people will be blown up. As he races against the clock, Sherlock and Watson realize that they are moving deeper into an international network of crime and terrorism centered around one elusive individual: Moriarty. Eventually the game threatens to cost Sherlock everything: his career, his friends, and life... you'll be caught up in the action as soon as it kicks in and its a non stop ride from there.

"Tears in the Rain" a vastly different version of the film which serves as an Alternate look at Ridley Scott's masterpiece, not an extension of the original. It focuses more on the Replicants and their quest to meet their maker. Rick Deckard is presented as a competent determined hunter and killer (unlike the relatively insecure counterpart in the original), in many ways an antagonist-- this is a world where Replicants are outlawed and killed on identification. They attack only when cornered, but mean no harm to humans. Not unless they can help it... This film is presented in high contrast black and white to accentuate the noir feel of the original. Trimmed down and fast paced, I hope this edit will intrigue, excite and entice fans of the original and new viewers alike.

Lex Luthor and Clark Kent grow up as the best of friends, but then on the night of Lex Luthor's Wedding reception, all hell breaks loose. Due to the influence of The Blur's father, Jor-El, and the power of Red Kryptonite, Clark Kent turns to a life of Crime while Lex Luthor attempts to save his marriage as well as The Smallville Fertilizer Plant from being closed by his father Lionel Luthor.

The Season 3 episodes, "Dark Awakening" and "The Return of Optimus Prime", are combined into a short film.

Many people say the boot camp scenes at the beginning of the film are the strongest. My intention? Mix them into the Vietnam scenes. Hopefully, it gives the film a fresh perspective, as boot camp is now told in flashback form, with the appropriate boot camp scenes following Pyle's downfall used. Other material has been excised.

A simple, but effective, black & white version of The Crow. The flashbacks to Eric's life have been left in color. A few seconds of film have been cut overall, and some audio, including all of Sarah's voice-over narration.

Part 3 in this new Trilogy removes the depressing elements in the theatrical release, and also the kid. This edit aims to build tension throughout the movie.

Sent to Earth from a dying planet to later grow up and become its savior, Superman is given an epic treatment by director Richard Donner. The Up, Up and Away Edition tightens up the pacing of the film while still retaining the overall story that was told when Christopher Reeve proved a man could fly back in 1978. Since most edits of this film combine Superman I and II as Richard Donner was intending on telling one large story, this edition focuses primarily on Superman I. Witness Kal El's journey from boy to man and from man to Superman without the appearance of the three Kryptonian outlaws, constant bickering between Lex Luthor and his henchman Otis, why Clark shouldn't use the word "swell," a complimentary pimp, a voice over of Lois' inner thoughts, and without the need to turn back time. Richard Donner presented us with a classic tale for the ages. This edition tinkers with the film ever so slightly so you can get up, up and away sooner with the man of steel.

EVE OF DESTRUCTION
The Bionic Woman must stop the maniacal supercomputer ALEX 7000 from detonating a secret weapon that will end all life on Earth!

This two part episode is pretty much perfect in its original form. But I wanted to try something new creatively, so I have added the classic protest song Eve of Destruction to three scenes to try to add another/different layer of drama. This idea was directly inspired by one of my favorite tv shows as a teen, The Greatest American Hero "Operation Spoilsport", which incorporated the same song in its doomsday storyline.

BONUS FEATURE: The Six Million Dollar Man must save a Soviet Scientist from an earthquake ravaged secret underground base before it is destroyed by a nuclear bomb! This is the original inspiration for "Doomsday is Tomorrow" and prequel to THE DEATH PROBE!

Part 2 in this new Trilogy takes the Man of Steel to unexpected places - he falls in love - world peace is threatened - and he is poisoned by the creation of his nemesis.

'Thor - The Dark World' with the narrative in a more logical order, so scenes now flow from one to the other naturally. A new ending has been created more in keeping with the narrative thrust of both this film and the first 'Thor' movie. Repetitious exposition scenes either removed, truncated or used at a point in the story where they actually make sense. Also two deleted scenes have been colour corrected and added back.

I began this project because I actually liked a lot The Amazing Spider-Man when it was released back in 2012, but it was not free of errors. So basically, I did this edit because I wanted to improve something that was by it's own very solid.

