Review Detail

9.3 19 10
FanFix October 27, 2013 2967
Overall rating
Audio/Video Quality
Visual Editing
Audio Editing
I've been anticipating this edit ever since it was announced, and it did not disappoint. Uncanny Antman has turned what I originally thought a 3/10 film into a much more decent 6/10 film. Much of the cheesiness and poor CGI of the original is gone, resulting in a leaner, more serious superhero movie. Spoilers follow…

A/V Quality – 10/10 – I won’t comment here, because I compressed the DL down to an SL before watching.

Editing – 10/10 – Completely smooth. No complaints whatsoever. The color correction, soundtrack changes, and new credit sequence were all top-notch.

Narrative – 9/10 – For the most part, I absolutely loved the plot re-structuring. I didn't notice any prominent plot holes created by the rearrangement. In my opinion, there are a few flaws though: the pacing, while generally solid, is a bit too fast at both the beginning and the end. The removal of the Bullseye fight probably had something to do with the pacing at the end – it seemed odd that Daredevil never had a showdown with the primary villain. I call him the primary villain because, while Kingpin was behind it all, Bullseye had much more development as the antagonist and was directly responsible for the deaths of both Elektra and her father. It seemed incomplete when he wasn't brought to justice. A hint that Daredevil would hunt him down or something probably would have remedied this problem. Also, the sequence where Daredevil beats up everyone at the bar lost a lot of its meaning because we never see Quesada’s fate. It almost seemed like Daredevil was beating up all the patrons of a bar just for the heck of it, despite the further information we receive later. Finally, the after-credits sequence was a bit too direct in implying – or rather, confirming – Elektra’s survival.

Entertainment – 9/10 – Although I do have a few complaints about the narrative, this is overall a fantastic edit. Many of the original film’s myriad problems have been excised, from the painfully corny playground fight to the moments of laughably bad CGI. Plenty of cliché lines remain, but I doubt much can be done about it. Bullseye’s self-conscious “cool” factor always bugged the heck out of me, and it’s been toned down some here. The new musical choices result in some brilliant scenes. The plot alterations are inspired and are executed seamlessly. There’s even some surprising emotional depth made deeper by the editing decisions. DAREDEVIL can only be improved so far, and I think Uncanny Antman has done just about the best job possible of it. Bravo!

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