Star Wars - Episode VI: Return of the Jedi – The Spence Final Cut

As a kid Return Of The Jedi was my favourite film in the trilogy however as an an adult It became clear to me that it had some structural and characterisation problems at least once I was able to remove those super glued rose tinted nostalgia goggles of mine, however I can definitely say that this is a huge improvement over the theoretical edition starting with the altered opening crawl which fits well with your established vision and execution of those narrative alterations in this edit followed by Luke and Yoda’s final conversation within the original trilogy.

Said alteration of the final conversation makes both master and apprentice much more wiser and empathetic ultimately giving credit to the force itself and displaying there ability to understand the force and what each of them is feeling through said force, as such the whole last request and passing of the torch scene now has a lot more emotional weight to it. The manner in which the music passes on into Tatooine via the circle wipe maintains the emotional tone of the previous scene with the fact that it transitions to Tatooine perfectly symbolising how the death’s of those important to Luke ultimately ended up moving his life forward.

It also serves as a great way to foreshadow the young Jedi’s return to the place where his journey began along with how the sons of Tatooine will fall with one sooner than the other as represented by the twin suns along with the whole thing making for a neat little transition to the whole Jabba The Hut subplot, the pacing for that is vastly improved due to some clever use of J&R cuts and the utilisation of the non linear narrative which also helped in increasing the brain cells of the protagonists making the whole rescue mission much more logical in the process.

Naturally the pacing of the sail barge battle was a huge improvement as nothing felt dragged out or played for forceful unnecessary comedy and the removal of Boba Fett thankfully spares one of science fictions coolest bounty hunters from his rather undignified loss, his removal from Jabba’s Palace was a welcome change as it never made sense within the Star Wars Film Universe why he was there and while it was nice to see the old Sarlacc Pit again without that accursed immersion breaking beak the differences between the old footage and the special edition footage were quite noticeable.

While enjoyed the speeder chase on Endor involving the protagonists and the Stormtroopers I did feel that there was a void left unfilled however this edit naturally fills that void with some sharp authentic cuts and exciting music that increases in tempo as the chase progresses as such the sequence is now a lot more exciting and intense than it was in the theoretical version, while I am mostly indifferent to the Ewoks I still would have preferred Lucas original idea of incorporating the Wookies into the story as it would have made for some great character development for Chewbacca though the various trims and removals of the Ewok related scenes do however greatly improve the pacing of the overall edit and make the downfall of the empire a little more believable.

One thing I found a bit odd is how Luke knows that Vader was once called Anakin Skywalker since the conversation he has with Obi Wan’s Force Ghost regarding Vader’s past and former name never occurs in this edit though I am guessing the intended implication here is that Luke learned of Vader’s former name through the force, though it still feels weird to me otherwise the removal of Vader’s dialogue pertaining to it being to late for him to return to the light was a wise choice as his body language within the whole scene is a far better and more subtle indication that he is fighting his own battle deep within.

Speaking of internal and external conflicts the decision to have Luke & Vader’s final duel take place on a Star Destroyer rather than the second Death Star is genius as it not only makes the Emperor a little more cautious and theoretically would give him an easier way to escape the conflict and rebuild the empire anew had the conflict played out a little differently, but there’s no longer that artificial sense of tension looming over the duel which allows said duel to actually have more of a point to it with the pacing of said duel being vastly improved due to an effective reverse shot and some clever cutting especially the use of that one J&R cut.

Considering how the three way battle is a war for the fate of the galaxy and the duel between father and son ultimately leads to a huge paradigm shift the use of Duel Of Fates is quite thematically appropriate for such a battle as for the war itself it’s progress, tone and pacing for the three respective fights now perfectly aligns with the success to failure and failure to success ratio of the overarching conflict and the various shots of the rotoscoped Death Star outside the Emperors window make for some very ominous and cinematic shots ultimately strengthening the non linear continuity you created.

At 53:18 the two Crimson Guards are standing dutifully by the elevator but at 53:58 they’ve completely disappeared leading to the plothole of why they would vanish from there masters throne room unannounced and without his consent as such I believe the part where he orders the Crimson Guards to leave should have been kept in not only for the sake of avoiding said plothole but it would also align better with Luke’s ‘’Your overconfidence is your weakness’’ though considering he has a juggernaut like Vader as his apprentice and can shoot lightning from his fingertips I’ve often wondered why he even needs the Crimson Guards at least as far as the Star Wars Film Universe is concerned though that point is a problem with the theoretical versions of the film and not the edit itself.

Really happy you managed to remove Vader’s big ‘’NOOOOOOOO’’ as I felt that really cheapened his Heel Face Turn when the Special Edition was released and took me right out of the film but in this edit said Heel Face Turn now has that same impact and power that it did back when the VHS of this film was easier to track down and obtain, using Anakin’s theme from The Phantom Menace over his final moments was a great way to symbolically show that he had returned and passed on as a Jedi strengthening the emotional resonance and the films title.

Speaking of music the piece that you used throughout the celebration montage is much more fitting and appropriate, additionally I am so glad that ‘’Weesa Freeeee’’ is gone and the burning of Vader being the final scene makes the conclusion to the Skywalker’s respective character arcs much more impactful, some aspects of this edit are definitely rough around the edges which other reviewers have already pointed out though one thing I haven’t seen addressed in the reviews that came before this one is that the disclaimer has a line spacing problem where some of the words are overlapping each other just ever so slightly.

