I was not - and am still not - sure what Dom’s purpose was with this.
For a straight up experience, it can be a challenge, any stray dialogue is muffled throughout.
The replacement audio predominates, a heavy, slow wash of industrial.
I modified my expectations and began to view this as a film from the Terminator’s POV.
It’s perspective, the soundtrack fellow robots would reference, their priorities which might differ wildly from those of fleshy humans.
If so, then this is audacious, brilliantly original.
Not that there is much in the way of narrative, yet what would an android care about narrative?
I'll start by saying that Under The Skin has been one of my favourite films of 2014. I like my science-fiction weird and my horror creepy and unsettling, and I'm always a fan of films that use music as an integral part of the overall experience, so for me it was a 3/3 hit.
This edit is a successful experiment in using the oppressively strange and almost hostile soundtrack from UTS to provide a very different feel to Terminator 1. Coupled with some seamless visual cuts, the original release of T1 is effectively condensed into a single nightmarish sequence of events.
If I had any criticisms they would lie on the audio editing front - not in how the new music is handled, but because I couldn't help feeling that either more sound effects or fewer would be required (with the latter option almost certainly involving a lot more work to try and find suitable cues in the music and match them to the on-screen events). However, this is a minor bugbear and not a big deal.
Overall, a fresher and more gripping take on the Terminator franchise than anything the official releases have provided since T2, IMO.
Terminator 1 is the first movie I ever watched, still remember the old VHS I used to rewatch a million times as a kid (with the sex scene expertly taped over with Horlicks commercials by my dad). This edit does a great job of summarizing the film into 15 mins by using ingenious cutting techniques and great scene selection. I love the foley/original audio tracks being so clear, not sure if they were recreated or if it was a clear center channel, but it sounds pitch perfect. The new music is good, certainly appropriate for the atmosphere and is a worthy alternative to Fidel's iconic score.
All in all, a great edit to revisit for a fan, an a very interesting alternate look at T1. Nice work!!
The music totally worked for me and turned every scene into one of greater dread. I once thought the techno soundtrack for T1 fit the movie like a hand in mailed glove, but this aural outing actually made me feel in a more visceral way how desperate Sarah & Kyle were, the holyshit danger. Take the word "stark" and wizardly turn it into a short fanedit, and you get this.
In a very good/mysterious/surreal way, this piece reminds me of Dwight Fry's Spidey edit, in that it transports you on a most deliciously fucked-up wonderbus.
I was hoping the narrative would mess with the time travel elements. Conveniently, the Terminator franchise is bulging with this particular fanediting raw material. The story here is a condensed version of the theatrical telling, nicely done, but it misses an opportunity to put a twisty wrinkle on a well-known plot.
The video seemed a bit juddery to me, and I can't tell whether it's a Vimeo conversion problem or a whatnot amongst whatnots. No biggie.
Folks, this is the kind of thing you can show fanediting virgins (or the recently devirginized) to give them a taste of the alternate life of a movie. I look forward to more edits by DominicCobb. Make them and send them back through time.
Terminator is widely regarded as an action series, but the first film can be argued to fit in the horror genre as well. In many ways, it could be considered a time travel slasher flick, and this short highlights those aspects. The ambient, alien, unnerving soundtrack really drives home the atmosphere. Cutting the story down to an extended chase shouldn't work, but the editor pulled it off with style! It's quite seamless. Most impressive. I believe that he also did some color correction? Or perhaps I'm just not familiar with the more recent remasters of the film. At any rate, it looks quite nice from an aesthetic standpoint. Technically, there's some obvious compression, and the frame rate isn't presented in the standard 3:2 pulldown. Still, a very entertaining, well put together short. Well worth watching.