9 new edits this week:
“A supposition of the version that bombed in 1988.”
“This edit combines the two original Matrix sequels into a single cohesive film that serves as the epic conclusion to Neo’s arc.”
“There’s loads to enjoy in what was supposed to be Connery’s swan song as 007, but it’s also a film which has not aged particularly well, primarily because of the awkward plot line which sees Bond literally undergo a cosmetic procedure to look Japanese. It never really worked back in the 60’s, but now it just comes across as uncomfortable and insulting in some ways.”
“A simple extended edition re-inserting all of the deleted scenes featured on the Blu-Ray to the best of my ability.”
“Some movies are just perfection and can’t be improved. That’s one of them. But there’s always a way to provide some new interesting way to experience them and that was the goal here. Ridley Scott’s masterpiece has been converted to Grindhouse-like movie.”
“The re-telling of the Eastrail 177 Trilogy in SPLIT UNBREAKABLE GLASS was the first part of an experiment to retool these movies with a new narrative structure to facilitate surprises, adjustments to reveals, new parallels, new opening and closings and much much more. One can be surprised again.”
“This edit takes the already phenomenal film and puts the events in chronological order, thus making the ending more impactful, especially for people who haven’t yet seen the film.”
“AVATAR: The Final Cut aims to put Avatar’s best foot forward by removing unnecessary narration and extending character development. The extended edition, while better than the theatrical by far, was lacking a 3D release. This edit not only fixes the main problem of the film, but also brings an all new 3D version of the extended experience.”
“This edit trims out a lot of the melodrama and gore and strengthens some of the character work which helps to strengthen the overall narrative making things seem a bit more natural and logical.”