Watchmen: Midnight

This edit has been my first encounter with the Watchmen movie. (Before this raises suspicions let's remind that we're required to *own* the original DVD, not to *watch* it!) I'm a big fan of the graphic novel, but my extreme dislike of Zack Snyder's style more than anything made me avoid the movie until now. Won't waste much space in my opinions on the non-edit aspects on it other than saying that I found it just as ugly and mediocre as I expected from its director, liked some bits, disliked others, but the worst thing was not what was left out or the changed ending, but Snyder's approach with the music video/commercial aesthetic and all that goddamn slow motion.

Still, reading about this edit's changes, I seem to agree with all of what was cut, and that this is probably much improved over any theatrical cut. I agree that Black Freighter has no real purpose without the squid, I agree that without Under the Hood Hollis Mason seems to be pretty much superfluous. And all what was cut looks like disposable filler, resulting in a well paced and reasonably entertaining edit (I say reasonably because every time I started enjoying the narrative, along came a damn slo-mo shot that ruined everything and annoyed me to no end). Given the circumstances, and as a fan of the graphic novel, I enjoyed it a lot as an edit, if not as a movie.

But, I think more could, and should, have been cut or modified. For starters, I'd like to see the opening credits sequence gone. I understand it has a lot of fans, but to me is an interminably long exercise in Snyderness that not only is unneeded for the narrative but contains a pair of howlers. Silhouette kissing a woman in the middle of a crowded street, in plain sight for everyone, in front of a photographer, in 1945? The Comedian murdering Kennedy, without any ambiguity whatsoever, shown to us even before we know who the Comedian is? Please. The movie would be better served by starting directly with the Comedian's button on the street, just like the source. Also, the Snydermotion should have been fixed or minimized whenever possible, particularly the changes of speed within the same shot. I feel this is possible in most cases. I'd also suggest minimizing distractingly obvious CGI such as Rorschach's grappling hook, and as much of Nixon as possible given that his makeup is a complete joke. And in this case, many scenes that are lifted verbatim from the graphic novel but didn't work as cinema, should go (all through the movie, but I'm thinking particularly of much of the climax in Ozy's lair).

Am I being too harsh? Maybe, in the sense that it's a matter of personal taste about a style I don't like. If you like Snyder, you'll probably love this cut. If you don't like Snyder, I still think it's worth watching, but know how to expect. As for me, I'd love to see a version 2 that at least fixes the slo-mo.

Video and audio quality was good enough, though the video showed a bit too much artifact and obvious compression, even for a 3 hour movie it could look a bit better since it's a DVD9 and bare bones. The editing itself was masterfully done and indetectable.

So I insist, anything bad I can say about this is the fault of Snyder, not Flixcapacitor. Overall, a strong firstling and a recommended edit.

When I saw the theatrical trailer for Watchmen I thought to myself, “oh no not another superhero movie, doesn’t people ever get tired of these.” Needles to say I had no idea what Watchmen was all about, never read the graphic novel.
But people raved about this movie like it was the second coming of Christ so I took a chance and watched it (the director’s cut) and it turned out to be a masterpiece. It definitely in my top 100…or maybe even top 50…

I never bothered with the ultimate cut. It looked like they only added the Black Freighter footage, so it didn’t look intruding to me. Better leave that version to the hardcore ner...fans.

IMO the director’s cut was perfect. At least I thought so…
I stumbled over the thread for Watchmen: Midnight and I don’t know why but I started reading what changes Flixcapacitor had done to perfection...and strangely enough it sounded really awesome. He sounded like a huge fan of the original material and sometimes these kind of people can do things that the filmmakers can’t, they don’t have to worry about what anyone might think, what will be attached to their “reel” etc.

Turned out the story was pretty much intact, just a couple of things that were over the top (yes I admit) were cut. And no Black Freighter. Instead he added Under the Hood, the “documentary” about Hollis Mason’s glory days. This footage first felt off when it cut back to the “movie” but it really fleshed out the story and the attack on Mason later on now has more depth to it and I cared on a whole other level than before.

I love the original soundtrack but the changes made are really for the better. Less is more and I’m now more involved in what happens on screen, this worked especially well for the opening.

I guess I owe it to myself to one day check out the original work that everyone praise so much. But for the movie version, this one is the best version so far. And I was a HUGE fan of the director’s cut.

