Harry Potter and the Chamber of Secrets: Revisited

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Overall rating
 
8.2
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9.0
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9.0
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9.0
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7.0
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7.0
I enjoyed Andreas' "Revisited" cut of The Sorcerer's Stone, which although not perfect, was a very appealing edit that did make the film feel less like a kids' movie and more in keeping with later films. Sadly, however, I did not find that this edit managed that same balance, for a couple of key reasons.

First, let me say that I am not someone who worships The Prisoner of Azkaban an thinks it's a perfect movie. It definitely LOOKS the coolest, and the darker visual tone of the film is very fitting for kids entering their mid-teens. But I don't think that the warmer tones in scenes of the other HP films need to all be color corrected just to match PoA. It's fine for each film to have a bit of a different feel, and it's especially fine for them to be lighter and more whimsical as Harry is younger and his story is less intense. So all the color correction here looks great, but I actually don't much care. Just a personal preference.

There are many other efforts in this film that I read as making it try to seem "darker", "more adult", and "cooler". A lot of them plainly miss the point of the film, for me. First, the more glaring ones. There are a couple of music cues that are just really jarring and take you out of the movie. At 63 minutes in is the first time we're introduced to this pulsing electronic song with a driving beat that sticks out like a sore thumb amongst the string score throughout the rest of the movie. It's used again later to the same effect. There's also an acoustic guitar based tune at 2 hours 10 minutes that is obviously not meant to be in this film, as there has been nothing like it whatsoever to that moment. Those things just scream "FAN EDIT" to me.

This is also an aggressive trimming of a lot of scenes which convey information either about A) the magical world, or B) the narrative flow. The problem with the first trims are that while these bits aren't necessary for the plot (we can guess for example that Mom Weasley heard her sons come in without seeing the magical tracking clock), they ARE essential for Harry's character. If you've seen these films 100 times each, it might be easy to forget. But this is still a journey of Harry getting used to the magical world at this point. We're supposed to experience his wonder and amusement at many of the things around him, like a scary dark arts shop, or self-cooking bakeware. Anything that just "adds atmosphere" has been trimmed wherever possible in this edit, meaning all the wonder and whimsy is gone from this film...which is kind of the point. The other narrative trims similarly count on the viewer to either already be familiar with the story, or to not think about it. There are a lot of small trims that muddle the narrative, including:
-unclear what happened when Ron and Harry arrived at school
-unclear where their detentions came from
-unclear what Hagrid is doing all movie
-unclear how/why Riddle's diary got to Ginny (trims to both her and Lucius mean that we just have to accept the ending reveal without seeing)
-unclear Basilisk fight (doesn't look like has no eyes, line is removed)
etc, etc
Basically, the film feels like it was refocused to be a fast-moving, modern murder mystery...which is one of the less-effective points of the script. The story unfolds slowly over the year while a lot of other interactions happen, but in this film, it feels like the edit just wants to hurry up and get the plot done so that we can get to Prisoner of Azkaban.

This is most revealing in all the Hagrid cuts and the abrupt ending. For any viewers who feel that a movie can't show their heroes with morals or it's "virtue-signaling", the Harry Potter series is not for you. The whole thing is a thinly-veiled metaphor for Hitler and the rise of Nazi-ism, and that first becomes apparent in this film. The main point of this movie isn't the murder mystery, it's the clash of morals between Slytherin and the other houses. It played out in the past, and it's playing out in the new generation with the class warfare and 'race' warfare of the Malfoys of the world against the Weasleys of the world. The mystery is just to add a bit of suspense to how that will play out. The more important thing is how Rowling first shows the prejudice and discrimination against Hagrid and Hermione, as non-purebloods, and how this affects them. The scenes edited out here where Hermione explains about the term "mudblood", or where we see Hagrid being systematically disenfranchised, these are the whole point of the film. It's why the ending of the film is (admittedly cheesily) a celebration that Hagrid was vindicated. Sirius Black being at Azkaban has zero importance to this film or this story, and it's very awkwardly wedged in here as some kind of MCU teaser ending. It just doesn't work for me at all.

For people who hated Chamber of Secrets and still don't like it and really don't want to watch it, this might work as some kind of quick passthrough in a marathon on the way to PoA. But for real fans of the series, I just feel this edit misses the mark. There are too many changes here that don't fit the film, or seem to misunderstand the theme of the film. I sadly can't recommend it, despite the excellent technical editing.

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Owner's reply December 19, 2021

Hello, good sir. I just want to say that this film has received three new alterations since your review, and some notes were made thanks to your contribution. :)

I did of course not agree with all of your points, and can go into detail on where I think you missed something - if you feel that the problems are still there after watching the newest version. Thank you so much for your constructive criticism.