This is the 2nd of TM2YC's fanedits of the 'Pirates of the Caribbean' movies. An attempt to slim down the interminable nearly-3-hour third 'At World's End' film by as much as possible.

Hit-Girl and Kick-Ass return, but this time they are not alone. Inspired by their exploits, a new wave of wannabe super heroes have emerged. Led by the noble Colonel Stars and Stripes, they are called Justice Forever!

Together, they will discover what it really means to be real super heroes in the real world as they face off against the world's first super villain and his army of evil. It is an epic tale of consequences, escalation and destiny.

This is Buffy Season 1 and 2 formed into a series of five movies. Every one of these movies has a reimagined story arc of its own, but there is an overarching story arc as well that weaves them together to a greater whole. This Buffy saga, named "Buffy Reimagined", contains these movies:

1. Buffy The Prophecy (I already released this one before, containing Buffy season 1 as a movie. But I reworked it for this release, adding six important minutes in the middle to improve the story-telling and to add some needed charm to it.)
2. Buffy 2 - I The Truth
3. Buffy 2 - II The Life
4. Buffy 2 - III The Love
5. Buffy 2 - IV The Awakening

This version of Kill Bill combines the two volumes and removes the characters of Budd, Elle and Vernita. The focus of the edit is the Japanese segment, placing O-Ren Ishii behind the attempted murder of the Bride.

Man Of Steel: Recut retells the story from Clark's perspective but maintains the gripping action. Why does he have powers? What support does he get from his parents? And what should he do when Earth is threatened?

In my youth 'No Retreat, No Surrender' was one of my favourite movies. I was very much looking forward to the DVD release back in 2004 but was very disappointed with what I saw. Although the picture was an improvement over my old VHS copy, there were so many differences that it felt like a completely different movie.

Oblivion was a good sci-fi movie hindered by unnecessary plot exposition, Tom Cruise-isms, and a few inconsistent character motivations. By removing the bookend voice-overs, trivial dialog and a few choice action sequences, this edit streamlines the viewing experience, adds more mystery and otherwise polishes this film for a more mature, intelligence audience.

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This is a modern edit on a classic tale that will appeal to today's audiences who expect a quicker pace and more action. The story has been streamlined which permitted to add some story elements from Superman II. The end result is more action in a similar running time.

From the ashes of the Eugenics Wars a new threat arises. Captain Archer and the crew of the Enterprise race to stop Doctor Arik Soong and his genetically engineered Augments from starting a war between Earth and the Klingon Empire.

Bionic Bob edits the the 3 part Augment Arc into a faster paced action adventure by removing all commercial breaks, unneeded characters and filler subplots.

The movie with multiple versions just got another one.

This is Indiana Jones 4 with Mutt not being Indy's son and with other major changes, including removing most of the annoying parts that most fan of the franchise did not like. There's a new opening with Hugh Jackman in the role of the conquistador. Some new little special effects.

Season 1 of "Captain N: The Game Master" is cut down from thirteen 23-minute episodes into an 86-minute, self-contained movie that can be assumed to bring the story to a close without the need to view later seasons.

This is ‘Milo & Otis’ synced up to a Pink Floyd masterpiece.

‘Milo & Otis’ is a Japanese film about a cat and dog swept up in hazardous adventures in the wild. ‘Animals’ is a progressive rock album by Pink Floyd, inspired in part by George Orwell’s ‘Animal Farm’. It takes aim at politics, with deeper themes of life and death, manipulation, greed, blind faith and power. And it’s pretty rocking.

For me the sequels are a major disappointment after the awesome Matrix 1-movie.

So over the time the question arised in me: What if Matrix 1 had no sequels?

Using mere 15 minutes from the sequels, it was possible for me to reframe Matrix 1 and finish the story within Matrix 1.

A fanedit of Lethal Weapon.

After a transfer from Chicago, James Gordon arrives in Gotham City, a city filled with corruption and violence. He will try to fight back, and bring hope in the city, while a mysterious masked man starts his own war against crime and corruption.

"I've heard police work is dangerous. It is."

The evil corporation O.C.P have built a new SuperCop using the brain of the murderous criminal Kane. SuperCop most do all that he can to stop his greatest foe as he destroys the city of Detroit.

Something is stolen at Fenway Park... and it's not bases.