Star Wars: Episode III - Labyrinth Of Evil

Alright. This is great! Lots of things I didn't like in the original are fixed. It's still a little cringy in some parts (especially Anakin's turn to the dark side). But I can't blame you, it's a problem of the source material. You obviously did your best to make it better. I really like how Anakin's turn is motivated more by politics and the Jedi order than Padmé. And the final scene with Padmé holding baby Leia? Are you kidding me? That's genious! You managed to fix one of the biggest plot holes in Star Wars. But because of that, Luke's separation doesn't make so much sense anymore. I believe it's to protect Leia as Anakin thinks he had only one child. But it would be great to point it out somehow (maybe cut the conversation between Yoda, Bail and Obi-Wan). But still, this is the best version of the episode III.

Well, it's been a long search for the perfect edit for ROTS. I'm now with Hal9000's indefinitely. There is so much that is so right here that I forgive the moments I'd take out, myself.....ROTS is a tough one to edit and please everyone, and some of the other attempts I've seen at editing this film try way too hard, others not hardly at all. This one finds a comfortable ground with familiar edits while at the same time delivering one of THE whopping masterstrokes of fanediting that I've ever seen.

Incidentally, I like pairing this film with L8wrtr's TPM and AOTC edits. That's my current "go-to" trilogy unless some mindbending new edit comes out.

The good:
***Of course, the economy of the edit takes out the corn and the silliness, and what's not to like there? There are a LOT of small cuts, but they all work and if you're not familiar with ROTS you'll not know they're gone. My personal favorite? The eternal dismissal of Obi-Wan's "...for DEMOCRACY!!!!!!" I remember laughing out loud in the theater when he said that.
***The 2nd-boldest move of the movie is the face-off between Windu and Palpatine. That's another scene with some got-to-go GL silliness ("HE'S the traitor, arrrrgghhh!") I get EXACTLY what Hal was going for here, and it does indeed work. It does sound odd, but I like the guts Hal had to try and realize the vision. That scene had far too much filler, dialogue, and needless suspense for my taste in its original form. Now we get right down to it.
***The focus on politics being Anakin's primary motivation for the turn works very, very well. I thought the Padme thing was always way too obvious and predictable, but with politics at the forefront his change becomes far more realistic and believable. Certainly politics has put people on weird sides of one another, especially during wartime. Padme's element is delightfully downplayed, to the point that when Palpatine says that line ("...save your WIFE from certain death") it has a huge impact, because we're so focused on the politics it makes Anakin's one dream seem trite, but then suddenly very important. Especially when Palpatine reads Anakin's trouble a little too accurately. Later on, when Anakin leaves Padme in the dust after the chokehold and rambles on to Obi-Wan about this and that, it fits right in with the Padme motivation being minimal against the power he craves. When Vader asks the Emperor post-surgery about Padme, it fits even better with the minimized arc - in other words, he feels guilty as hell.
***Padme as one of the instigators of the rebellion? Giddy-up! Why Lucas chose to delete this subplot is mystifying, but makes sense here in light with the above political motivations.

The hmmmmm.....(all minor nitpicks)
***OK, there are some lines that could still be easily excised. One of the most self-rightesouly laughable moments in the entire PT is Padme's "thunderous applause" bit. Spare us, please!
***Also, not the fault of our intrepid editor, but shouldn't 3PO's line be "I feel so.....USELESS?" Not "helpless"? Anyways, Hal, since you boldly dubbed the droid at the end, how about that line? I bet Anthony Daniels would do it for scale ;) That said, I love the battle droid voice removal. Now we have to tackle the entirety of the Clone Wars...
***I think it's OK to have more Wookies, and Yoda's interaction w/ Chewbacca definitely helps set the table for ANH and Obi-Wan "randomly" finding Chewbacca at the bar.
***Showing Obi-Wan sneaking onto Padme's ship in the closer shot works as in the original cut....there's no need for a surprise reveal.
***I wouldn't mind a little more dialogue to imply Obi-Wan's fate on Tatooine. While this would be tricky to edit around Padme's now non-demise, I liked that interaction.

and....the balls-out bold:
***That footage of Padme alive and cradling her infant daughter is amazing and I was bowled over at the audacity of the decision. It works even without the motivation being the plot hole fix from ROTJ. I like how so much is implied and the myth driven by images, not dialogue, in the film's final moments. Hal using his own voice for the mid-wife droid - again, bold and a hopeful sign of things to come with our wonderful editors and their tasteful decision-making. That finale, again, with Padme, is beautiful stuff. And...isn't it telling how Natalie Portman suddenly becomes a great actress when out fo the hands of GL?

Lots to admire overall in the cut. Lots of attempts have been made at ROTS, but I'm very pleased to have this one as my go-to. Again, quibbles are nitpicks, as the overall arc of the film is extremely powerful (especially when viewed after the Clone Wars).

As I continue my search for the prefect prequel edits, I was happy to come across this excellent effort by Hal 9000.

