Star Wars - Episode VI: Return of the Jedi – The Spence Final Cut

I finally watched this, and I have to say it's a tough one to review. Overall I think I enjoyed it, and although there were many things that didn't work for me, it was a pretty interesting watch.

The main footage (I assume) is from the 2004 DVD, which means in some cases we get some SE footage I would rather not see again. Spence did cut around some of the worst stuff (the Jabba palace musical number and the Hayden force ghost, for instance), but Vader's awful candy cane lightsaber is still there. And in some cases he replaced SE footage with other sources (presumably the GOUT?), but it sticks out pretty badly. I know he did the best he could with it, but it still bugged me.

As others have mentioned, there were a few audio hiccups, mainly several places where the lip sync was slightly off and the really jarring increase in audio levels when the credits roll. Oh, and the fact that the "Fanedited by Spence" credit is superimposed over another credit feels sloppy. Give yourself more credit, man!

The prequel music worked fine, but it's always jarring for me when I hear it during an OT music.

The other two things that stood out for me were that I missed some of Han's lines (like "fly casual" and "hey, it's me") and I was at first confused by the Emperor not being on the Death Star. I thought that needed to be established better.

The opening sequence was pretty neat to watch, although I still think I prefer the original. The way Spence handled Leia meeting Wicket was fantastic. And the Ewok battle was pretty well done as well.

In, the end, I gave this a 7/10 due to the minor tech issues and the things that just didn't work for me. At the same time, I do recommend watching this, as it's a really interesting attempt at editing a Star Wars movie that hasn't seen too many edits.

A/V Quality 10/10
No issues with the actual A/V quality. Clean picture, great DD5.1 sound.

Visual Editing 9/10
No issues, really. Sometimes it was pretty obvious when you were switching source material, but it worked fairly seamlessly. The colour correction was very well done.

Audio 5/10
Sorry, but this was the low point of the edit. It's a mixed bag of great ideas that were poorly executed. The speeder chase is great, but the volume is too low. The Duel of the Fates was great, but not mixed in very well. There's a slew of noticeable audio sync issues throughout the edit. And what the hell was with the music over the end credits? In the commentary you mentioned that you watched this edit 4 times - I'm surprised that at least a few of these issues weren't noticed and fixed before it was released, especially with all the time and energy you put into whole thing.

Narrative 10/10
Perfect. Improved the original by a huge margin. All the changes made were for the better. A couple of things were odd - Luke sensing the Leia was in danger was a neat idea, but it didn't work in practice and Luke and Leia hugging like they haven't seen each other in years on Tatooine - but did not really detract from the overall experience.

Enjoyment 7/10
I'd bump it up to 9/10 were it not for the audio issues. But what I really loved was the commentary track. I honestly only bothered to check this one out when I read that there was a faneditor commentary track included. I love edits with faneditor commentary and I really wish more editors out there would do them, especially for radical edits like this one. I love hearing what was changed, how it was changed and, most importantly, why it was changed, as it happens. The commentary track on this is a must-see and provides a lot of insight into the thought process and planning that went into this edit. It was very enjoyable, and perhaps, even more enjoyable than the edit itself. And your explanation as to why there's a giant bottomless pit on the star destroyer was gold.

As a kid Return Of The Jedi was my favourite film in the trilogy however as an an adult It became clear to me that it had some structural and characterisation problems at least once I was able to remove those super glued rose tinted nostalgia goggles of mine, however I can definitely say that this is a huge improvement over the theoretical edition starting with the altered opening crawl which fits well with your established vision and execution of those narrative alterations in this edit followed by Luke and Yoda’s final conversation within the original trilogy.

Said alteration of the final conversation makes both master and apprentice much more wiser and empathetic ultimately giving credit to the force itself and displaying there ability to understand the force and what each of them is feeling through said force, as such the whole last request and passing of the torch scene now has a lot more emotional weight to it. The manner in which the music passes on into Tatooine via the circle wipe maintains the emotional tone of the previous scene with the fact that it transitions to Tatooine perfectly symbolising how the death’s of those important to Luke ultimately ended up moving his life forward.

