Review Detail

The Big Sleep is one of those stone classics that has its merits in both versions; they’re both so good it is, indeed, a rare occasion when, as Roger Ebert mentioned, “studio interference was exactly the right thing” (we’re specifically talking about that horse conversation).

I’ve always enjoyed comparing both versions, but Paranoid’s cut brings it all together. One may question the pacing, but that’s not due to the editing - this film ain’t no Maltese Falcon by nature. It’s a witty slow burn, and every scene is essential in trying to sort out the myriad plot.

Thanks, Paranoid, for presenting one of the all time classics in a way that preserves it all so preciously. Flawless.