Superman Returns, the lightening rod of Superman movies. Love it or hate, there are few who exist in-between when it comes to Bryan Singer’s ode to the Donner/Reeve Superman movies. The thing I find most fascinating about the reaction to this film is that both sides tend to site the same factors as being either the movie’s strengths, or weaknesses; in the most broad terms it’s a sequel, reboot and remake all wrapped into an undeniable homage to Superman the Movie and Superman II. Additionally, the inclusion of Jason’s character is just another point of controversy, his role in the film seems to be loved/hated.
At this point in time I have not watched any other released edits of Returns, so I have no other edit to compare this to.
The thing that must be said about this edit is, if you didn’t like Superman Returns due to the reasons listed above, you simply will not like this edit. It is not for you, do not waste your time even finishing this review, and absolutely do not download and watch this. It wasn’t made for you.
If however, you enjoyed the original film on any level, this very well may be the edit for you, so read on to see if it’s worth your time to download and watch.
This edit is provided only in MKV, and this is a shame. The film simply does not hold up well as it is played on larger televisions. I watched this on a 50″ Plasma and the image resolution was soft with a great deal of banding in certain scenes. Also I noted that some deleted scenes had a bit of a stutter to them. Color correction however was quite nice. Supe’s suit is restored to its appropriate color and overall it is a really nice job. I did not notice any offensive/inconsistent skin tones, but I wasn’t looking for them either. The color was undeniably an improvement over the dull, muted filter which Singer ended up applying. 6/10
Audio was good overall. No need to keep my remote at the ready. The treble was a bit muted, but overall this sounded great.
Here is where the released format really hurts because the technical execution of the edit is exceptional. Scenes are seamlessly re-integrated, audio transitions are fantastic, and there are many wonderful choices in terms of added soundtrack. Of particular joy was hearing a perfectly placed Wilhelm into the scene of the Bank heist, major bonus points for that.
So with the tech out of the way, is this edit worth it? If you like Singer’s intention with this film, then absolutely. The driving force behind this story is Superman’s sense of ALIENATION upon his return and the regret he feels for having abandoned the people whom he cared about in order to explore the near impossible unlikelihood that there were any survivors on his home world. This is the crux of the film and it defines his actions, people’s reactions and it is this crucial issue which is resolved by the end of the film, Superman making peace with his ghosts and rediscovering why he is on Earth, recovering his conviction and resolving his strained relationships. The reinstated scenes bring even more depth to Superman’s character, adding layers to Clark’s frustrations and hesitancy and for me, made the resolution of the film all the more satisfying. But this edit isn’t just about sticking in deleted material, there are many instances where the editor has nipped and tucked within scenes in order to improve pacing, which is needed because the deleted scenes add a lot more talk time to a movie that is generally a little light on action. Although one action scene notably trimmed is the Kitty in the Mustang action bit. The editor has done a fantastic job of trimming this down to be far more realistic and enjoyable.
In the interest of full disclosure however, I’m not in love with all of the editor’s choices. His trims to the scene where Richard, Lois and Jason are rescued by Superman are all in the wrong direction in my opinion. For me, the original sequence is gut-wrenching. Perhaps it is because I have a spouse and child, but everything about that scene just turns my stomach into knots, it does a great job of conveying a sense of fear, terror and hopelessness, even though you know Supe’s is going to swoop in and save the day and when he does, it’s with a tremendous sense of relief. The re-cut of the scene removes the emotional tension from the scene, they’re in some danger and then BAM! Superman is there. By cutting the sense of dispair the reward of their salvation is greatly diminished.
But more, I was simply shocked to see that he left the Emergency Room scene in. If I could change only one thing about the theatrical version, it would be to remove this sequence because it distracting and absurd, entirely taking me out of the movie.
Ultimately however, the two complaints I have are far outweighed by the ways in which this edit adds more humanity to the film. The film does feel a little long, however it does not drag. If all you want is action and flying, this isn’t your edit, but if you enjoy character development and human stories, than this is worth your time, even if it doesn’t replace your theatrical (which I’m not sure this does), it is worth the time to watch just to see what Singer was really trying to create here.
This would be a 9/10 if it weren’t for the MKV quality, so overall this is an 8/10 for me.
Well, well… Superman Restored, the edit I stumbled upon myself :-)
No delays, straight from the top, and here we go!
The film has been colour corrected throughout. Given the format in which it is available, I can understand the limitations, but I nevertheless have some comments about this correction. At some points, flesh tones are amazingly realistic. One prime example being Luthor watching the crystal grow inside the Kryptonite tubing in his hands, while standing on the deck of his yacht. At other times, like the scene before where he’s talking to Lois, it has been brought so close to overkill that he looks like a pink salmon in a tuxedo. No offense, but I call them like I see them.
Overall, the reinserted deleted scenes bring additional plot development, but given the lack of action in the original theatrical cut, and the already lengthy dialogues in between, the edit could have easily done without. The infamous Return to Krypton scene has also been reinserted in full, which again raises the question why Krypton’s remains were so large, and why a gigantic House of El symbol could be seen on the floating debris. Very, very poor production choice. On to the specs then.
Again, given the limitations of the format on which it was released, it looks very good. No hard cuts were found, and everything flows smoothly. Seeing as how the editor has over 12 years of experience in the business, you wouldn’t expect any less. Since the previously mentioned colour correction doesn’t seem on par at every given moment however, it doesn’t get a full score.
Overall: 4 out of 5 stars
I noticed one hard cut on initial viewing. Sweet Merciful Rao, don’t ask me where it was, because I can’t remember its location. I can definitely guarantee its existence though, because as a Superman aficionado, it immediately struck the wrong chord.
Lois not fading is also a great idea, which I already tended to in my Man of Tomorrow edit, but the fade from that scene into Perry’s office sounds way off. Not what I would expect from a man at this level of expertise. Those two really killed the mood at their specific points. Plenty of scenes received new scores, of which most sound really good and fit right into the film. Very nice additions.
3 out of 5 stars
No menu, since it is an m4v file. The original intro and closing credits have been kept. I’ve contacted the editor, and no plans for a DVD were made.
2 out of 5 stars
IMPROVEMENT OVER THE ORIGINAL:
I love the original, but I despise the countless throwbacks to STM. While this edit was meant to restore proper character and plot development, all of these issues still stand. The editor did not intend to rectify Superman Returns as a true sequel to STM and S2/RDC, but merely as the film it represented on its own. Which is kind of ironic since very little material is original to begin with. Some of the deleted scenes highlight these issues even more.
2 out of 5 stars
FINAL SCORE: 11/20, or 2,75 out of 5
Adds up to a fanedit score of:
7 out of 10 stars – to award the seemingly insurmountable task of rescoring much of, if not the entire, edit.