Ghost in the Shell 2017: Lean & Mean Edition
1) Enjoy the Silence by Ki:Theory
2) Utai IV_ Reawekening by Kenji Kaway
2) Early apparition of the villain was deleted to add suspense.
3) The scene with the geishas was shortened to eliminate Batou's silly lines.
4) Credits scene was rescored using Kenjy Kawai music. Also, now the title of the movie appears only once during the sequence.
5) Debriefing scene was edited and shortened.
6) Scene with the Major and Aramaki was deleted.
6) Scene with the Major and Oulet was heavily altered to eliminate silliness.
7) Scene with the Major, Batou and Dr. Dhalin was altered to eliminate, once again, silly lines (ex. "She's being hacked!").
8) Action scene in the nightclub was heavily edited so that the Major always appears in control of the situation.
9) Scene with the Major and Oulet was heavily edited to eliminate instances of lines of dialogues deemed too on the nose or that referenced the name "Mira".
10) Scene in which the Major meets a prostitute has been eliminated.
11) Fight scene in the pool of water has been shorted. Also, the chase sequence that comes before has been shortened too.
12) Interrogation scene briefly shortened to eliminate the suicide of the prisoner from the cut (needlessly edgy).
13) The Major's explanation of the villain's objective has been eliminated, to add suspense. Also, the villain himself explains what he's doing just a few minutes later.
14) Dialogue between the Major and Kuze lightly trimmed.
15) Flashback sequence added using scenes cut from the beginning of the movie. These too were altered to eliminate the name Mira.
16) Dialogue between Batou and the Major on the boat slightly edited to eliminate silly line ("You are a corporate man").
17) Dialogue between Oulet and CEO of Hanka heavily altered to eliminate, yet again, on the nose lines.
18) Subsequent scene involving drugged Motoko and Oulet heavily edited to add suspense. Now it truly seems like Oulet is killing the Major by injection of a fatal substance.
19) Cutter's (CEO of Hanka) line deleted.
20) Entire subplot involving Motoko's mother deleted. Last scene from the movie, in which the Major visits her own tomb, moved here.
21) Dialogue between Kuze and Motoko lightly trimmed.
22) Cutter's line shortened (eliminated the part where he says "You freak!").
23) Death of Cutter re-edited to, you guessed it, eliminate unwanted silliness ("I give my consent").
24) Last apparitions of Motoko's mother eliminated from the movie.
I pretty much enjoyed your altered edit of Ghost in the Shell (1. Anime 2. your edit 3.Hollywood movie). Always had trouble with the subplot of the mother, as you well stated it is going nowhere.
Didn´t notice 98% of your changes, really well made.
As stated by digmodification the audo/video sync at 16:58 catched my eye too. Also the connection between major and kuze seemed a little bit more hollow, maybe it would have been possible to keep one or two flashbacks.
I understood why you deleted the suicide of the prisoner, but i do not consent with this change. To me the original scene capped there perfectly.
But overall i enjoyed your edit more then the actual movie, so well done :)
I'm not a fan of the original source material or anime in general and originally only watched this as I was able to find a killer deal on the movie. This is my second outing with the film thus far. I purposefully did not return to my previous review of the movie or try to remember it before going in as to try and view this edit with the freshest of eyes and ears and narrative following as possible.
The file looks great. Some dark areas have some artifacts which I'd have thought wouldn't be as prevalent with the file size, but they aren't overly distracting.
Great visual editing here. The only issue I saw was a single video/audio sync error.
Again, great audio editing here. For the most part I didn't hear any of the cuts you made. There is a lip/audio/video sync issue at 16:58 that I'm guessing was a line replacement. The audio works, but the video doesn't quite work with it. The only other cut that stood out to me was the end when Cutter dies. The music jumps unexpectedly, though it isn't overly jarring. Other than those, the audio work was pretty flawless. The new song during the credit scene was seamlessly integrated.
