Pulp Empire

Tarantino and Star Wars are probably my two favorite things and this edit brings them together like never before. Through new music, arrangement, and visuals, the viewer is treated to a version of Empire Strikes Back that evokes the tone of Inglourious Basterds or Reservoir Dogs. The sixth chapter especially deftly mimics the mix of glory and brutality with which combat is portrayed in Tarantino's oeuvre.
Noticeable cons include an excess of slow-mo and some slightly hokey moments when music and situations don't match properly, but by and large this is a top-notch edit.

Overall Rating for me is about 9 stars.

njvc deserves an fanedit oscar for this one. If Tarantino saw this he would laugh his ass off saying i wish i have thought of that! I had a smile on my face through out with the music intro's of the main characters,Vaders was the best. And who would think of a Neil Young song in a Star Wars movie,only the brilliant mind of NJVC.This was a new movie experience,having seen Empire so many times before.For any Tarantino/Star wars fans you with love it.And if you dont like this edit you deserve a ball gag like Marcellus had.This could be the start of a genre of Pulp Fictionalizing movies.

Once in a while a fanedit comes along with style and attention to detail that equals or surpasses the original source. This here Pulp Empire is one of those fanedits! wasnt sure what to make of this before seeing it, but now after seeing it, the whole thing really works - I wouldn't say I'm a fan of Tarantino movies, but its unusual to see a sci-fi film produced in this way, with the use of Tarentino esque tunes, the altered order of character led scenes, some space ship scenes/fx scenes have been reduced, which aren't missed in this version of the film.

Watching Empire without John Williams thumping soundtrack in your face, as good as it is, is a completely refreshing experience. Pulp Empire seems to be a bit less bleak and the tone of the movie now feels more set by the acting rather than the over the top orchestra. The use of songs seem carefully chosen and, complement the flow of the story.

This is now my favourite version of Empire strikes back!
10/10

thanks!
Cutnshut

I enjoyed this immensely! This edit is gangsta creative, something different. Like the next guy, I like mubi fixes, but there's something about remixes that speaks to my heart, and Pulp Empire, I was fuckin' listening.

Inventiveness comes at you every which way: the restructuring of the narrative, funked-out montages during the introduction of key players, some stylish fades (smoove Lando), and above all, the sonic redesign.

Tremendous attention went into the sound, the most obvious change being the new soundtrack. The non-Williams score is used brilliantly in places, with just the right tune adding humor or cool to an event or introduction. There's a perfect soundtrack for Luke in the ice cave, and another at the end of the Hoth chapter. Yoda's intro nails it silly, and the D. Vader and Fett intros are appropriately bad-assed. And one simply does not fuck with flying guillotine techno.

Also, what can I say about Yoda's dazzling Cantonese that hasn't been said? Oh, yes—as Yoda walks deeper into the swamp, his new voice becomes fainter, more distant. Now that's attention to detail.

But wait—njvc gives us more. Listen closely, and you'll hear background noises that aren't in the Lucasian version. The wind in Cloud City's donut hole echoes the winds of Hoth, mournfully reminding us of the fellowship's scattering or the desolation of spaghetti western environs. Frodo Skywalker's electronics now hum in Dagobah's swamp. And the Falcon has a new dilapidated purr.

Everything I love about the sonic creativity rocks the audio score to an eleven. Alas, I must regrettably deduct a point for a few issues. Song-to-song transitions could have been smoother in some places. Sometimes a song's crescendo coincides with some other audio ejaculation—e.g., the song in the wampa cave is deliciously righteous, but I would have wanted to hear the vocals start after the wampa's roar. Some songs, despite being perfect for their scenes, seem somewhat flat as they come out the speakers, missing the robustness of songs with a heavier bass presence, but this likely reflects differences in how these tunes were originally produced. Lastly, there is something off in the audio balance, the audio mix, in several scenes, as if the dialogue, background noise, sound effects, and music hadn't quite made friends yet with each other. But these are small beans compared to Pulp Empire's considerable sonic strengths and the rich enjoyment that comes thereof, and the adjusted audio editing score still comes out to ten, so there, mofo reader, so there.

I have gazed into the face of Quentin and George's love child, and it was good, delightfully good. This edit marvelously transforms a classic, is the kind of edit that I'd want to show fanediting virgins, and in my opinion is amongst the very best fanedits ever made.

[And I like what you did with my handle, Never-ending Jalapeno Volcano.]

Enjoyjoy: 10 enthusiastic pelvic aerothrusts, each one almost ceiling-high.

After returning from the dark and fiery depths of Erich von Stroheim's Greed, njvc's Pulp Empire was a welcome delight! I had high expectations for this one and it didn't disappoint. All the elements of a great Tarantino flick have been masterfully integrated into The Empire Strikes Back, and I don't think anyone could have done it any better than njvc. There is not a single musical selection that is out of place (the music from Taxi Driver was surprising but it worked well with the scene), and I particularly liked the music from Morricone. The Battle of Hoth chapter is a technical marvel, full of split screens, overlapping dialogue, ferocious new sound effects and great music as I said. The final chapter is extremely intense, epic and powerful, and defintely one of the best fanedited sequences I've ever seen! The non-linear structure is well put together and there are no plot holes to speak of, but cutting the sequence where Luke chats with Han and Leia while recuperating wasn't really a good idea. I'm not sure if this was due to technical issues or not, but there's important character development in that scene and it would have strengthend the edit. The rapid fire pacing is well edited and consistent, but the narrative feels rushed and there's less time for it to breath, but that's a really minor criticism because I had a blast watching this. The picture quality was tremendous throughout, as was the audio editing. Sure, some of William's music can be heard in the background during some scenes, but I don't think there was any way that they could have been completely removed. Overall, njvc has done a truly fantastic job!

Also, Boba Fett's new entrance was FREAKING AWESOME!!! I was grinning for about ten minutes afterwards. Certainly my favorite scene from the edit!

Audio/Video Quality: 10/10
Visual Editing: 10/10
Audio Editing: 9/10
Narrative: 9/10
ENjoyment: 10/10