I was not - and am still not - sure what Dom’s purpose was with this.
For a straight up experience, it can be a challenge, any stray dialogue is muffled throughout.
The replacement audio predominates, a heavy, slow wash of industrial.
I modified my expectations and began to view this as a film from the Terminator’s POV.
It’s perspective, the soundtrack fellow robots would reference, their priorities which might differ wildly from those of fleshy humans.
If so, then this is audacious, brilliantly original.
Not that there is much in the way of narrative, yet what would an android care about narrative?
I'll start by saying that Under The Skin has been one of my favourite films of 2014. I like my science-fiction weird and my horror creepy and unsettling, and I'm always a fan of films that use music as an integral part of the overall experience, so for me it was a 3/3 hit.
This edit is a successful experiment in using the oppressively strange and almost hostile soundtrack from UTS to provide a very different feel to Terminator 1. Coupled with some seamless visual cuts, the original release of T1 is effectively condensed into a single nightmarish sequence of events.
If I had any criticisms they would lie on the audio editing front - not in how the new music is handled, but because I couldn't help feeling that either more sound effects or fewer would be required (with the latter option almost certainly involving a lot more work to try and find suitable cues in the music and match them to the on-screen events). However, this is a minor bugbear and not a big deal.
Overall, a fresher and more gripping take on the Terminator franchise than anything the official releases have provided since T2, IMO.
The music totally worked for me and turned every scene into one of greater dread. I once thought the techno soundtrack for T1 fit the movie like a hand in mailed glove, but this aural outing actually made me feel in a more visceral way how desperate Sarah & Kyle were, the holyshit danger. Take the word "stark" and wizardly turn it into a short fanedit, and you get this.
In a very good/mysterious/surreal way, this piece reminds me of Dwight Fry's Spidey edit, in that it transports you on a most deliciously fucked-up wonderbus.
I was hoping the narrative would mess with the time travel elements. Conveniently, the Terminator franchise is bulging with this particular fanediting raw material. The story here is a condensed version of the theatrical telling, nicely done, but it misses an opportunity to put a twisty wrinkle on a well-known plot.
The video seemed a bit juddery to me, and I can't tell whether it's a Vimeo conversion problem or a whatnot amongst whatnots. No biggie.
Folks, this is the kind of thing you can show fanediting virgins (or the recently devirginized) to give them a taste of the alternate life of a movie. I look forward to more edits by DominicCobb. Make them and send them back through time.
I loved this one. I was amazed at how deftly Dom dealt the knife to a classic. All the plot you need to know is right at the beginning (and maybe some exposition along the way). Once the action starts, it don't let up. Awesome music, and I'm amazed to learn how many different pieces he used.
Terminator has a very basic plot, which makes it a perfect candidate for a short film. The editor has done a great job. Nothing feels rushed, there are no jarring cuts and everything flows as if the film had always been this length. The limited dialogue and choice of music serve well in maintaining tension.
I dropped a point for audio editing because I felt that the dialogue could have done with being a bit louder. The music often drowned it out, but then again, that may have been the editor's intention.
Video quality was slightly pixelated. This wasn't too much of a problem for the most part, but it became very noticeable during shots of the exploded truck.
Narratively this was generally fine, although it was slightly odd that Sarah goes from cowering and confused ("please don't kill me") to suddenly trying to save Kyle's life.
All in all though, this is a good edit. Many memorable parts of the film have been seamlessly blended into something nugget sized. Well worth a watch.