There are many visual nods to Tarantino as well, but in no way is this intended to be a new Tarantino film! It's intended as a fun homage to one of my favourite filmmakers, and a remix of one of the best films ever made. Steering away from the Tarantino vibe, I have also included a hero moment for most of the main characters, and thrown in a few songs that Tarantino would never use in a million years... Hope you enjoy it!
Star Wars, Episodes 2-6
Star Wars: The Clone Wars (2D animated series, 2002)
Kill Bill Vol. 1
Ironside (Excerpt) - Quincy Jones
The Grand Duel (Parte Prima) - Louis Bacalov
The Lonely Shepherd - Zamfir
The Flower of Carnage - Meiko Kaji
Crane/White Lightning - The RZA
Super 16 - Neu!
Run Fay Run - Isaac Hayes
Kill Bill Vol. 2
Summertime Killer - Luis Bacalov
A Silhouette of Doom - Ennio Morricone
Il Tramanto - Ennio Morricone
The Chase - Alan Reeves
L'Arena - Ennio Morricone
The Green Leaves Of Summer - Nick Perito
The Surrender (La resa) - Ennio Morricone
The Verdict - Ennio Morricone
Rabbia e Tarantella - Ennio Morricone
Slaughter (Album Version) -Billy Preston
Tiger Tank - Lalo Schifrin
The Man With The Big Sombrero - S. Shelton
Paranoia Prima - Ennio Morricone
Riot In Thunder Alley - Eddie Beram
Baby It's You - Smith
The Last Race - Jack Nitzsche
Good Love, Bad Love - Eddie Floyd
Down In Mexico - The Coasters
The Love You Save - Joe Tex
Strawberrry Letter 23 - Brothers Johnson
Across 110th Street - Bobby Womack
Monte Carlo Nights - Elliot Easton/Tiki Gods
Cissy Strut - The Meters
Other (non Tarantino selections)
They Can Not Touch Her - Bernard Herrmann
Mind Power - James Brown
Space Oddity - David Bowie
Both Sides Now - Joni Mitchell
The Ecstasy of Gold - Ennio Morricone
Leave Home - The Chemical Brothers
O Fortuna - Carmina Burana
Old Man - Neil Young
The Lonely Surfer - Jack Nitzsche
You don't have to say you love me - Dusty Springfield
2) To everyone in the forums who gave suggestions over the past year. Many of those ideas are in the final cut, so thank you for chipping in!
- NTSC DVD-5
- Blu-Ray (BD-25)
2) Added a number of visual references to Tarantino movies
3) Given each main character a hero moment/montage
4) Rebuilt the sound effects from scratch in many scenes to allow for the music replacement and to manage spill as much as possible.
5) Created a non-linear structure, split into complete chapters (Inspired by Kill Bill Vol. 1)
6) Replaced Yoda's dialogue with Pai Mei (Kill Bill Volume 2)
7) Replaced the Millenium Falcon's engine with Stunt Man Mike's from Death Proof
Version 2, August 2014: Better removal of John Williams spill, minor visual fixes/tweaks.
I would say that the genuine idea for this is pure and so any form of this idea I will support, but this cut is rough.
It does a few things right, battle of Hoth is cool, opening scene is wicked cool, there's other great stuff like Han and Leia in the tunnels. My favorite remix was with Yoda and Luke in Degobah. The music bed change creates more a samurai/jedi feel to it, it really enhances Yoda's journey in relation to Luke.
All that said, I feel like the edit kind of kept getting in the way of a Tarrantino vision. His work is much tighter and dialogue is much snappier and the stories are more intertwined and layered thru the use of time. This cut was pretty much just the movie with some major music changes. I would have liked to see a tighter more destructive edit than this. I feel this cut it far too loyal to original EMPIRE, which I've seen a gazillion times. There were painfully long scenes that could haven been trimmed or re-ordered QT style. It's fun for sure, but there are a lot of missed opportunities.
Really really great movie to watch. Enjoyable and astonishing from start to finish (or the other way around :P). Indeed is a great piece who paid homage to both Empire and Tarantino style. It all worked so well, I've never even seen the time passes. Great thumbs up for you, NJVC!
It's a good form of editing and soundtrack.
I was really jazzed to see this edit. I mean, a Tarantino style brought to The Empire Strikes Back? You can't lose! But after watching the movie I was left with a really mixed feeling. It was like taking two of your favorite foods and mashing them up together, only to dislike the ensuing result. Both are awesome apart, but sometimes certain things don't go together very well.
The back and forth Tarantino narrative was just fine, and replacing Yoda's dialogue with Pai Mei's was friggin genius. But the music queues kept taking me out of the movie most of the time. While Vader's intro with Inglorious Basterds audio and visual editing was pretty fantastic, the rest of the time things were all over the place. And I realized the problem is that Tarantino himself has a varied style throughout most of his movies-- 70s funk/soul, garage band grunge, Japanese classical, Old West gunslinger.
The issue for me was that ALL of them were tossed into Pulp Empire rather than one or two styles. This caused too much of a mishmash of styles for my taste. It felt like you were in the mindset of Kill Bill one moment, then tossed into Reservoir Dogs, then tossed into The Hateful Eight... just jarring. I respect what njvc attempted with Pulp Empire but I would has personally preferred to see it keep the soundtrack and queues to either Pulp Fiction/Jackie Brown, Kill Bill, or Django Unchained/The Hateful Eight.
A novel concept, executed superbly. The audio editing is nearly flawless, as is the picture editing. The movie really has that Tarantino feel, and still works as a story, which is pretty marvelous. I do think this edit sometimes straddles the line between an earnest pastiche and the sort of "if x director made y movie" parody that you might find on YouTube. Judged in a void, I would say it doesn't totally work, in that I don't know what someone who had never watched Star Wars or a Tarantino movie would get out of it, but with the context of the original Empire Strikes Back and Tarantino's filmography, it's endlessly amusing and clearly a labor of love. Great job.