Watchmen: Midnight

There have been some very detailed reviews of this edit already, so I will try to keep this short.

Does this edit do what it sets out to do? Absolutely! This follows the flow of the book as perfectly as you can get! I loved the edit over all and would highly recommend this for sure!

Subjectively, there are things I could do without, but everyone is going to have there own feelings on things. So if there was anything I would change personally it would be: 1. I don;t think the Black Freighter needs to be in the movie. I think it's more if a distraction and takes away the focus from the main story. 2. The chapter subtitles are not necessary. People who are watching this and not realizing that it's just more closely following a comic wouldn't understand what that is for.

Things I liked a lot: 1. The overall flow of the main narrative is just way better. 2. I also like the addition of the documentary in the movie. It's a nice way to add context to the story. 3. I even enjoyed the addition of the black title cards throughout. 4. The musical changes were great! 5. The general snips that were made were perfect. Not too much and not too little. Even the (for lack of a better term) slow-fast-slow-fast fighting has been cut back. That always kind of bothered me in the original cut. I think it works well in 300, but not in this movie.

Hands down one of the most thoughtful and most enjoyable edits I've seen. I do have to say that this is still not the perfect version for me, but before I get to those quibbles, let's talk about what it does very well.

The first and most obvious point to me is the changing of the music. The Watchmen story is incredibly deep and has a lot of subtlety and layers to it. What Zack Snyder's theatrical cut did was a pretty good representation of the story, but often stripped away the subtlety . This was particularly notable in the use of soundtrack music which 9x out of 10, was incredibly on-the-nose. "Hey, everyone's quiet at a funeral, let's play Sounds of Silence!", etc. Flixcapacitor has replaced these choices with equally-fitting yet more subtle songs, or with score that fits the scene perfectly.

There are a lot of additional narrative edits which limit the "in your face" approach of Snyder as well. While I think Flixcapacitor went a little heavy on the edits of sex and violence, I am thankful he took out most of the egregious "superheroics" that leave you wondering how all these characters came to have superhuman strength (while none of the comic characters have powers except for Dr. Manhattan). Sadly, there's no way to edit out Ozymandias' superhuman feats, but at least they're more limited here.

Now, on to some elements I was more mixed about. Firstly, the Black Freighter animated scenes: I'm not convinced it's a better film with them included. Always the most contentious part of the original story, it seemed rather an indulgence of writer Alan Moore's, but at least you could read through them quickly on the page. In the movie, we're forced to spend those minutes on a tale that looks totally different than the rest of the film, and really only serves to double-down on Ozymandias' theme. It's unnecessary, takes away any subtlety that was there, and adds a lot of time to a film that is already lengthy. Worse yet, despite the placement of the scenes being artful, it really does suck the momentum out of a story which is already slower in this edit for the more limited use of sex and violence. I would prefer a version without these scenes... they just work better in a comic than in a film.

The other big narrative addition is the Under the Hood 'documentary' scenes. These aren't the most scintillating, and Stephen McHattie's performance as Hollis can drag a bit in these, but I do think the added background about the Minutemen is welcome. They're also good in paying off Holis and Janet, who would be minor characters, and giving more motivation for Nite Owl's decisions at the end of the film. On the other hand, I don't really see the need to edit out all the mentions of "The Watchmen" and associated scenes. However, the movie is already struggling with length and I can't say I missed a specific scene. So overall the narrative is much improved and enriched in this edit.

Finally, as others have noted, the credit sequence at the end ultimately didn't work for me. While I appreciate it as a kind of "nostalgic review" of the story, I think it's much better served by its original intentions. It piques our interest in this group of long-ago heroes, tells us that they weren't the cheesy "gosh golly" 4-color heroes of comic strips, and transitions from the downfall of that era into our "modern" era of the 1980s. While the original Dylan song is totally guilty of being on the nose for the scene, it's also pretty perfect. I think the Smashing Pumpkins song also works incredibly well, and fits the look and tone of the film better, though. So I could deal with either song, but I'd prefer the credit sequence to be an actual opening credit sequence.... probably best placed just less than 5 minutes in, after Rorscach's opening investigation scene that ends with him saying "Somebody knows..." and looking at the picture of the Minutemen...then cut to the black and white credits of said Minutemen.

Technically, this edit is nearly flawless, with incredible audio and video quality. The edits are extremely well done, with subtle fades and transitions, both audio and visual, and I think the title cards fit well. There was only one jarring edit for me, which was in the conversation Dr. Manhattan has with Silk Spectre on Mars. When editing that scene together, it was apparent that some time was supposed to have passed in the middle, but they're standing in the same place and there was just a fade to black and a fade back up. It's very odd, and I think needed an insert scene, maybe just a few seconds of people moving around NYC and Ozymandias watching monitors or something like that. The edit was clearly made to bring their conversation together, like the comic, which is in the end, better. Overall, this would probably best be labelled "the comic book loyalist version", as it is the closest we'll ever get to that. Personally, I'm okay with small changes to even that phenomenal story, in acknowledgement that film is a different medium. But this is definitely a better version than what Snyder put together, and it replaces the original on my virtual Blu-Ray shelf.

I have never seen the original but I LOVE this edit!

Watchmen: Midnight is masterfully done. The A/V quality isn't perfect, but this edit has breathed new life into this movie for me. Everything that needs to be said has been said already. If you love Alan Moore and Dave Gibbons's masterpiece, this is the version for you.

The first time I hear about Watchmen I was handed the graphic novel and asked if I was interested in reading it. I said 'yes' and borrowed it with the intention of making it all the way through. Unfortunately, for me, I was bored and only made it about halfway through. When the movie was being released I went with a group of friends and still felt underwhelmed by what I saw. There just seems to be something missing from the story to really get me excited.

With that said, I gave it one more shot by watching this edit of the movie with the interviews with Hollis and the Black Freighter sequences inter-cut with the Ultimate Edition of the movie. While this cut doesn't always flow perfectly it is a far superior version than any of the previous cuts released to the public. By taking out a lot of the superhuman abilities (slow-mo) and focusing it more on the personal stories between characters I connected with it better than anytime I tried watching it before. I believe that this is the best version that can be constructed for the fans of Watchmen.

Thank you Flixcapacitor for taking the time to put this together. You have changed my mind on how I feel about the material presented. This is a more grounded version of the material and it really makes it so much stronger.