This edit combines Superman The Movie and Superman II into a single narrative that strips out the distractions of Lex Luther’s land-grab and instead focuses on the relationship between Kal-El and his father Jor-El, and the challenges that Superman faces in accepting his duty and destiny. With an entirely new ending that does not rely on time travel or memory-wiping kisses, we finally have a Superman with an ending of consequence, where the events we invested our time watching, have meaning.

This edit melds the elements of the Theatrical Cut and the Director’s Cut into a new version of the film. Also converted into black and white, Neglify’s Hybrid cut gives you one of Gibson’s most underrated movies in an entirely new, and more gritty light.

This is a single film with a major focus on Obi-Wan before his life as a hermit on Tatooine and a secondary focus of his apprentice Anakin’s fall to the Dark Side and rise as Darth Vader.

This combines all the Star Wars prequels to one epic watching experience, heavily trimmed to a complete and more serious movie. Many of the more painful aspects to the trilogy were removed. The fanedit focuses on the story back on Palpatine’s orchestration of events.

This is an old looking, dusty version of the Star Wars Prequel Trilogy saga. No voices, dialogue cards, no sound effects, only John Williams music.

A fun, Saturday-Matinee, Action/Adventure, tightly focused on Captain America, The Steve Rogers Cut quickens the pace, energizes the action, and re-structures the narrative in humorous and exciting ways to create a very different introduction to The First Avenger.

A more linear/chronological version of 21 Grams. This new version allows the viewer to experience the events in the same fashion as the characters, allowing a different take on the same material.

The character of Carly as featured in the 2011 blockbuster feature film, Transformers: Dark of the Moon, originated in the original 1980s cartoon series, TheTransformers. Now, you can relive all of the original Carly’s adventures in this feature film condensed from the nine episodes that Carly appeared in from 1985 to 1986

This is Alien Resurrection, less weird, shorter, more “logical”, to me anyway. Maybe it will alienate you though!

What if Aliens never existed? What if the core components that compromised Alien 3 were modified to be the direct sequel to Ridley Scott’s masterpiece? This edit reshapes the oft-maligned Alien 3 into a direct sequel to Alien.

A trimmer, less chaotic and tone down version of Gilliam’s 12 Monkeys.

A chronological re-order of Total Recall for a fresh new ride. Your life is just a dream.

Wraith has created 3 version of BRÃœNO – this is the real deal: Taking the fullest version he went in and took out anything unfunny, repetitious or not good. This reduces the monster UBER edit and reworks scenes etc to create a tru fanedit….some extra material is in, some actual Theatrical material is out… Result …hopefully wall to wall laughs or embarrassment.

This aims to turn the ALIEN VERSUS PREDATOR movies into a single and WORTHY member of BOTH franchises.

This is a faster paced version of “No Country For Old Men” from the perspective of Llewelyn Moss and Anton Chigurh.

This is a re-envisioning and amalgamation of parts of the first two Bourne Movies to create a Jason Bourne extravaganza with twice the intensity and paranoia.

To make a family friendly, obnoxious, out-dated, 1980s version of the first Batman movie by adding more Pop Songs and upping the color to be big and bright. What the Red Book Edition of Batman Forever and the De-Assified Edition of Batman & Robin did to those movies, 1980s Edition should do the opposite to Batman ’89.

This is a fanedit the combines elements from American Psycho, Batman Begins, The Dark Knight and The Machinist into one cohesive story.

This is a fast paced version of A.I.
The ending is changed and the event goes more along the way they do in the short story by Brian Aldiss.

This is simply a different way of looking at the film, chronologically from beginning to end. All narrations by Danny and Derek have also been removed. It’s not intended to be superior to the original.

This focuses almost entirely on the documentary footage taken by the four filmmakers.

This is a black and white silent edition of the Star Wars Prequel Trilogy saga. No voices, dialogue cards, no sound effects, only John Williams music.

Batman and Batman Returns combined to one film, as if they were happening at the same time. This is not just the standard cut the credits off and stick them together, it is one epic Batman adventure.

This is Casino without the Ginger/Lester storyline. The focus is kept on Ace and his casino; Nicky and his gangster antics.

The point was to put more focus on the parts directly adapted from the Frank Miller graphic novel while putting the mystery and mystique back into Batman’s origins.

This is a hybrid cut of Armageddon and Deep Impact. Most of of the NASA and action sequences are from Armageddon. Deep Impact footage is used to show the government secrecy and response.

Where’s Wilson? A brave attempt by Tom Hanks/ Robert Zemeckis that is only marred in its authenticity by the need to bring a second character on the island. Wilson the ball. So I remove Wilson and ALL the talking on the island.