Star Trek 2 “Perdition’s Flames”

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9.0
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8.5(11)
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9.1(9)
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9.4(11)
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9.0(10)
Enjoyment
 
9.0(19)
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(Updated: January 06, 2022)
Overall rating
 
9.2
Audio/Video Quality
 
9.0
Audio Editing
 
9.0
Visual Editing
 
10.0
Narrative
 
8.0
Enjoyment
 
10.0
Firstly, I want to both apologise for my tardiness at watching and reviewing this edit, both as a fellow huge TOS fan, and also to make clear that because I am watching over a decade on from when this was made, I will take the time factor into consideration. These are just my thoughts...

I love the TOS structure of pre-titles through to commercial breaks etc. How did you create that gorgeous title sequence?

All the breaks were fitting and made me want to keep watching if this was on TV.

I am also impressed and overjoyed at the placement of TOS music! If one were to re-do this now, with the TOS soundtrack collection out there, we have a wealth of material to now choose from, some probably more appropriate in places than what Bob had at the time.

This leads me to my next point: I adore TOS music but found The Doomsday Machine score repetitive. At that point in time, other episodes' cues were available, and Where No Man Has Gone Before music may have been fitting in places. I found the Doomsday Machine music when Kirk and Carol talk about David alone, unnecessary and a little messy. I think the silence, or more pensive music would have been better. But that's just me.

I also think the TNG Inner Light music, while beautifully realised, completely inappropriate to the TOS feel that Bob was going for. Lovely, but not necessary.

I loved the flashback moments. I think b/w works fine, and the choice of clips was suitable, but if this was to be done today, I would pull the original effects version from the blu ray, as the TOS-R footage is jarring.

I *loved* the trailer, but am puzzled at its placement just before the main feature.

The epilogue was perfect.

The end titles were great, but I wonder if all the film credits were included in such a short space of time?

Also, I'm not sure what aspect ratio we were going for here?

To be clear: I enjoyed this alternate take, and whilst just a little more Khan would have been good, the tension of not seeing Khan in that final battle is nail-biting,and I think we can all agree that communication from Khan, literally spitting at Kirk, replacing his original miniature monologue, was simply masterful.

An edit that, despite its age,must be watched by any Trekkie (or -er!)
T
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Overall rating
 
9.4
Audio/Video Quality
 
9.0
Audio Editing
 
9.0
Visual Editing
 
10.0
Narrative
 
9.0
Enjoyment
 
10.0
OK, like so many others, WOK is my favorite Star Trek movie. So I was curious and eager to see how this film could be edited differently but still be the great enjoyment that it is. And boy I was pleasantly surprised by the concept! Spoilers follow...

Let me start by the only thing I had a small issue with, the music. I did not think the blend between the original series music and the movie music works as well as the V'Ger incident. The Jerry Goldsmith score mix much better with TOS than James Horner, who crafted an incredible score. But still, it was not bad, only more apparent.

One thing that could have been nice to do is when the Enterprise meets the Reliant for the first time, a ominous music starts right away. Since it's Kirk POV and he has no idea that this is a threat, the music could have started when Kirk says "This is damn peculiar...". This is just an idea.

That being said, I LOVED this edit! I miss seeing Khan in a couple of scenes but the movie works nevertheless! You sense the presence of the enemy, even if you rarely see him. The Kirk POV really add to the intensity, in part because we cannot see or hear what Khan is saying or planning next. So we are experiencing what Kirk do, and that's the point!

When Kirk finally meet his nemesis, the flashbacks to the Space Seed episode were absolutely genius and the choice of music was perfect!!! I really liked the timing of the flashback scenes during Kirk slowly getting up from his chair, totally surprised by Khan's appearance.

The intent of this edit result in a even better pacing of the movie. I really love the original release but the judicious cuts help to remove some unnecessary fat, like Khan right hand man for example. Even if I didn't knew the story by heart, I felt that all necessary information were there to understand everything. I cannot express how much I was pleasantly surprised by the edit and my enjoyment seeing it!!

