This is ‘Milo & Otis’ synced up to a Pink Floyd masterpiece.

‘Milo & Otis’ is a Japanese film about a cat and dog swept up in hazardous adventures in the wild. ‘Animals’ is a progressive rock album by Pink Floyd, inspired in part by George Orwell’s ‘Animal Farm’. It takes aim at politics, with deeper themes of life and death, manipulation, greed, blind faith and power. And it’s pretty rocking.

I'm an obsessed Orson Welles fan (He's the greatest Director that ever lived after all), collecting all his films and re-buying them repeatedly when a better quality release comes along. So 2008's 'Orson Welles and I' sounded like a great idea. A film chronicling the final week that lead to his New York production of Caesar (A show that put him on the cover of Time). A staging with modern Fascistic dress and lit like the Nuremburg rally (A recent event in 1937), it was designed to take Shakespeare's play and fashion it into a warning about a world already slipping toward world war.

But while the scenes devoted to this play were perfection with Christian McKay delivering an astonishing performance as Welles, it was fatally flawed. Because about a third of the film was focused on a romance between two fictional characters played by Zac Efron and Claire Danes, that had nothing to do with the reality of the situation. So that Orson didn't even get top billing in a film about him!

'From Hell: Engraved In Stone' is now less of an exploitation whodunnit than the original and more of a disturbing portrait of moral and political corruption at all levels of 1888 London society.

Cosmogony is a fanedit using a lot of movies to tell the story of humantity and nature, from the creation of life to wherever we are going.

This is a massive reworking of the series, partly inspired by William Shakespeare's play "Julius Caesar". The edit focuses on the events leading up to and following Caesar's assassination, recasting Brutus as the main character.

Rome: Decimated condenses season 1 of Rome to focus on a few core story lines, trim episodic digressions, and make a fanedit paced and structured like a movie. The story focuses on two soldiers, Titus Pullo and Lucius Vorenus, and their general, Julius Caesar.

This is an extensive reworking of Troy that makes Achilles the main protagonist, not Hector and Paris. The romance between Paris and Helen is merely the instrument that brings Achilles to Troy.

This edit presents a less political and more historically accurate version of Ridley Scott’s epic. Events, characters and motivations are made more ambigious, requiring the audience to think about them, instead of being told loudly and clearly how the film should be interpreted.

Here’s part 2, almost 2 years later.

Second fall, second video. A distorted mirror of the first chapter, [fe] la vie 2.22 is an outsider’s p.o.v.; flavie’s view of myself, who is now more than what she originally was. The person has become a symbol of so much more and on so many levels that I don’t care to count anymore.

Hope you enjoy this new fragment of my warped and damaged mind.

This edit of Mel Gibson’s Braveheart deals with the constant growing sadness of the original movie and turns into a true, historically more accurate hero tale. Less romance, true to the brave heart.

A shorter and cleaned version of Alexander.