Review Detail
9.0 12 10
Overall rating
8.8
Audio/Video Quality
9.0
Audio Editing
10.0
Visual Editing
9.0
Narrative
8.0
Enjoyment
8.0
Overview - Thunderball was a fine followup to Goldfinger. The style and tone of the film were peerless, and it was the last Bond in which Connery seemed committed. Over the years, there were complaints of sluggish pacing. In Thunderball Warhead, Rangerkris cut the reruns and the redundant, and jolted the tempo. The result is a brisk moving spy op.
Video - Nice editing here, and good flow from scene to scene. Noticed noise or artifacts in background sky while Emilio Largo and Fiona Volpe were skeet shooting (58.47). No idea. Checked in my DVD, not there. Did not catch anything else like that.
Audio - More quality work here. No rapid crossfades, no hard cuts. Sound was good quality, two channel stereo. The stereo seemed non-existent except during action and climaxes, then the range was loud and wide. So dynamic, in fact, that headphones came out to spare non audience members of the room. The mix was so boisterous at times that I wondered if it was LPCM, but no, just a rousing AAC.
Narrative - As designed, Thunderball Warhead propels ahead like Fiona’s blue Mustang. Plot held together, but first time viewers might have assumed there were goofs. When Domino first calls 007, James Bond, there was no introduction before that. Later, Felix and Bond took barely one minute of screen time to locate the missing Vulcan bomber. The climactic underwater battle was wisely trimmed, while staying coherent.
Enjoyment - A bit uneasy here. Thunderball is easily one of my favorite Bond movies. I saw it at the theater when it was released, owned it on VHS, Laserdisc, and DVD. Connery was superb in this. The pacing was lethargic at times, which I chalked up to rush release and padded script. Rangerkris’s removals of spa scenes, the Nassau hotel, and the hunt for the Vulcan definitely accelerated the story, but also cast a movie-of-the-week feel.
Not to confuse anyone, I did enjoy this edit, and it was well crafted. Easily recommended to action fans, Bond buffs, especially to those who normally punch the fast-forward button. You won’t do that it this one.
Video - Nice editing here, and good flow from scene to scene. Noticed noise or artifacts in background sky while Emilio Largo and Fiona Volpe were skeet shooting (58.47). No idea. Checked in my DVD, not there. Did not catch anything else like that.
Audio - More quality work here. No rapid crossfades, no hard cuts. Sound was good quality, two channel stereo. The stereo seemed non-existent except during action and climaxes, then the range was loud and wide. So dynamic, in fact, that headphones came out to spare non audience members of the room. The mix was so boisterous at times that I wondered if it was LPCM, but no, just a rousing AAC.
Narrative - As designed, Thunderball Warhead propels ahead like Fiona’s blue Mustang. Plot held together, but first time viewers might have assumed there were goofs. When Domino first calls 007, James Bond, there was no introduction before that. Later, Felix and Bond took barely one minute of screen time to locate the missing Vulcan bomber. The climactic underwater battle was wisely trimmed, while staying coherent.
Enjoyment - A bit uneasy here. Thunderball is easily one of my favorite Bond movies. I saw it at the theater when it was released, owned it on VHS, Laserdisc, and DVD. Connery was superb in this. The pacing was lethargic at times, which I chalked up to rush release and padded script. Rangerkris’s removals of spa scenes, the Nassau hotel, and the hunt for the Vulcan definitely accelerated the story, but also cast a movie-of-the-week feel.
Not to confuse anyone, I did enjoy this edit, and it was well crafted. Easily recommended to action fans, Bond buffs, especially to those who normally punch the fast-forward button. You won’t do that it this one.
User Review
Do you recommend this edit?
Yes
Format Watched?
Digital
V