There were two particular surprises for me at the end of the Mutara Nebula battle. First, I thought I was going to see Khan on the Reliant when he starts the Genesis device and deliver his final speech. Rather, Bob decided to keep the focus on the Enterprise crew, with a voiceover of Khan's speech, which is brilliant! Second, I was shocked to hear McCoy say "Jim, I think you better get down here...". I was so sure to see Spock sacrifice that it surprised me, as Kirk was surprised by McCoy.

Finally, the Spock funeral was revised for a really emotional scene! The Inner Light track from TNG is one of my all time favorite and it's used here with great effect! The emotion cranks even higher with the inclusion of a couple of flashbacks of the original series.

WOK is a great movie without a shadow of a doubt, but I can assure you that Perdition's Flame has now a place in my movie library, right beside the original release!

GREAT FAN EDIT BIONIC BOB!!

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(Updated: October 17, 2012)
Overall rating
 
9.6
Audio/Video Quality
 
9.0
Audio Editing
 
10.0
Visual Editing
 
10.0
Narrative
 
9.0
Enjoyment
 
10.0
There’s never enough time to watch everything… and man, are there loads of fanedits which I need to catch up on! Well, one wet Thursday evening I fancied a bit of Star Trek, and having only seen 2 of Bob’s Trek edits (of the first and fifth movies), I thought it was about time I watched “Perdition’s Flames”.

Firstly, I really like the whole concept of what Bob has done with his TV series approach to the movies. The adding of the series sound effects, music and all the fade to black ad-breaks worked particularly well in “The V’ger Incident” (a few music level problems aside), and I’m pleased to say that the case for Perditions Flames is no different. In fact, as The Wrath of Khan always seemed to feel much like an extended TV episode anyway, the classic feel which Bob adds to this edit seems perhaps more like a perfect marriage of styles this time around. Indeed, it comes as no surprise that flashback footage to the actual TV episode, “Space Seed” is utilised when Kirk realises it is Khan who is attacking the Enterprise. What’s more, it’s nicely executed too, and to me the only aspect of this edit which would make it even better would have been to try and crop the image to 1.85:1 ratio. That being said, picture quality is good throughout and the sound editing this time around is more consistent with no varying levels to speak of.

So, for picture and sound quality I would give this a solid 9/10. Great job Mr Bionic.

In terms of the story, this was perhaps the most ambitious side of the edit, in that Bob tries to tell the story very much from the point of view of Kirk, meaning that we only ever see Khan when Kirk is also present in the scene. Initially I was a bit worried how this would work. After all, some of the best moments in the film are when Ricardo Montalban is chewing up the scenery, but for this edit and its intentions, it works very well. That being said, when it comes to the heroic exploits of a certain Mr Spock and the consequences thereafter, I did feel that there was a little too much missing, even though I fully understood Bob’s intention to keep things firmly fixed on Kirk’s point of view. The use of flashbacks and new music during Spock’s send off though does not work as well for me; not badly executed, it just didn’t seem to fit comfortably for me.

Overall however, the narrative works perfectly well in context of the edit and I wouldn’t hesitate in giving this 9/10

On the visual and audio front, the editing is more or less flawless and as already mentioned the audio side in particular is an improvement on Bob’s first Star Trek edit. So, Visual editing would get 10/10, audio 10/10.

Enjoyment is, as with all Bob’s edits, the aspect which shines through the most. You can tell the amount of enthusiasm and love which he puts into the edit and I was thoroughly entertained from start to finish, as easy 10/10 for me.

Overall then, Perditions Flames continues and in many ways improves on the good work started with The V’ger Incident. If you want to see Star Trek II from Kirk’s perspective then this is the perfect way to do so and you will have a blast; that I can guarantee.
L
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(Updated: September 15, 2012)
Enjoyment
 
10.0
Review by steelio2006 — June 21, 2011 @ 3:29 pm

*This rating was given before reviews were required*
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(Updated: September 15, 2012)
Enjoyment
 
10.0
Review by ionvox — December 27, 2010 @ 10:28 pm

The only thing missing was more Khan facetime. But, the intent of this edit made that unnecessary. I did love the last transmission from the Reliant… good way to keep the line in there. =)

All in all, I loved this rendition!

10/10
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