Report this review Comments (0) | Was this review helpful? 3 1
Overall rating
 
9.8
Audio/Video Quality
 
10.0
Audio Editing
 
10.0
Visual Editing
 
10.0
Narrative
 
10.0
Enjoyment
 
9.0
First off, I'd like to say that this is a great replacement for the original movie. Andreas has masterfully rescored and regraded this movie masterfully making it fit in much more with the rest of the series. Although not staying 100% faithful to the book, making it a surprisingly darker movie.

Although this is just my opinion, I feel that sometimes Andreas went a little bit overboard with the scoring, sometimes the music is trying to make you more emotionally involved when you really shouldn't be, I'm not saying that the scoring was done poorly however, it was just sometimes a little bit too much.

Overall, Andreas is an amazing editor and deserves much credit for turning a dull children's movie into a worthy installation of the Harry Potter franchise.

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Overall rating
 
8.8
Audio/Video Quality
 
8.0
Audio Editing
 
10.0
Visual Editing
 
9.0
Narrative
 
9.0
Enjoyment
 
8.0
Andreas returns with a new fanedit of Harry Potter Part Deux, and it's on par with his first fanedit. Quality was so-so, there was a lot of compression artifacts. Editing was seamless, but I wasn't a huge fan of the color grading. Too green for my tastes. The moments of new score were well done and very subtly handled. I couldn't really tell what was cut since I haven't seen this film in awhile, which goes to show how well the editing was. I just wish a little bit more had been cut down, such as Malfoy's over-the-top "I'm gonna get you POTTAH!" attitude too often. Recommended.

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Overall rating
 
9.8
Audio/Video Quality
 
10.0
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9.0
Visual Editing
 
10.0
Narrative
 
10.0
Enjoyment
 
10.0
The second installment in the Harry Potter: Revisited saga, HP and the Chamber of Secrets: Revisited succeeds in taking Chris Columbus' view of the Wizarding World to a whole new perspective.

As per Sorcerer's Stone: Revisited, the visual editing is seamless, the A/V quality is spot on (and at times equivalent to that of an actual Blu-ray, the reworked narrative is rock solid, and the new score certainly helps to breathe new life to its respective scenes. And as far as I can tell, the oversaturated pinkishness of SS was taken up to 11 with this film, and this has thankfully been taken care of thanks to Andreas' fantastic colour correcting.

One teensy little qualm — the new score for when Harry stabs Tom Riddle's diary with the Basilisk fang is a little too loud to my ears, but I guess this is understandable since Andreas wanted to hide John Williams' original score as much as possible.

As I stated in my SS: Revisited review, if you Potterheads are looking for a darker, more mature take on the Columbus era, this beautifully-crafted fanedit is for you!

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(Updated: July 11, 2015)
Overall rating
 
9.6
Audio/Video Quality
 
9.0
Audio Editing
 
10.0
Visual Editing
 
10.0
Narrative
 
9.0
Enjoyment
 
10.0
Having been a big fan of Andreas first edit, I was really looking forward to this one and I wasn't disappointed. This is such an upgrade over the theatrical version. I hadn't watched that since my daughter was five. It's the worst one in the series in my opinion. The audio and visual editing was superbly done. I didn't remember the theatrical cut very well and there was so much that was just "better" without me being able to tell what's changed. That's the goal. I really liked the color grading. It's not the ideal way I'd want a movie to look but it ties in really well with the later entries in the series.

Some random things I liked:
The polyjuice potion transformation looks better than I remember. Not sure if that's my memory or some fx touch-ups.
The inclusion of Azkaban as a hellish nightmare of a place. Huge improvement.
The overall tone of everything. The music did wonders.
Highlights of the score for me: when Ernie et al are talking about Harry after the parseltongue scene, the cue after McGonagall says "it's out of my hands, Potter," Phoenix scene, use of Voldemort theme, the Gilderoy confrontation, how it stops for Harry's line in that scene, when Tom Riddle's true identity is revealed, the music over Dumbledore speaking at the end that takes us into Azkaban

Nitpicks:
Dobby was still sliiiightly too pink for me compared to later movies (this is pretty subjective)
Cut to Hagrid's hut does feel slightly abrupt. Like it feels like we should definitely see them in the exterior hut. BUT the tradeoff is getting the hut from later films and I do think that is worth it.
The really strange wipe between the gorgeous sweeping snow shot and the scene where Gryffindor is giving Harry grief. I'm not sure if that's in the original or not.

Overall, this was great. Those nitpicks are extremely minor. I will watch Andreas' edits and then pick up with PoA from now on.

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