It’s to bad that Spence (as far as I know) has no desire to return to and fine tune the edit because this has the potential to ascend from an excellent edit to a phenomenal edit though I am unsure as to what the context behind Absolutely No thanks to lordsidi is about, I am guessing it’s either an inside joke or the editor or non editor did something to dishonour or hinder the production of said edit in some way or another though I will say that little bit after the credits ended had me bursting out laughing so hard my stomach hurt truly Spence has a great sense of humour.

A truly revelatory edit. I watched this with the commentary on to enjoy Spence's opining about the rampant pacing and structural problems with the movie. As someone who has been trying for, well, my entire life and has had countless conversations with people about why this entry doesn't work as well as it should, this was an eye-opener. It's easy to just take ROTJ for granted and look at it uncritically if you grew up with them, but Spence picks out pacing, dialogue, scene-order problems, almost all of which are 100% on the money.

Not to say I completely agree with all of the choices, I think the excision of Boba Fett and the Rancor is more distracting than anything, for whatever gains are made in terms of pacing, the movie feels a bit smaller as a result and the resultant cuts feel inorganic. Also, with the deleted scenes readily available (nowadays, if not when the edit was originally made, not sure) some of the well-intentioned but clunky cuts of Luke sensing the dire situation on Tatooine from Dagobah could have been smoothed over a bit, as could have the post-rescue moments between the heroes.

Aside from those quibbles, the masterful tweaks, especially to the latter half of the movie, are extraordinary. The removal of force ghosts, the trimming of the Ewok scenes, the adding of stakes by moving Luke and Vader's confrontation to the Death Star are all tremendous. For the first time, the final scene of Luke staring up at the sky after redeeming his errant father's soul sent chills down my spine, something that watching Ewoks cavort around a bonfire never did. For the first time, Return of the Jedi felt like the powerful end of a truly epic saga.

While I've read that he has no intentions to do so, I would love to see Spence take another pass at this. It's already most certainly a shelf-replacer for me, but another version using all the available footage to smooth over a few other cracks would knock it out of the park, imho. After all, third time's the charm -- mostly.

The edit is not always seamless and *sometimes* I have to do a few logical jumps, but most of the time it's pretty sound. Spence crafted a very unique take on the film which is surely very influential in ROTJ edits, and many of his cuts here should honestly become standard for all ROTJ edits going forward. Not really my go-to but a worthy and very necessary step in ROTJ fan editing.

First off, a big hand must be given to musiced921 for supplying me with this edit. I was actually looking for the one without the Ewoks in it, but obviously it didn't satisfy Spence at the time, hence why he re-did it, and this is the edit I ended up receiving. Nevertheless, it was an interesting edit, running rather leanly at just one hour and thirty three minutes, it rearranges scenes, creating a more meaningful first scene for Luke that establishes his path.

In the original cut, he kind of acts a bit high and mighty already, almost as if he didn't need to go to Dagobah and complete his training, but here the crawl and the scene on Dagobah is structured to follow on from Vader's arrival, and we follow Luke on his journey to Tatoonie, not entirely sure of himself as Yoda says he must confront Vader to be fully realised. It's a very well woven scene, and gives both Luke and the audience less detachment from what Luke had been up to in between Empire and this.

The idea of placing the Emperor on the Star Destroyer is another great touch. After all, why would the Emperor risk making himself a sitting duck on the Death Star when chances are his plan could go tits up? Being on a Star Destroyer at least gives him the chance to take off as soon as things do.

The restructuring of the battle of Endor rattles along, there is more urgency, you feel this is a costly battle as good men die and Luke feels more entrapped with the walls closing in, his fateful duel with Vader is even accompanied by familiar cues such as duel of the fates!

I've seen a few edits that have utilised the ending with Luke burning Anakin's body as the fireworks rage on, but it's still powerful imagery to end the original trilogy on. I'd still somewhat like to see the Ewok party as it gives us all a chance to see the group of friends, now very much a family, a chance to be together one last time. Luke can always bury Vader after seeing the ghosts. Maybe the ghosts could have been watching Luke burn Anakin, there's an idea. Ah well.

And lastly the additional end credits are a hoot...though I do wonder who 'lordsidi' is and what he did to warrant an "absolutely no thanks to..." credit. Feels a bit weird to promote the DVD version of this in the credits when all I have of this is the MP4, but ah well...if someone could track the DVD version down, let me know what I'm missing, because it doesn't tell you anything here.

I really like Return of the Jedi, but in terms of ending a saga, it's really disappointing. The story is flat and tensionless. The special editions added more nonsense to an already weak entry to the saga.

I presume the source for this edit was the 2004 Special Edition DVD + 2006 GOUT DVD (for replacing SE nonsense), so the quality isn't the best. Same goes for the editing. It's not bad, but in some places it feels choppy. Especially in Tatooine where Luke senses his friends. Still a minor problem though, it doesn't hurt the experience.

Spence has created a great narrative in this edit. He fixed the Tatooine plot perfectly, for example. In my opinion, the Dagobah scene should have been left as it is, Obi-Wan and all. Also the new ending is IMO too abrubpt. I wish that would have been left in. The biggest problem, though, is the Death Star/Star Destroyer swap. In the original movie, we find out that The Emperor is confident enough to see the final stages of the Death Star II, and so he is in it. The Rebels decide to end the war once and for all with this information and destroy the Death Star. There was tension there, but not enough. Here, though, he goes to the Star Destroyer, and the Rebels attack the Death Star. Huh? This plan makes no sense, why not destroy the Star Destroyer? Also the tension is gone here. And Luke ends the war. It's abrubpt again.

Finally, we end up with a fanedit that is just as good as the original, but I prefer the original because of the narrative making more sense. It's a good edit, though. Just not as good as I expected.