August 1, 2012 @ 1:27 pm

The original Watchmen movie didn’t really wow me. It was a movie that made many things wrong but then again it did so much different than mainstream superhero movies – how could I be so antagonistic to a movie that at least tried something different?

To me Snyder’s direction was the problem. He felt like a kid who really loved the comic but didn’t really understand that movies are a different medium. His focus on the over the top gore looked like a child shouting “LOOK! That’s totally gory, totally not like a standard comic book!” instead of focusing on the story which is very mature the over the top nature of some scenes plus some bad musical choices really pulled me out of the movie.

Gekko has already done a pretty dang good restructuring of Watchmen and I doubt that I will ever find a version that completely suits me – ultimately this movie is really not possible to adapt.

Structurally the original movie just goes along, starts strongly and then descends into awkward muddled something. with the episodic nature flixcapacitor has restored some focus but I hink this is due to the fact that I can watch this at home and not in the cinema. I bet that this version would have resonated even worse with movie audiences due to the fragmented nature

but the under the hood parts are just fantastic for exlaining the world. You get a much better sense of the watchmen world. In snyder’s original version the vigilantes moved with an overstylized speed, leaving some people who had never read the comic with the question if those people were super human.

now with all the antics gone and the under the hood parts as backstory there is no question about who those people are. Even better much like the comic you are feeling lost in the story in a positive way. There is so much going on that the mask-killer is just one of the things happening.
Much like in the comics the backstories offer other possible candidates for the mask-killer. Could Hooded justice have returned? Or maybe it is Hollis Mason! At least now there are more faces in this world and not just the skinny guy dressed in dark clothes.

Most of the intertitles worked pretty cool except for some that were a tad too abrupt. the doomsday clock at the end of the chapters was also a nice touch.
only thing I missed was dylan’s “the times are a-changing” song. The new version is pretty moody and nice, but it feels abit redundant because of the length of the credit scenes.

overall the editing choices are all well made, the quality is very good

9/10

July 29, 2012 @ 3:10 am

Not sure why it took me so long to get around to watching this,
but I am glad I finally did!

The original WATCHMEN comic mini-series is considered by many as a seminal piece of work, forever influencing how comic tales are woven and presented. I read the Watchmen series when it was first released, and while I acknowledge it is an amazing piece of graphic literature, it never held a fond a fond place in my comic book library… its superhero world a bit too grim and gritty, too fatalistic and cynical for my personal tastes.

That said, the idea of translating it into a motion picture I found to be a fascinating one, and over the years I followed its many starts and stops in movie development with great interest. When Zac Snyder’s opus finally arrived on screen in 2009, I was there on opening night filled with curious anticipation. When the movie ended two plus hours later, and the lights came up and my buddies asked what I thought, I just sort of shrugged “meh”.

I did not hate it. I did not love it.

It had some great moments. It had some very dull moments. And some very “nuking the fridge” moments.

But mostly, it felt lacking in characters development. I never truly felt connected or invested in the characters’ journey.

So when reading Flixcapacitor’s intention was to try to improve the overall depth of the characters, I was very intrigued. And now after watching this epic edit, I think for the most part, he was very successful.

I very much enjoyed the new structure of the story with it’s chapter breaks and “Under the Hood” segments. For me, it gave the narration a more “episodic” feel, almost as though each chapter was an issue of the comic book. It also a lent a greater dramatic quality to many scenes, that for me, were lacking in the original.

I know much has been made of the music replacement in this edit. For me, 90% of the new music worked. But as some other reviewers pointed out, some of the music scenes could have played better if the editor had recut them tighter to time with the replacement tracks. Though the new version of the Archie love scene is a vast and superior improvement. For as much as I love Leonard Cohen’s “Hallelujah”, when that song played during the love scene, the movie officially “nuked the fridge” for me!

The editor shows a great talent for storytelling, as the restructured and added/deleted scenes all work very well and improve the over all viewing experience considerably.

The technical work is excellent. Picture quality is equal to the original source material. The audio work is very well done. All the cuts are clean. The only thing I noticed was one ghost frame of the Intermission title card.

So all in all, I found this edit to a significant improvement over the original version. It is still a flawed and shallow movie for me, but this is no fault of the editor, as he can only work with the material available. And while still not a “must see” movie experience for me, it is definitely my now preferred version of the story.

Thumbs Up.

May 6, 2012 @ 8:10 pm

*This rating was given before reviews were required*