Hal cuts down a great deal of the movie, which is very welcome. In my experience, I've never seen an edit that I thought cut too much. His reshuffling of scenes and his use of a deleted scene is quite effective.

Although I wouldn't make this choice myself, I love Hal's gutsy use of a scene from a different Natalie Portman movie to imply that Padme lived and raised Leia. I understand that his goal was to make the lines in RotJ make sense, about Leia remembering her mother but Luke not remembering her. Unfortunately, there's no explanation as to why Padme would raise Leia but abandon Luke. Mind you, no explanation is possible with the available footage. The script would have to be rewritten from scratch to accommodate this, so what could any editor do? So, again, even though I wouldn't do it myself, I'm glad that such an edit exists, both for the uniqueness of it and for those who choose it as the way to fix the PT's inconsistencies with the OT.

The video and sound quality are excellent, and the editing is seamless. I can see why this edit ranks so highly among Star Wars edits. It's definitely one of the best of the bunch!

Edit (7/11/2019): I have changed my score because Hal9000 has released an "alternate ending" cut of his edit that retains Padme's death. This essentially fixes my main gripe I had with it. Thank you, Hal. This is a phenomenal edit.

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Whereas I believe HAL9000's TPM and AotC are the definitive go-to edits of the PT, somehow he really dropped the ball on RotS, and his final effort doesn't even come close to what L8wrtr accomplished with the same material.

The biggest problem is that this edit is where HAL9000's philosophy of maintaining continuity with the OT really fails him. The whole edit is overall inferior to L8wrtr's, but most of the problems occur at the end. Leia mentions in passing in RotJ that she retains memories of her mother from when she was young. Thus, HAL9000 bends over backwards to make it so Padme lives, and he literally breaks the movie in the process, going so far as to add footage from an entirely different movie (The Other Boleyn Girl). Unfortunately, even the few seconds or so that he uses is completely jarring because the respective films look and feel nothing alike. Also, in the theatrical release of RotS, and illustrated even better in L8wrtr's edit, Anakin joins the dark side to prevent Padme from dying, yet his descent is what ultimately leads to her death. This powerful irony is completely lost in HAL9000's edit. I'm sorry, but an enjoyable film experience is more important than continuity in this case. In the end this is George Lucas' movie, not ours. Making nips and tucks is one thing, but changing the overall plot of the story is not the job of an editor.

HAL9000's edit also includes Vader's "NOOOO!!!!!!" at the end and him throwing a hissy fit, whereas L8wrtr's scene is much more graceful and subdued...perfect, really. The original ending of RotS had a bloated ending and didn't know when to quit, and HAL9000 kept too many of these elements. On the other hand, after the climax in L8wrtr's edit, he ties things up nice and quick.

HAL9000's effort is noble but misguided. It is an okay edit, but there is nothing it does that L8wrtr's doesn't do better. Perhaps the problem is that with L8wrtr's edit of RotS, there really isn't much room for improvement, whereas with the other two prequel films, there was still a lot that needed fixing. I wish I could say that HAL9000's three PT edits constituted the definitive trilogy, but I can't. I recommend watching HAL9000's edits of episodes I and II, and L8wrtr's edit of episode III if you want the optimal experience watching the PT.

This edit gets a 4.0 largely for breaking the movie, which I find unforgivable, although there are a few niggling problems with cuts not being as seamless as they could be.

EDIT: I feel like I need to say more to defend why I gave this edit such a low score. Perhaps the fundamental problem is that the editor's efforts come from a place of contempt, not love. HAL9000 has said on the forums: "I think the prequels would be utterly forgettable were they not Star Wars films. They're obligatory more than anything else." I feel completely differently. I love the PT. I love the pre-empire universe created by it. I love The Clone Wars TV series. I would take Anakin, Padme, and Obi-Wan over Luke, Leia, and Han any day (yes, you read right). I was a teenager when the PT came out, and warts and all, I'm willing to embrace it as the Star Wars of my generation. I hope HAL9000 comes to realize that his efforts are important, not just to those who value the original trilogy, but to those who treasure the prequel trilogy as well. That's why I think breaking RotS in service of RotJ is such a travesty. RotJ is still good regardless of whether or not Luke and Leia's mom dies in childbirth. The challenge RotS faces is that everyone knows how it ends...Anakin ultimately turns to the dark side. So George Lucas re-indroduces the element of surprise by injecting a dose of irony in that Anakin inadvertently causes the very thing he's trying to prevent, i.e., Padme's death. I like Anakin because he's actually George Lucas' most nuanced character (despite giving him terrible dialogue at times). He's a good guy, but he can't endure loss, which runs contrary to his Jedi training. He loses his mother--yes, she DIES--and he vows not to let it happen again. He's so determined not to lose Padme, that she actually DIES AT HIS HANDS as a consequence of his efforts. This irony is so fundamental to the story--GL starts to set it up in AotC in fact--that I can't believe HAL9000 would do this. Sheer contempt, it seems.

Saw this one last summer, a great edit much more enjoyable than what Lucas tried to do! highly recommend for anyone who is a star wars fan!