Thank you for this edit, Badscooter. It's a huge improvement over the original version.
I recommend this edit to anyone who enjoyed certain elements of Spider-Man 3, but was turned off by its overall goofiness and lame subplots. I love that Sandman doesn't have a personal connection to Peter anymore (the scene where black-suit Spider-Man angrily goes after Sandman and 'kills' him, now comes across as a jealous and ego-inflated Spider-Man going after the guy who beat him in an earlier fight, rather than going after the man who killed his uncle. This actually makes Peter's descent with the symbiote seem much much darker).
I also like that some of Gwen Stacy's stuff was cut out. Her character wasn't done well in this series.
With this edit, I found myself sympathizing with Harry and MJ A LOT more.
And of course, the greatest thing about this edit is that there's no ridiculous montage of Peter being 'bad'.
I thought all the editing was great, and I like the image of MJ that flashed as Peter was in bed and about to be taken by the symbiote. I would have removed the images of Ben Parker though since they seemed to come out of nowhere.
I like the small edits here and there of removing silly one-liner humour...it helped keep me engaged in the drama and action.
And the only thing in this edit that still significantly bothered me was how Peter sort of danced along with the marching band at the ceremony to give Spider-Man the key to the city.
Overall, a great edit that turned an unwatchable movie into a very watchable one.
Anyone willing to attempt to edit SPIDER-MAN 3 gets big points from me right from the get go!
Spider-Man 1 was an average super-hero movie that suffered many of common ailments of an origin movie.
While Spider-Man 2 raised the bar of super-hero movie excellence to new, blinding heights!!!
And then there is Spider-Man 3…..
Oy Vey! What a mess!!!
Moments of greatest drowing in a CGI pool of conflicting villians and storylines.
Won’t repeat what most of the other reviewers have already mentioned.
Badscooter has made many excellent editing decisions, re-crafting the narration back to Peter and Harry where it belongs
and removing some of the offensive elements from the original storyline (removing Sandman as Uncle Ben’s killer—THANK YOU!!!).
Unfortunately MJ still comes across as weak and whiney, a complete departure from her character in the previous two films. I miss the old MJ…. “sniff”…
But Sandman and Venom are handled very well by Badscooter, though I wished they could have been trimmed back even more but I know that would have been close to impossible when one considered how closely intertwined their arcs become by the final act.
The audio sounded very good. A few dips during scene transitions but nothing significant or distracting.
The vast majority of cuts are clean and flow very smoothly. The only exception for me was the whole Jazz Club/Fever scene. It clearly felt edited and choppy to me.
Overall, this version of Spider-Man 3 is very entertaining, and the new narration is far superior to the original.
Definitely deserving of it’s FAN EDIT OF MONTH award! BRAVO!
Final Overall score, I would give it a very solid 8/10 and would recommend to any Spidey fan!
Sam Raimi is a filmmaker who has my deepest empathy, as his great films show true passion and potential. This makes it all the worse when his bad films have constantly been ruined by studio interference, when being given creative control would have made them great.
Thanks to Badscooter, we have a version of this film that is actually the version Sam Raimi intended to make.
What he has done is focus the thematic arc of the film, removing any elements that distracted the viewer from focussing on the elements Sam Raimi wanted us to pay attention to. Little things stick out here and there as subtly profound visual arcs that I completely missed the first time because the other unrelated arcs distracted me from being able to see it; for instance, Harry and Peter's first dialogue scene in the film mirrors their last, with Peter standing over Harry to cut between a low and high angle shot. By having both their first and last conversations as friends visualized the same way, the viewer reflects on everything that has transpired in the evolution of their friendship between those two scenes. They are able to serve as bookends; the visual similarity signals the beginning scene and end scene to the arc of their friendship.
PROFOUND THINGS LIKE THIS ARE SO MUCH MORE CLEAR IN THIS VERSION OF THE FILM!!!
It is truly a well guided thematic arc, refocussing the viewer on what the film is truly about: the horrible things people are willing to do for love, and how those actions evolve into destruction. Every relationship based in love causes the character in question to do horrible things in the name of that love. It evolves into the consequencial flames of the final act of the film, which now has a clearer purpose than when all the subplots that weren't building to it were there.
The only real problem is there's still too much cutting back and forth between the other villains. I'm not sure Badscooter could have altogether cut Sandman and Venom, although I'm not even sure if that was the solution if he could have. Not his fault, but cutting together 3 unrelated narratives of 3 unrelated conflicts from 3 unrelated villains still bogs down the film... only it's less of a problem now due to his brilliant editing choices. It's certainly FAR better than the official editing together of said narratives in the film.