Quantum of Solace: Bond’s Revenge

Quantum of Solace: Bond’s Revenge

 
8.3 (17)
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Quantum of Solace: Bond’s Revenge
Faneditor Name:
Tagline:
When you can’t tell your friends from your enemies, it’s time to go
Original Movie Title:
Genre:
Franchise:
Fanedit Type:
Original Release Date:
2008
Original Running Time:
102
Fanedit Release Date:
Fanedit Running Time:
103
Time Cut:
6
Time Added:
5
Brief Synopsis:
From what many consider to be the the worst Bond title song ever, to the frenetic action sequences which have come straight from a Jason Bourne movie, Marc Forster’s take on James Bond struggled to maintain that special identity which separates 007 from the rest of the crowd. For this fanedit, I wanted to try and achieve a few things which I hope may inject the movie with more personal emotion and drum home the feeling that Bond’s trail of vengeance, not to forget Camille’s too, is very much what the film is about.
Intention:
For this fanedit, I wanted to try and achieve a few things which I hope may inject the movie with more personal emotion and drum home the feeling that Bond’s trail of vengeance, not to forget Camille’s too, is very much what the film is about.
Special Thanks:
Thanks to my lovely girlfriend, Sophie, as always. You gave me the idea for this edit in the first place and chose the title song, so this one really is for you.

Also thanks to L8wrtr for his continued patience and support and to everyone here at fanedit.org for taking an interest.
Release Information
NTSC DVD-5
Editing Details:
Whilst I’ve now obtained a higher regard for Marc Forster’s theatrical cut, I truly hope that other Bond fans find something within this edit to make them appreciate that amongst the “blink and you’ll miss it” action scenes and the poor villains , there’s still some very strong material here, particularly in Craig’s ruthless yet haunted performance as 007. I wanted Vesper’s presence to be very much felt, so at every opportunity I have tried to put her in Bond’s mind.

Plus, most of all, I hope that the climatic fight has now taken on a more thought provoking aspect, the kind of which is rarely seen in a Bond film (and yet definitely is felt in Fleming’s work) . Oh, and make sure you watch it with a classy drink or two at hand (or in my case a pint of ale and a packet of crisps… shame on me!)

Started Edit: February 2011

Completed: May 2011
Cuts and Additions:

Cut list:

- Inserted gun-barrel sequence to the beginning of the movie (accompanied by Michael Kaman’s “gun-barrel opening theme” from Licence To Kill)

- New extended pre-credits sequence: now begins with a shortened and slowed down version of the opening car chase, intercut with a recap of the events from Casino Royale. Sound effects and music added.

- Foot Chase through the sewers and along the rooftops in Sienna between Bond and Mitchell, now trimmed slightly and again slowed down. Some crowd shots cut.

- Title sequence now starts after the fight between Bond and Mitchell, with new theme song.

- Boat chase is trimmed

- Opera sequence altered. During the shoot-out between Bond and Greene’s men, instead of the opera scenes being shown I have intercut memories of Vesper in an attempt to make it more personal. Also, replaced music with “Vesper’s Theme” from Casino Royale. Sound effects added, action from the shoot out is trimmed and slowed down.

- Bond confronting the bodyguard on the roof is trimmed and moved to the scene where Tanner and M are discussing the identities of the Quantum group from the pictures Bond took. It now appears that Bond did actually shoot and push the guard off the roof. We do not see Greene’s men shoot the guard after the fall.

- Bond’s arrival to meet Mathis is trimmed. The boat and aerial shots are removed.

- Aerial battle and parachute scenes trimmed

- One long shot of Agent Fields’ oil-covered dead body is cut (we had already seen the body twice), and then slowed down image of Bond being disarmed.

- Hotel in the desert. The conversation between Medrano and the chief of police about the hotel’s unstable fuel cells has been cut. It makes it far too obvious that the whole hotel is like a bomb waiting to explode.

- Desert inferno… when Bond jumps down onto the Chief of Police’s car, the line he speaks before firing his gun is cut, instead shooting straight away – just seemed more real to me.

- Desert inferno II… the duel confrontation involving Camille vs. Medrano and Bond vs. Greene is considerably slowed down – Picture has been drained of colour and music has been changed in an attempt to add more emotional weight to the sequence. Scenes are also trimmed from both fights.

- Aftermath… Bond’s line to Camille, “stay here”, is cut, as is Bond driving Greene out further into the desert. Instead, the scene just goes from the desert with Greene hobbling away into Camille and Bond saying their goodbyes.

- M telling Bond that Greene’s body was found in the desert has been trimmed. She no longer says that motor oil was found in his stomach, just that 2 bullets were found in the back of his skull. The intention here is to really leave it up to the viewer as to whether Bond killed Greene or somebody else did.

- Bond theme has been removed from end credits. After the gentle ending of Bond dropping Vesper’s necklace in the snow, it just didn’t seem to fit for me. The End Crawl music by Four Tet has been retained, along with a replay of the new title song.
Cover art by LastSurvivor (DOWNLOAD HERE)
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Cover art by AstonMartins4Me. Winner of the Fenny May 2012 (DOWNLOAD HERE)
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Trailer

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Overall rating 
 
8.4
Audio/Video Quality 
 
9.0
Visual Editing 
 
9.0
Audio Editing 
 
10.0
Narrative 
 
8.0
Enjoyment 
 
8.0

Interesting! There is something good to be found in QoS, as LS proves. This is one of the best "saving a film"-edits I've seen. QoS is actually good now. The inserts from Casino Royale are a nice idea and the opening takes a different path, to say the least. The only time the flashbacks disrupted me (though only for a second) was at the final fight at the desert hotel. Once I realized what it was, it immediately fell into place.

