Star Wars - Episode VI: Return of the Jedi – The Spence Final Cut

As a kid Return Of The Jedi was my favourite film in the trilogy however as an an adult It became clear to me that it had some structural and characterisation problems at least once I was able to remove those super glued rose tinted nostalgia goggles of mine, however I can definitely say that this is a huge improvement over the theoretical edition starting with the altered opening crawl which fits well with your established vision and execution of those narrative alterations in this edit followed by Luke and Yoda’s final conversation within the original trilogy.

Said alteration of the final conversation makes both master and apprentice much more wiser and empathetic ultimately giving credit to the force itself and displaying there ability to understand the force and what each of them is feeling through said force, as such the whole last request and passing of the torch scene now has a lot more emotional weight to it. The manner in which the music passes on into Tatooine via the circle wipe maintains the emotional tone of the previous scene with the fact that it transitions to Tatooine perfectly symbolising how the death’s of those important to Luke ultimately ended up moving his life forward.

It also serves as a great way to foreshadow the young Jedi’s return to the place where his journey began along with how the sons of Tatooine will fall with one sooner than the other as represented by the twin suns along with the whole thing making for a neat little transition to the whole Jabba The Hut subplot, the pacing for that is vastly improved due to some clever use of J&R cuts and the utilisation of the non linear narrative which also helped in increasing the brain cells of the protagonists making the whole rescue mission much more logical in the process.

Naturally the pacing of the sail barge battle was a huge improvement as nothing felt dragged out or played for forceful unnecessary comedy and the removal of Boba Fett thankfully spares one of science fictions coolest bounty hunters from his rather undignified loss, his removal from Jabba’s Palace was a welcome change as it never made sense within the Star Wars Film Universe why he was there and while it was nice to see the old Sarlacc Pit again without that accursed immersion breaking beak the differences between the old footage and the special edition footage were quite noticeable.

While enjoyed the speeder chase on Endor involving the protagonists and the Stormtroopers I did feel that there was a void left unfilled however this edit naturally fills that void with some sharp authentic cuts and exciting music that increases in tempo as the chase progresses as such the sequence is now a lot more exciting and intense than it was in the theoretical version, while I am mostly indifferent to the Ewoks I still would have preferred Lucas original idea of incorporating the Wookies into the story as it would have made for some great character development for Chewbacca though the various trims and removals of the Ewok related scenes do however greatly improve the pacing of the overall edit and make the downfall of the empire a little more believable.

One thing I found a bit odd is how Luke knows that Vader was once called Anakin Skywalker since the conversation he has with Obi Wan’s Force Ghost regarding Vader’s past and former name never occurs in this edit though I am guessing the intended implication here is that Luke learned of Vader’s former name through the force, though it still feels weird to me otherwise the removal of Vader’s dialogue pertaining to it being to late for him to return to the light was a wise choice as his body language within the whole scene is a far better and more subtle indication that he is fighting his own battle deep within.

Speaking of internal and external conflicts the decision to have Luke & Vader’s final duel take place on a Star Destroyer rather than the second Death Star is genius as it not only makes the Emperor a little more cautious and theoretically would give him an easier way to escape the conflict and rebuild the empire anew had the conflict played out a little differently, but there’s no longer that artificial sense of tension looming over the duel which allows said duel to actually have more of a point to it with the pacing of said duel being vastly improved due to an effective reverse shot and some clever cutting especially the use of that one J&R cut.

Considering how the three way battle is a war for the fate of the galaxy and the duel between father and son ultimately leads to a huge paradigm shift the use of Duel Of Fates is quite thematically appropriate for such a battle as for the war itself it’s progress, tone and pacing for the three respective fights now perfectly aligns with the success to failure and failure to success ratio of the overarching conflict and the various shots of the rotoscoped Death Star outside the Emperors window make for some very ominous and cinematic shots ultimately strengthening the non linear continuity you created.

At 53:18 the two Crimson Guards are standing dutifully by the elevator but at 53:58 they’ve completely disappeared leading to the plothole of why they would vanish from there masters throne room unannounced and without his consent as such I believe the part where he orders the Crimson Guards to leave should have been kept in not only for the sake of avoiding said plothole but it would also align better with Luke’s ‘’Your overconfidence is your weakness’’ though considering he has a juggernaut like Vader as his apprentice and can shoot lightning from his fingertips I’ve often wondered why he even needs the Crimson Guards at least as far as the Star Wars Film Universe is concerned though that point is a problem with the theoretical versions of the film and not the edit itself.

Really happy you managed to remove Vader’s big ‘’NOOOOOOOO’’ as I felt that really cheapened his Heel Face Turn when the Special Edition was released and took me right out of the film but in this edit said Heel Face Turn now has that same impact and power that it did back when the VHS of this film was easier to track down and obtain, using Anakin’s theme from The Phantom Menace over his final moments was a great way to symbolically show that he had returned and passed on as a Jedi strengthening the emotional resonance and the films title.

Speaking of music the piece that you used throughout the celebration montage is much more fitting and appropriate, additionally I am so glad that ‘’Weesa Freeeee’’ is gone and the burning of Vader being the final scene makes the conclusion to the Skywalker’s respective character arcs much more impactful, some aspects of this edit are definitely rough around the edges which other reviewers have already pointed out though one thing I haven’t seen addressed in the reviews that came before this one is that the disclaimer has a line spacing problem where some of the words are overlapping each other just ever so slightly.