It also serves as a great way to foreshadow the young Jedi’s return to the place where his journey began along with how the sons of Tatooine will fall with one sooner than the other as represented by the twin suns along with the whole thing making for a neat little transition to the whole Jabba The Hut subplot, the pacing for that is vastly improved due to some clever use of J&R cuts and the utilisation of the non linear narrative which also helped in increasing the brain cells of the protagonists making the whole rescue mission much more logical in the process.

Naturally the pacing of the sail barge battle was a huge improvement as nothing felt dragged out or played for forceful unnecessary comedy and the removal of Boba Fett thankfully spares one of science fictions coolest bounty hunters from his rather undignified loss, his removal from Jabba’s Palace was a welcome change as it never made sense within the Star Wars Film Universe why he was there and while it was nice to see the old Sarlacc Pit again without that accursed immersion breaking beak the differences between the old footage and the special edition footage were quite noticeable.

While enjoyed the speeder chase on Endor involving the protagonists and the Stormtroopers I did feel that there was a void left unfilled however this edit naturally fills that void with some sharp authentic cuts and exciting music that increases in tempo as the chase progresses as such the sequence is now a lot more exciting and intense than it was in the theoretical version, while I am mostly indifferent to the Ewoks I still would have preferred Lucas original idea of incorporating the Wookies into the story as it would have made for some great character development for Chewbacca though the various trims and removals of the Ewok related scenes do however greatly improve the pacing of the overall edit and make the downfall of the empire a little more believable.

One thing I found a bit odd is how Luke knows that Vader was once called Anakin Skywalker since the conversation he has with Obi Wan’s Force Ghost regarding Vader’s past and former name never occurs in this edit though I am guessing the intended implication here is that Luke learned of Vader’s former name through the force, though it still feels weird to me otherwise the removal of Vader’s dialogue pertaining to it being to late for him to return to the light was a wise choice as his body language within the whole scene is a far better and more subtle indication that he is fighting his own battle deep within.

Speaking of internal and external conflicts the decision to have Luke & Vader’s final duel take place on a Star Destroyer rather than the second Death Star is genius as it not only makes the Emperor a little more cautious and theoretically would give him an easier way to escape the conflict and rebuild the empire anew had the conflict played out a little differently, but there’s no longer that artificial sense of tension looming over the duel which allows said duel to actually have more of a point to it with the pacing of said duel being vastly improved due to an effective reverse shot and some clever cutting especially the use of that one J&R cut.

Considering how the three way battle is a war for the fate of the galaxy and the duel between father and son ultimately leads to a huge paradigm shift the use of Duel Of Fates is quite thematically appropriate for such a battle as for the war itself it’s progress, tone and pacing for the three respective fights now perfectly aligns with the success to failure and failure to success ratio of the overarching conflict and the various shots of the rotoscoped Death Star outside the Emperors window make for some very ominous and cinematic shots ultimately strengthening the non linear continuity you created.

At 53:18 the two Crimson Guards are standing dutifully by the elevator but at 53:58 they’ve completely disappeared leading to the plothole of why they would vanish from there masters throne room unannounced and without his consent as such I believe the part where he orders the Crimson Guards to leave should have been kept in not only for the sake of avoiding said plothole but it would also align better with Luke’s ‘’Your overconfidence is your weakness’’ though considering he has a juggernaut like Vader as his apprentice and can shoot lightning from his fingertips I’ve often wondered why he even needs the Crimson Guards at least as far as the Star Wars Film Universe is concerned though that point is a problem with the theoretical versions of the film and not the edit itself.

Really happy you managed to remove Vader’s big ‘’NOOOOOOOO’’ as I felt that really cheapened his Heel Face Turn when the Special Edition was released and took me right out of the film but in this edit said Heel Face Turn now has that same impact and power that it did back when the VHS of this film was easier to track down and obtain, using Anakin’s theme from The Phantom Menace over his final moments was a great way to symbolically show that he had returned and passed on as a Jedi strengthening the emotional resonance and the films title.