The narrative changes really focused the story. I think the only part that might have suffered was the relationship between Major and Kuze. Their bond doesn't seem as strong in this one due to some removal of flashbacks and information that was removed about Motoko. I kept returning to those scenes in my mind so I'm not sure if a first time viewer would understand the totality of their connection. Does this diminish the narrative, not at all. It's still compelling and a tighter focus on the Major makes their intimate connection less integral to the story. One interesting thing that occurred from the rearranging of the beginning was that the credits scene almost made this feel like a tv show by it's placement after the hotel raid. It also created a perhaps unintentional implication that the Major would get a brand new body each time she is hurt, though we see throughout that this is not the case. Because of this, my mind took it as a TV like intro. This didn't harm the narrative, but it did leave a small inconsistency in my mind. While I personally like some of the omitted narrative components, this edit worked pretty flawlessly. Great work!
A tighter focus worked great with this film. I barely noticed or missed any of the 15 minutes cut from the story. The rearranging of certain scenes was also fantastically integrated. It's always enjoyable to see how adjustments alter the outcomes and presentation of a story. With a few slight adjustments to the audio this would be a solid 9.5 for me.
Great work from a new up and coming editor :)
You have done this film a great service. I will now be able to show this to my anime-hating wife >.
View all my reviews (1)
I recently became an anime fan, through my persistence of my nephew who is a DIE-HARD. And I'm excited to say that the Ghost in the Shell is the first franchise that has really sucked me in! I couldn't wait to see this version of the film. So needless to say, this story and world has a very special place in my cyber-enhanced heart. And I was very happy with my experience watching this edit.
The cutting was seamless. The audio levels were all balanced and video was crisp. I thoroughly enjoyed the pacing. It was very PUNCHY and didn't lag at all by trying to explain to much subplot. Straight-forward. Boom in your face! And I had a really fun time exploring the world on a grander stage.
Looking forward to seeing more projects from you in the future FairFriend.
I anticipated seeing this edit for a long time now.
I liked the theatrical cut enough to appreciate it without the obvious comparison to the source material, but was always curious to check another take on it - mostly one that was praised to be more competent and straightforward.
However, to my disappointment, the edit tries to shorten the distance between the movie and its anime counterpart but ends up making one that falls short of both of them.
For better or for worse, the theatrical relied heavily on Major's backstory to keep its pace and character development, and that's whats mostly compromised in the edit. In this version, everything happens so lightning fast and the movie never stops to think any reason to be moving at all. At the core of Kuze's unveil there is originally a detective story, where Section 9 follows several clues and locations to spin a thin thread of what's going on. In the edit, this all boils down to scene-hopping from point A to point B with little cohesion. As a result, the Major is just along for the ride. Even though as fans we're familiar with Kusanagi's pragmatic attitude, the edit reduces her to an effectively soulless action doll who beats people, shoots people, stops once in while for a repair and goes at it again. Whitewashing controversy aside, the whole Mira subplot involving her past was necessary to give the movie any identity, even if it dumbed down the quintessensial Ghost in the Shell philosophical ramblings of self and soul to the cliché corporate conspiracy. On top of that, the removal of some lines thin the exposition a little too much. Like the aforementioned Major's subplot, some of the original lines present in the theatrical cut clearly wanted to convene a critique about ownership and autonomy of self on the information era. Even if the execution of these ideas was originally clunky (like the "i give my consent" silliness), the edit is poorer for the complete absence of them.
To the edit's merit, it's well cut and with no jarring transition whatsoever. The added scenes and music are great, and the overall nitpicking (like fixing the movie title persistently repeating in the opening credits) do give the film a subtle refinement. The encode is very good and lives up to an already gorgeous looking movie - in my opinion, one of the most beautifully realised cyberpunk scenery ever made in film.
Overall, I think, Lean & Mean is a technically great editing work that unfortunately doesn't do the original narrative any favors.