Paradise

'Paradise' totally saves what I think are two visually stunning Blu-rays in my collection suffering from an overarching vagueness and the inexplicable antics of the crews with their cliched foolhardyness, incompetance and inglorious bastardy. The fantastic editorial here sweeps out the worst of this and turns what is left into impactful moments of intrigue. Bringing in an overarchingly vivid mainstay to the previously broken stories. Polishing off may be necessary on the odd dice and blend. Its heavy on the editing though. This may be as good as it gets without stock footage to string things out with. One really has to concentrate to pick out the nicks. And with the engageing plot weaving that highlights the best parts of the originals in the best ways the viewing is fully enjoyable.

It might be a good idea to offer some further textual explanations of the tooings and froings between Prometheus and Covenant but this itself will be a gripe for some (myself included) as it cant be done for the parts where the switching gets complex. Therefore it might well be left as is for the sake of consistency. It starts out a bit confusing with only the oringal mission info blurbs and some very brief notes which kind of pass by subconsciously. I actually quite liked the fact I was getting a bit lost as it adds a puzzle aspect. Its a mystery unravelling. It all pays off beautifully in the end!!

It was my first time watching a fanedit actually and already was as good as an edit of those movies can be I think.
Considering how mediocre (and disappointing) they are, i's not a small task to make a good fusion.

Fantastic job, did not feel the almost 3hrs of runtime. Audio/Visual quality is top notch. Essential viewing in my opinion, and the only way to watch Prometheus and Covenant for me now. Original material can't be totally saved, but you still did a damn good job, can't go back to the theatrical cuts. Thanks.

I saw Prometheus upon release and really felt it was a total miss. The acting was bad, it had a ton of bloat. Fassbender must have a strong back because he carried the film. Covenant hit certain sweet spots, but missed on a lot. This takes the best part of the films, the best character, and shifts focus to a clear story and you really see how both unfold together. I quite enjoyed it.

A few of the scene changes are pretty stiff and stick out a bit, but it didn't detract from my overall enjoyment of the film. I agree with a previous review regarding the song change during the ending. I think with a little more polish this could be the gold standard. I feel it could be a bit tighter in certain spots like the Weyland reveal that he is on the ship.

JobWillins did a fantastic job with this and it's quite the feat. A great ride and the only way I'd prefer to watch either film.

This is a very strong edit combining the two Alien prequels, which (mostly) improves on both. The scattering of certain scenes and extras across the film was very well done. Scenes were intercut at appropriate moments. The edit shifts focus more towards Covenant as the edit progresses, which is the weaker of the two films.

The rescore was well chosen, bar the last scene, which worked better with Wagner's Das Rheingold. I especially liked I Want You by the Beatles. My main critique is that a few unnecessary scenes were kept - such as the two Prometheus pilots discussing their bet, or Shaw and Janek explaining the plot to the audience before heading out to meet the Engineer - along with some poor dialogue. Job Willins could have been even more aggressive with a few cuts, however the pace is quite good despite the edit being almost 2hrs 40mins.

All in all, an excellent edit, which does the best it can with the original films, which are a little weak.

"It's christmas and I want to open my presents". That's how I felt about watching Paradise.
It's probably my favorite fanedit ever because of how skillfully it manages to make a really good movie out of two bad ones.
Nowadays it's once in a blue moon that we get to see a grandiose sci-fi tale, packed with appalling visuals of Ridley Scott's expertise, but not marred by ridiculous writing and superfluous gimmicks. And that's exactly what Paradise is. It's technically masterful - the edition is seamless and everything fits as if it was the original montage of the movie. I would say the overall highlights are the now unburdened beautiful setpieces and the brilliant design of space-faring vehicles and whatnot. But most definitely, a movie for David to call his own.

If I am to indulge in nitpicking though, there are some things I would have edited further to improve the narrative as per my personal enjoyment - if I were to master such arts:

Vickers - It feels like she doesn't belong anywhere anymore. Even though she acts like she owns the place, she has no agency at anything, her ultimate fate is left unknown (as opposed to the original version) and the synthetic ambiguity about her character is reduced with the removal of most of her lines. I don't know to what extent her absence would impact the editing, but I feel like she could be completely cut off, making the edit even tighter.

Both original movies introduce a disgusting freakshow roster of creatures (mostly Prometheus) that I am glad are mostly gone in Paradise (along with the gorier death scenes). However, I still have a gripe with Shaw's surgery and the Neomorph's spawnings. These scenes are very graphic and I would be completely fine with it if they were addressing the Xenomorph. Instead, I find them utterly distracting since they're just exploiting the parasitic horror for shock value (same thing for the snake creature that runs off of Millburn's corpse. What movie is this again?) I would ditch the whole Shaw cesary scene since it does absolutely no impact to her for the rest of the movie - it surprisingly doesn't affect her neither mentally nor physically (which is terribly unconvincing, no matter how many drug doses the movie shows her injecting herself). But I know that one would be tricky since it's followed directly by Weyland's reveal where Shaw appears half naked and visually debilitated, so it would make little sense without the previous events. As for Ledward's spawn, his back burst could lead directly to the newborn neomorph lunging for Karine and skipping the brief CGI sequence that shows the thing rising up from it's placenta - the same for Lope's husband one (whose infection is confusingly overlooked).

The engineered virulent pathogen is also something I never liked about the original versions. I understand how it fits into David's carrying on the Engineers' ploy, but it feels like a disservice to the classic Xenomorph biological glory and mystery. It also feels too mundane that the Engineers big plan was an old-fashioned terrorist-esque biological weapon. I love that David is the Xeno's father and that he created the "perfect organism", but it's an underlying tone inconsistency that the movies can't decide if they want to go with the contagion theme or the infection theme. That's to mention some really silly sequences that demonstrate the processes: Holloway seeing his eyes' worm thingy on the mirror, and Ledward's spore infection through his ear canals. They're both brief CGI sequences that take weight off the suspense. We already know they have been infected, yet the movies go the extra mile to graphically demonstrate it. It's uncalled for and in bad taste. Classic case of less is more. Also, Oram's Xeno mimicking David remains laughable. Personally, I would have gone further in editing out all of these.

If there's one scene I would not have cut is the cargo lift showdown from Covenant. It sure could do with some cuts of the most slapstick action and impossible physics, but it's a truly heart-pumping piece with both Daniels and the Xenomorph showing their full prowess and resilience - definitely Aliens inspired. I also understand the scene takes away a little of the suspense from the chase aboard the Covenant that follows, but I actually missed it from Paradise.

All in all though, these are issues I have with the original material. I just felt like this was the right place to share them, with fellow fans that actually edited out a better movie off of what we were given. I'm very thankful for Job's edit, and again, it just might be my favorite one - hence my passion in dissecting it thoroughly. Look upon his works, Paradise is definitely a proper Alien prequel.