November 25, 2014
Skyfall can be best described in the actual movie, "A Rubix Cube That Keeps Fighting Back", it presents a great deal of editing challenges to smooth over and perfect certain over-excesses in narrative and set-piece structure, and here Lastsurvivor does his best to present a leaner, more efficient production. His choice of song for the opening credits has been an ear-worm for me since I first saw his samples and Bond avoiding an encounter with hulking henchmen and terrible CGI dragons is most welcome and he makes his appointment without much fuss, a little bit of a grounded moment in Bond never hurts.
There are some areas I felt could have needed more work, Silva's first scene is transitioned into awkwardly with a slight blur in imagery, and there are slight audio dips when Bond is contemplating shooting at Severene, and again before the helicopters arrive to assist Bond. However, I loved his little touch with Bond now feeling slightly moved. This is a character we saw go through two movies of morning someone he got intimate with, so caring more about scotch is out-of-character for this take on Bond.
Aside from that, everything else worked well, and I like Silva taking the initiative and blowing the tunnel without that cartoonish goading. Guy has a job to do, faux pleasantries should not be a pastime.
Catchy tune, slimmer package, Skyfall is one of my faves because it represents a creative challenge, and Lastsurvivor is one of our top challengers