Thor: Love + Thunder - Comedy

I’ll start by admitting that I couldn’t make it to the end of the original film. And I had already tried it twice. As soon as we moved from Gorr’s introduction to Korg’s narration (God, I hate MCU’s Korg), Thor’s buffoonery with all the Van Damme-ish splits, those damned bleating goats and the cancer jokes, I bailed out both times. So, making it to the end of this fan-edit is already a win for Tremault in my books.

From a technical standpoint, Thor Love + Thunder – Comedy meets the same standards established by Tremault’s previous works. Even though a lot of cutting and trimming was clearly involved in her editing room, nothing sticks out as far as I’m concerned. On an enjoyment level, however, I still believe that the film is an unsalvageable mess storywise, no matter what. That is by no means the editor’s fault, whose hard efforts made it at the very least a sufferable experience for me. It’s just that Waititi’s sense of humor (or “humor”, more accurately) is not my cup of tea. More like a cup of poison, I’d say. Cringy lines of dialogue, a mockery of Zeus, empowered children fighting against shadows with their teddy bears as a weapon… My goodness, they’re everywhere in the plot, so that even with Tremault’s best efforts the film could not be salvaged in my eyes.

Usually I save some suggestions for the end of every review, but since I have none in this instance, I’d like to end it on a positive note, praising some of the editor’s fixes. The way she has trimmed every scene with Gorr in it, for example, makes Christian Bale’s performance really –and I mean REALLY- shine! And there’s also that wise choice of omitting the whole kid sidekick nonsense, choosing instead to end the film just as Jane is dying in Thor’s arms. That was such a fitting and heartbreaking moment which almost made me forget what kind of a movie I was watching. And that’s really something!