- David watching Shaw's dream now happens in the middle of the David-alone-on-the-ship sequence instead of at the beginning
- Included extra dialogue in Vickers and Janek's first conversation
- During the briefing, cut Weyland's "what happens when we die" line - nothing in what Shaw and Holloway have found on Earth has to do with the afterlife (Shaws says mentions afterlife in her call, but Weyland's stress should be different)
- In theatrical release, during the briefing, Shaw states that the engineers created humans as if it's a fact, and then when asked by a fellow scientist to back that up, then gives her "what I choose to believe" line, which renders this important aspect of her character ridiculous. Here, she makes it as a direct statement of belief straight up, which then gets mocked by Fifield.
- Cut a couple of Vickers lines that were redundantly underlining bitchiness
- A few small edits to Holloway dialogue to make him a bit less douche-y
- Trimmed a few bits of exploration scenes to increase pace (includes removing silly "it's minus 12 in here" line - they'd all be putting their helmets back on in that case)
- Included Millburn discovering (non-dangerous) alien lifeform scene
- Included Shaw's "not alone" speech to crew
- Shaw and Ford no longer pump the engineer head with electricity until it explodes
- Stitched together new line for Fifield to explain why the keeper of the "pups" gets lost: "I can't connect us to my pups' map"
- Tightened up "probe picking up life form" scene
- Millburn no longer treats the alien worm as if it's a cute animal at a petting zoo
- David now spikes Holloway's drink just before handing it to him, instead of *right* in front of his face
- After Holloway's death, while out on the table, Shaw remembers the dig in Scotland with him (archeological site scene) and has a vision of the engineers on earth (the engineer-sacrifice scene)
- Included Janek's talk with Vickers, which gives him a much better reason for sacrificing himself at the end. It intercuts the scene of David talking to Shaw about her pregnancy. Added music.
- Additional music to second half of David talking to Shaw about her pregnancy scene
- Included alternate Fifield return scene, which I think is far superior in the way he looks and moves (including a hint of xenomorphism with the head elongation)
- Included extended conversation between Vickers and Weyland, a good character moment for both of them, especially giving some nuance to Vickers, and also has acknowledgement that Weyland's circle is aware of Shaw's "child" on the ship, via Vicker's "thing squealing next door" line. Added music and sfx.
- Included the extended conversation between the humans and the engineer. Mix of theatrical and alternate footage. Added music.
- Removed Shaw's long leap across the widening plates. She's already been asked to do so much in her post-operation state
- The co-pilots no longer crack a joke right before making the ultimate sacrifice
- Shortened juggernaut-rolling sequence, to try to mitigate this issue: http://www.penny-arcade.com/comic/2012/06/13 (safe to say I liked the film more than they did, but they make a good point )
- Included Shaw's melee with the engineer
- Included alternate end conversation between Shaw and David, which is *so* much more fitting in tone given what Shaw has been through. Some theatrical footage mixed with alternate
- Added bit of 'space jockey' music from original Alien and callback to the xenomorph-mural to very last scene
- Small adjustments at various other places
- Made color-corrections in all added footage to try to match it with theatrical
This version has a much better linear and understandable structure than the original and looks superb. My only complain is that the audio has only 2 channels and appears to be clipping on loud moments.
Great work Severian, you have engineered a much improved film.
I was one of those people that absolutely despised Prometheus. This version, however, is much more palatable and mysterious, and overall I found I enjoyed it much more.
The new opening using the TED talk is absolutely genius and really ties everything together, along with Shaw's message to Weyland. Not seeing the Engineer until much later really helps in us caring about the characters and their mission. The alternate version of Fifield's attack on the ship was much more effective and ties it in better with the Alien series. The editing is seamless across the board and very well done.
There are still a few things that probably could've been cut. Though moving the Scotland scene and the Engineer on Earth scene works much better than the original cut, I really believe both of those scenes could've been cut entirely. The pacing could've been improved by removing them. There's also a shot of Shaw getting thrown against a wall where she clearly has a wire attached to her, as well as a shot with a few green screen monitors before the effects were added. I assume this is from the deleted scenes, so I can't blame you for not adding the effects, but I personally would've preferred not having these shots at all as they were quite noticeable.
This is probably the best version you'll get of this movie. It's still not perfect and at times rather infuriating, but it is a huge improvement. Kudos to the editor on a job well done!
I enjoyed this at the cinema but on viewing it again on Bluray found it a little lacking as an Alien prequel.
Severian's edit is a lot tighter with good integration of deleted scenes (although one obviously stands out with incomplete wire removal) and cutting of non-plot essential scenes. The addition of the TED speech and the begining was great and I liked the Shaw video messages too.
I certainly enjoyed it more than the original and it will be my go to edition now.
Thanks Severain ^_^
Prometheus do you see this? Yeah I do, and it's quite an edit! The movie makes sense now, and is serious, and is so clearly a prequel to Alien. I liked the added scenes, particularly Weyland's speech at the start, and how scenes were moved/relocated. Everything was seamless as far as I could tell, video and audio.
There remain some potential improvements in narrative, as others have pointed out. The zombie half mutated guy that gets the blow torch, not really sure where his mutation fits into the creature life cycle. Probably could do without that, just leave it where we last saw him inside the compound with a creature going down his throat.
I really enjoyed this movie now, and look forward to sharing the edit with others.