Shadow Strikes!, The

It took me a long time to finally see the theatrical version of The Shadow. For some reason it always looked like a poor knock-off of Burton’s Batman which had jumped on the bandwagon and arrived too late. In fact, it was only when I heard Bob was lending his skills to a fanedit, that I finally picked up the DVD to watch it.

My fears were partly confirmed by viewing the normal cut. Perhaps not necessarily in the “Burton Batman” comparison, but whilst I enjoyed certain aspects of the movie such as the excellent production design and Jerry Goldsmith’s majestic score, director Russell Mulcahy struggles to consistently engage the viewer with too many moments coming across as flat and rather uninspiring. Some of the blame must also lay with David Koep’s average script.

However, Bob’s said intention to inject some life into the film, to bring out the best elements was more than enticing enough to make me want to see The Shadow Strikes!

Firstly, the change to black and white does absolute wonders for the film. Whether it’s because the film noir style lends itself naturally to the old fashioned “serial” feel of The Shadow character, or just that it gives the film a little more gravitas, I’m not entirely sure.

There’s little doubt that the film benefits from an injection of urgency too. Some expert invisible cutting is evident here, creating a Shadow which feels more energetic and fun. Granted, the original cut was not particularly over long in its running time, but it had the feeling of a film dragging its heels – never a good thing. Thankfully, Bob has eradicated this problem, even managing to make Baldwin more convincing in the title role.

Granted, the film still has problems. It still can’t quite leap off the screen at you with the kind of vibrance or excitement which you so desperately want it to have. However, Bob’s version is a vast improvement and unquestionably is now my “go to” version. The Shadow Strikes, indeed! ;)

WARNING THIS REVIEW CONTAINS SPOILERS!

So per usual, I rewatched the original again before watching bob's edit. I also avoided reading any reviews of his edit as well as his cutlist and intention (all I knew was black and white and 4:3 AR).

I remember really enjoying The Shadow as a kid. I thought it was a cool movie. But this was the first time I'd seen it in at least 15 years. So as I rewatched it, my mind was already working thinking of what I would cut or change to improve the movie.

Enter: The Shadow Strikes. Very cool DVD menu! And the edit itself...bionicbob, to quote Chris from Family Guy: "get outta my head!" I love that you removed the intro scene with the flying posessed dagger in Tibet and all that jazz. Worked perfectly to just use the flashback stuff. And having the movie start with The Shadow dealing with some bad guys is definitely a stronger start to the movie.

Also have to say you did an awesome job removing all the horrible humor in this movie. "Nice tie, Brooks Brothers, is that midtown?" God, I wanted to puke when I heard that crap. So glad that was removed!

The 4:3 and B&W definitely worked for this movie since it takes place in the 30s or 40s IIRC? It could have easily remained widescreen and color, but those changes that bob made worked fine for me.

This is the first bionicbob fanedit that I've ever seen. (Unfortunately the source material/subject matter of most of his edits have been movies or shows that I have either never seen or am not a fan of). But I thoroughly enjoyed this edit.

The editing was invisible to me. Audio and Video quality was up to par, although there was some graininess and dots and lines at various points on the video ;)

I hope that some of your future projects also cover material that I'm a fan of as I'd love to see more of your work! Well done bionicbob!

Bionic Bob has prevented a fanedit from ever being created.

Because The Shadow is one I had been considering to edit some day, and in a way that'd be very similar to this: B&W, cutting out bad humor, removing the opening. It wouldn't have been the exact same thing, but close enough.

However, The Shadow Strikes leaves me so happy that I no longer feel the need to do it myself. THIS is The Shadow for me now.

The original is, I think, a very mediocre movie, but with much to like in it: gorgeous production design and costumes, a cast of supporting players to die for, an amazing Jerry Goldsmith score, and of course the fact that it's about The Shadow. The original Batman! But it was weighed down by a weak script, stock Hollywood shoehorned humor, and uninvolved and uninvolving lead performances. I know Bob disagrees, but I find Baldwin wooden and dull in this role, and the attempted Nick and Nora dynamics fal flat because he and Penelope Ann Miller never achieve a millionth of the sparks Powell and Loy created. As such, I might have reduced that a bit for the edit. But the rest? Huge improvement overall. Removing the opening not only spares us the sight of Baldwin in a silly wig, but enhances the character by making him more mysterious, we don't exactly know how this Ying Ko was and why he is so legendary, which certainly beats presenting him as a skinny Jabba the Hutt cosplaying as Fu Manchu. And don't get me started about the one-liners. “Next time you get to be on top”? WHAT?

Being that this movies is the 1990s (expensive) equivalent to the 1930s and 40s (cheap) B-movies, it not only looks great in B&W but also gets an aesthetic that completely embraces its origins. I would have even gone more extreme in the contrast/brightness tweaking to make it more era-appropriate, but it's nice enough as it is. Extra features are a nice addition, particularly one of them gives us both a lot of great Shadow covers AND the removed Original Sin song! What's not to like?

I've said it before, and I'll say it again: I'd love to live in a parallel universe in which Bionic Bob's edits play in drive-ins. They deliver exactly the kind of fun good B-movies are supposed to deliver. Thanks so much for making them!

The Shadow Knows.... this is a great edit! Removing the beginning origin scene and getting rid of the forced humor not only makes The Shadow more mysterious and intimidating, but it also saves us from Alec Baldwin's silly long wig! Learning about Lamont's dark past later on in the film instead of the beginning also improves the narrative, as we see him as a hero first and the extent of his criminal past comes as a surprise when Shiwan Khan reveals it to the audience.

While I miss the saturated colors of the original, the conversion to b&w gives it a fun pulp noir vibe, like it came right out of the era the Shadow originated from.

This is the definitive version of "The Shadow " for me. Highly recommended.

I hadn't seen the original since it was released and seeing this brought back memories.

In saying that, it was okay. I would prefer colour, and some other reviewer said something about the quality of the B&W which I agree with. It's not entirely consistent.
My feelings of nostalgia are no longer strong now as I see it for the weak movie that it really is.

Bad guy who can control minds steals building and builds bomb. okaaaay then. I could think of more cool things that I'd rather do.

This is a good fanedit, just not a good movie. Thanks for making it.