Speaking of music the piece that you used throughout the celebration montage is much more fitting and appropriate, additionally I am so glad that ‘’Weesa Freeeee’’ is gone and the burning of Vader being the final scene makes the conclusion to the Skywalker’s respective character arcs much more impactful, some aspects of this edit are definitely rough around the edges which other reviewers have already pointed out though one thing I haven’t seen addressed in the reviews that came before this one is that the disclaimer has a line spacing problem where some of the words are overlapping each other just ever so slightly.

It’s to bad that Spence (as far as I know) has no desire to return to and fine tune the edit because this has the potential to ascend from an excellent edit to a phenomenal edit though I am unsure as to what the context behind Absolutely No thanks to lordsidi is about, I am guessing it’s either an inside joke or the editor or non editor did something to dishonour or hinder the production of said edit in some way or another though I will say that little bit after the credits ended had me bursting out laughing so hard my stomach hurt truly Spence has a great sense of humour.

A truly revelatory edit. I watched this with the commentary on to enjoy Spence's opining about the rampant pacing and structural problems with the movie. As someone who has been trying for, well, my entire life and has had countless conversations with people about why this entry doesn't work as well as it should, this was an eye-opener. It's easy to just take ROTJ for granted and look at it uncritically if you grew up with them, but Spence picks out pacing, dialogue, scene-order problems, almost all of which are 100% on the money.

Not to say I completely agree with all of the choices, I think the excision of Boba Fett and the Rancor is more distracting than anything, for whatever gains are made in terms of pacing, the movie feels a bit smaller as a result and the resultant cuts feel inorganic. Also, with the deleted scenes readily available (nowadays, if not when the edit was originally made, not sure) some of the well-intentioned but clunky cuts of Luke sensing the dire situation on Tatooine from Dagobah could have been smoothed over a bit, as could have the post-rescue moments between the heroes.

Aside from those quibbles, the masterful tweaks, especially to the latter half of the movie, are extraordinary. The removal of force ghosts, the trimming of the Ewok scenes, the adding of stakes by moving Luke and Vader's confrontation to the Death Star are all tremendous. For the first time, the final scene of Luke staring up at the sky after redeeming his errant father's soul sent chills down my spine, something that watching Ewoks cavort around a bonfire never did. For the first time, Return of the Jedi felt like the powerful end of a truly epic saga.

While I've read that he has no intentions to do so, I would love to see Spence take another pass at this. It's already most certainly a shelf-replacer for me, but another version using all the available footage to smooth over a few other cracks would knock it out of the park, imho. After all, third time's the charm -- mostly.

I really like Return of the Jedi, but in terms of ending a saga, it's really disappointing. The story is flat and tensionless. The special editions added more nonsense to an already weak entry to the saga.

I presume the source for this edit was the 2004 Special Edition DVD + 2006 GOUT DVD (for replacing SE nonsense), so the quality isn't the best. Same goes for the editing. It's not bad, but in some places it feels choppy. Especially in Tatooine where Luke senses his friends. Still a minor problem though, it doesn't hurt the experience.

Spence has created a great narrative in this edit. He fixed the Tatooine plot perfectly, for example. In my opinion, the Dagobah scene should have been left as it is, Obi-Wan and all. Also the new ending is IMO too abrubpt. I wish that would have been left in. The biggest problem, though, is the Death Star/Star Destroyer swap. In the original movie, we find out that The Emperor is confident enough to see the final stages of the Death Star II, and so he is in it. The Rebels decide to end the war once and for all with this information and destroy the Death Star. There was tension there, but not enough. Here, though, he goes to the Star Destroyer, and the Rebels attack the Death Star. Huh? This plan makes no sense, why not destroy the Star Destroyer? Also the tension is gone here. And Luke ends the war. It's abrubpt again.

Finally, we end up with a fanedit that is just as good as the original, but I prefer the original because of the narrative making more sense. It's a good edit, though. Just not as good as I expected.