"Prometheus" and "Alien Covenant" fused into a single film. Decent enough plan, although it seems Mr Willins has done this twice already with his "Derelict" and "Ripley" edits.
Video - 1280 X 720p AVC. The visuals for "Prometheus" are simply better than those for "Covenant." The opening moments with the TED talks could have used less fade-outs. Afterward, the editing is assured and masterful ... for awhile. With "Prometheus" the editor has a strong concept and it shows. The editor has his craft down so I have no comments on technical aspects.
Audio - 128 kbps AAC. 2 Channels. No subs. The editing is smooth, though the audio is spotty at times - in both films. Dialogue is muffled or indecipherable. From hollering to whispering. I listen over speakers, I listen through headphones. No difference. I viewed the 5 GB file, I don't know if the larger, 10 GB file offered 5.1, or if it would have made a difference.
Narrative - As with the previous "Derelict" and "Ripley" edits, Mr Willins runs concurrent stories. With those edits, the story bounces back and forth like a ping pong match. Like an ADD incessantly switching channels. With "Paradise" Job Willins finally hones his storytelling. This becomes David's story, more pronounced and effectively done with the "Prometheus" half. "Covenant" is much too talky.
Enjoyment - Hit n miss for me. The last thirty minutes were repetitive to the point of tedium. Too many climaxes, I just wanted them all to die at that point. In a word, too much "Covenant."
With "Prometheus" he cut most of the garbage I hated. "Covenant," I predicted would be more challenging, and to me he did not successfully carry this off. Comment - songs by the fab four were distracting and incongruous.
Job Willins displays superior abilities and I would like to see him shift away from these back n forth twofers.
When I first heard about this fan edit combining the two Alien prequels into a single film centred around David, I was immediately intrigued.
The editing is great and for the most the narrative works but having the film narrative in chronological order would have been better than constantly switching from the past and present.
There were some deleted scenes which were not colour corrected or graded to match the film. This is nitpicking but felt worth mentioning.
Lastly, the song “The Entry of the Gods into Valhalla” had a significant meaning, especially how it is played throughout the film with its crescendo to the end when it blasts loudly as David has triumphed from his small beginnings to triumphing over his creator and becoming a god. I felt the song used instead by The Beatles did not suit the film at all and was a disappointing finish to a great idea.
I usually don't like this sort of merging of two separate stories into one feature. However, using David as the beacon and ignoring a lot of the unneeded material from both sources has surprisingly created an exciting story with a complex narrative that is still not too hard to follow and make sense out of it.
I really like the visual editing in this one. It keeps the pacing consistent enough and is done very creatively. And though the extensive cutting, there was still some development of characters present within the final product. David obviously is the focus. The short clips that preceded to the release of Alien: Covenant also helped and were wisely placed within the story.
The quality is top notch and the visual and audio editing is seamless.
The infection sequence inter-cutting between the two films is well done but not easy to follow.
Keeping track of two different crews, each with its own members, relations and journey can be quite exhausting.
I wish the editor could've made this into a suspense driven story. Or rather, I wish the sources relied less on gore and disgust, but on suspense that made the original Alien so great.
Also, the final confrontation with the alien lacked excitement. I think cutting the shots where we see the blades of the truck from so many angles until the very end when they penetrate the Xenomorph and kill it would have been effective. Otherwise, it's so obvious that is what's about to happen.
Anyway, those are minor issues I have. The fanedit is great and the best edit of the month reward is well deserved. Good job Job!!
A great re-imagining of the 2 Alien prequels which also succeeds in doing away with some of more confusing scenes, plot holes and character inconsistencies. I have no idea how well this would work for someone who has never before seen either Prometheus or Alien: Covenant, but from my perspective it was a very well conceived alternative and well worth the watch. The Covenant finale in particular was much improved and, being a Beatles fan, I appreciated some of the sneaky song placements! ;)
A minor qualm is that you could feel the 2.5 hour run time, but considering this is squishing 2 movies into one, the pacing is actually pretty good. Great job, JobWillins!
Edit: I initially gave this an 8 for video/audio quality, but have only just realised I was watching the 720p version (unaware there was anything better available). I've now downloaded the 1080p version and it looks much better!
For me Paradise did not quite work - Don't get me wrong it had some wonderful moments but as a whole the narrative was a bit hard to follow. It only worked to a point because i had seen the theatrical versions and could fill in the gaps, so in turn was able to follow the story.
To start with the Weyland / David chat was fantastic. A mixture of the ted talk and the white room conversation was great. The scene of the Prometheus crew and Covenant crew trying to get back to the ships after being infected was wonderful visual and audio editing but again unless you knew the theatrical versions would be hard pressed to follow what was going on...as a visual and audio experiment worked really well....good skills. Adding the deleted scene of Shaw putting David back together was great....but for me it would have worked better as an ending to Prometheus.
One of the highlights for me was the cutting of the Xenomorph and Daniels surfing and Tarzan swinging as the Covenant crew try to escape the planet also the Shower scene is so much better. The use of The Beatles "Want You So Bad" was a stoke of greatness. The audio editing was top notch....I will be seeking permission from Jobwillins to use this scene in any future edit i may get around to :). Though the use of the Beatles track was great in that scene i didnt quite enjoy the other two Beatles tracks when they were used. The ending was brilliant - the use of some of the audio from the Blurays extra scene was truly great..
So overall - i think Prometheus and Covenant work better as separate films but JobWillins has truly done some remarkable work and has got my mind into gear thinking about my own edits of the two films. Prometheus should maybe start with the white room scene and end with Shaw putting David back together from the Covenant Bluray extras. Covenant should open with David arriving at Paradise and infecting the citizens..and the ending should be the same as JobWilins has done in this edit... but for me with a different song. Golden Slumbers / Carry the Weight are such immense and emotional tunes i just kept thinking of Paul and John and got taken out of the film...i think a nice classical piece or even keeping the Wagner tune intact would work better
Jobwillins well done....your skills are top notch.