The editing in the original is one of its bigger faults to me, and LS manages to make them less obtrusive. Audio and video-wise, this edit is perfect. Great work, I'd love to see a HD-version. Recommended!

User Review

Do you recommend this edit?
Yes
Format Watched?
MP4/AVI/etc. (SD)
Was this review helpful to you? 
Overall rating 
 
6.1
Audio/Video Quality 
 
8.0
Visual Editing 
 
9.0
Audio Editing 
 
9.0
Narrative 
 
5.0
Enjoyment 
 
5.0

Quantum of Solace is a bit of a thorny issue when it comes to Bond. It was rushed, there was a writers strike and therefore the plot was extremely thin. The action scenes were done with shaky cam and very fast editing that left the viewer a little confused at times. Still, for a Bond fan it had many great moments, but it needed more of plot to hold the film together.

I didn't know how one could improve on this film without access to the original footage and deleted scenes to make something more cohesive. But then, if there wasn't much in the script in the first place...

This edit opens with the gun-barrell inserted into the beginning rather than the end which is a good thing as it really jars at the end, coming as it does after an emotional pay-off scene. Bizarrely the gun-barrell opens into a flash forward of Bond and Camille in the desert before cutting to the aerial shot over the water that leads to the car chase opening, which didn't really work for me. The car chase is intercut with flash backs from Casino Royale, which is a good idea to re-establish Bond's motivation and anger, but doesn't quite come off. The slowed down shots of the action is most welcome as in the original it's nigh on impossible to follow what's happening. We then have the interrogation scene followed by the roof-top chase BEFORE the opening titles which works so much better - good move!

Not sure about the Pink tune as the title music, I would have gone with Shirley Bassey's theme that was rejected when they heard they could get Jack White (bad move) - hear it here: https://www.youtube.com/watch?v=rCX4SxhpPwE

I like that the place name titles have been replaced with a sensible font, but I did miss Bond's final scene with Greene, and the slowed down fight scene felt like a bit of an anti-climax.

Good job though - I still enjoyed myself, but I'd probably still reach for the original.

User Review

Do you recommend this edit?
Yes
Format Watched?
DVD
Was this review helpful to you? 
Overall rating 
 
8.9
Audio/Video Quality 
 
8.0
Visual Editing 
 
8.0
Audio Editing 
 
8.0
Narrative 
 
10.0
Enjoyment 
 
9.0

After the very good Skyfallen edit, I am picking up the other Bond edits and would like to give my impression.

Other than Skyfallen, "Bond’s Revenge" does indeed change the tone of the movie and I'd consider it rather an alternative "FanMix" than a "FanFix" which simply is out to make a better movie with the original intention like done with "Icarus".

Having said this, this edit is a success as it proves what the "Skyfallen" edit expands on: Bond movies need a strong villain to shine. By cutting away the mediocre eco story and making the chase personal, it doesn't matter anymore that the Greene character is just small fry and not very threatening to begin with. I felt with Bond and his drive to go after him.

Necessarily, the movie feels a bit shorter, but as it's consistent the fast paced cuts don't really give the impression of "fanedit", but of determination and energy. Well, the technical quality of the flashback scenes cannot really compete with a major Hollywood production, but what can you expect :-) and it shows that the story matters, never mind cgi or polished editing.

Last not least, I really missed the audio commentary on this one! Maybe you'll go back and add one, saying in retrospect after editing move Bond outings how you feel about Quantum?

User Review

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Yes
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DVD
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(Updated: February 12, 2014)
Overall rating 
 
8.6
Audio/Video Quality 
 
10.0
Visual Editing 
 
10.0
Audio Editing 
 
10.0
Narrative 
 
8.0
Enjoyment 
 
8.0

i was a fan of solace i thought it was a good entry in the series, i think people give it a bad name because it come out after casino royale.
it had some really good action that Danial Graig put his body threw hell for.
Dominic green had an evil look in his eyes but a geeky look to him.
it had an evil corporation (solace). it was just made in a writers strike.

i really liked this edit.
but i think the intro car chase could have been left in and had the vaspar scenes in the full version of the car chase, and i would not have slowed down the rooftop chase (it was the first time i heard my wife make noises and getting in to a movie as much as me), this is one of my wife's faverate bond movies. i think the remembering vaspar scenes were a little to long in the intro.

now that the bad is out of the way, i will say the good.
the new title song works great its a perfect fit, all the other scenes cut and trimmed and slow downs work excellent.
the editing is topnotch could not tell that they were taken out or cut.
this is a perfect edit of a bond movie people hate and for those people they will love this edit, i will watch this edit most of the time. it is that good.
but me and the wife we love the theatrical cut just as much.

good work lastsurvivor this is another perfect edit from a master editor.
i look forward to your next edit.

User Review

Do you recommend this edit?
Yes
Format Watched?
DVD
Was this review helpful to you? 
Overall rating 
 
8.9
Audio/Video Quality 
 
9.0
Visual Editing 
 
9.0
Audio Editing 
 
10.0
Narrative 
 
8.0
Enjoyment 
 
9.0

Really enjoyed this.
Much more character focused than the original.
Liked that overlong action sequences were trimmed.
Never bought the Vesper backstory, not in this nor in the original.
Bond is a sexual predator, he would never get emotional about anyone.
Maybe M.
So when Vesper's ghost appeared, I crinkled a bit.
That said, the video insets were nicely done. Slick.
To me, QS remains the weakest of the Craig 007s, but
I enjoyed this far, far more than the original.

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