It’s to bad that Spence (as far as I know) has no desire to return to and fine tune the edit because this has the potential to ascend from an excellent edit to a phenomenal edit though I am unsure as to what the context behind Absolutely No thanks to lordsidi is about, I am guessing it’s either an inside joke or the editor or non editor did something to dishonour or hinder the production of said edit in some way or another though I will say that little bit after the credits ended had me bursting out laughing so hard my stomach hurt truly Spence has a great sense of humour.

A truly revelatory edit. I watched this with the commentary on to enjoy Spence's opining about the rampant pacing and structural problems with the movie. As someone who has been trying for, well, my entire life and has had countless conversations with people about why this entry doesn't work as well as it should, this was an eye-opener. It's easy to just take ROTJ for granted and look at it uncritically if you grew up with them, but Spence picks out pacing, dialogue, scene-order problems, almost all of which are 100% on the money.

Not to say I completely agree with all of the choices, I think the excision of Boba Fett and the Rancor is more distracting than anything, for whatever gains are made in terms of pacing, the movie feels a bit smaller as a result and the resultant cuts feel inorganic. Also, with the deleted scenes readily available (nowadays, if not when the edit was originally made, not sure) some of the well-intentioned but clunky cuts of Luke sensing the dire situation on Tatooine from Dagobah could have been smoothed over a bit, as could have the post-rescue moments between the heroes.

Aside from those quibbles, the masterful tweaks, especially to the latter half of the movie, are extraordinary. The removal of force ghosts, the trimming of the Ewok scenes, the adding of stakes by moving Luke and Vader's confrontation to the Death Star are all tremendous. For the first time, the final scene of Luke staring up at the sky after redeeming his errant father's soul sent chills down my spine, something that watching Ewoks cavort around a bonfire never did. For the first time, Return of the Jedi felt like the powerful end of a truly epic saga.

While I've read that he has no intentions to do so, I would love to see Spence take another pass at this. It's already most certainly a shelf-replacer for me, but another version using all the available footage to smooth over a few other cracks would knock it out of the park, imho. After all, third time's the charm -- mostly.

The edit is not always seamless and *sometimes* I have to do a few logical jumps, but most of the time it's pretty sound. Spence crafted a very unique take on the film which is surely very influential in ROTJ edits, and many of his cuts here should honestly become standard for all ROTJ edits going forward. Not really my go-to but a worthy and very necessary step in ROTJ fan editing.

Most fans of Star Wars can admit that Jedi is nowhere near on-par with Empire. Having been released thirty years ago, I decided to do some research to find out what the awesome community at Fanedit.org was doing about this film. Spence's final cut was the first edit of Jedi that I watched, and I wasn't very moved. Many of the cuts made were great, and I have to compliment the editor on the entire last act (save a few music choices I'll mention). The complete rearranging of the final battle added more tension than I ever felt during that scene. The Ewoks and their "shenanigans" were limited and tolerable, drawing the focus to the Rebellion in a much more convincing way.

Most of my problems come from personal preference, though I'll try to stay unbiased: The Tatooine scene was cut way too short. Jabba's palace has this slow buildup in Jedi, which I think adds more to Han's rescue in terms of tension and adventure. Some cuts of redundant conversations were good, but the scene moved much too quickly, which resulted in a "tying up loose ends" scene from that whole Cloud City arc from Empire. The strongest part of Jedi, I felt, suffered the most amount of cuts in this edit.

There were a lot of smaller cuts, mostly with Han, that I actually approve of. His humor was tagged down in this edit, I think that adds a ton to his character's growing maturity (which, of course, stemmed from the moment he joined the Alliance). Some transitions from scene to scene were a bit too jarring, but the characters didn't suffer from it.

The biggest problems I have with the edit involve the choice of adding tracks from the prequels. I love those soundtracks, but Duel of the Fates did not fit at all. That scene didn't need music, it dragged my focus away from the Vader/Luke conflict. The new song over their last conversation was also distracting and too overbearing. Simplicity and a minimalistic sound worked well in both those scenes in Jedi, they seem too bogged down now.

Was the edit truly bad? Not at all, and I can see why it won Edit of the Month. Would I watch it again? No, most of the cuts were just too radical for my taste.

Review by QuickCut — January 15, 2012 @ 7:36 am

This isn’t my go-to version of ROTJ, but it’s pretty well done.

Technical quality – 8/10 – in general, the video was pretty good quality, but there was some flickering or something during the opening crawl. The audio was great except for the end credits when the volume abruptly went really high.

Presentation – 8/10 – special features and scene selection were a nice thing to include, but the random clip after I clicked play was rather abrupt and unnecessary.

Editing – 8/10 – all the transitions were nice, but there were some choices I didn’t particularly like that I’ll address in the entertainment section.

Entertainment – 8/10 – if a few things were cleaned up it would have been a 10. First of all, the cutting between Luke and Han/Leia. I got why you were doing it, but it wasn’t real clear. The transitions to Luke were too abrupt. When Luke and the rest leave Tatooine, it makes no sense why Luke leaves since you relocated the Yoda scene. The Ewoks could have been trimmed a little more and the scene where Wicket pokes Leia with his spear was way too short. There are various bits that could have been trimmed but I won’t recount them all. I half-wish you had left in the ghosts at the end. Other than that, I liked most of your cuts, especially the trimming of the Tatooine sequences, the edits to Han’s character, the changes to the battle, and the added prequel music (only good thing about the prequels).

Overall – 8/10