Paradise

JobWillins’ Derelict was quite the experience, combining two Ridley Scott films separated by over three decades into a coherent and suspenseful single storyline. After Alien: Covenant was released, I suddenly had a spark of inspiration; why couldn’t Prometheus and Covenant be combined in a similar way? After all, both films feature a central character in David, the murderous, disturbingly creative android, so why not give it a go myself? Well, little did I know that JobWillins was already on it, and let’s face it, he was always going to do a better job than I would.

As it turns out, JobWillins had conceived of the Paradise idea long ago. From his Tumblr:

“When I edited Derelict a couple of years ago, combining Prometheus & Alien in black & white, it was mainly because I found Prometheus unsatisfying as a standalone film. Its ending promised (and begged for) a sequel, but that sequel kept falling behind other Ridley Scott productions. With a sequel in doubt, I tried to use material from both films to make a single experience that felt more like a satisfying whole.

“We eventually did get a sequel 5 years later in Alien: Covenant. Half of it felt like a Prometheus sequel and the other half an Alien prequel. In my opinion it didn’t fully succeed in either role. I enjoyed parts of Covenant very much as I did Prometheus, but also much like Prometheus, it ended on an intriguing promise of a sequel. That sequel may never come thanks to its relatively poor box office performance.”

And so, here we are with another expansive, 2.5 hour sci-fi epic!

Opening in the all-too-familiar black-and-white style of Derelict with the ominous Peter Weyland TED Talk, Paradise shifts into full color with the excellent prologue of Covenant, David’s first day of life in the company of his father. However, the prologue stops short, giving us the new title as the Prometheus flies through space. Throughout the film, this prologue will return periodically, as if to punctuate the themes of creation and godhood with increased clarity as the narrative bounces between time frames.

While the transitions aren’t quite as good or numerous as those witnessed in Derelict, JobWillins covers this with a restrained hand, ensuring to keep both films at least thematically-synced. Probably the best example of this would be Covenant‘s backburster scene, intercut with Holloway’s agonizing death in Prometheus. As Ted Kurzel’s brilliant score pulsates away, the horror of both Shaw and Oram seeing their spouses’ deaths is compounded nicely. A lot has been cut from both films, including some of my favorite bits, like Milburn and Fifield’s run-in with the Millipede and various snippets of the Covenant crew’s first trek across Planet 4, but again, this is all in the name of ensuring the finished project isn’t so long that viewers check out for other offerings.

As before in Derelict, several deleted scenes from both films are used, as well as some of the online viral content from Alien: Covenant. Major props to JobWillins for his beautiful rendition of the ‘Crossing’ prologue. As for changes wholly his own, some may or may not like his musical choices for the beginning and end of the Covenant storyline, but I for one enjoyed them.

For this review, I watched his full-quality offering of the edit from Google Drive, which at a file size of 9.62 GBs, is plenty enough for home theater viewing. The video bitrate is a little lower than Derelict‘s at 8 mbps, but this allows for the inclusion of both stereo and surround audio tracks, and I honestly didn’t see any video quality loss, at least on my 1080p equipment.

While Derelict seemed to emphasize the mystery and intrigue of the films it sought to combine, Paradise is an edit more preoccupied with the grander themes at work within Ridley Scott’s mind: themes of creating life from nothing, of going against the natural order, themes more reminiscent of Shelley than Lovecraft, which is something I picked up from Covenant that I’m sure most viewers either didn’t see or didn’t appreciate. JobWillins certainly did, and that’s just one of many reasons why I love Paradise. I’m still thinking of doing my own Prometheus/Covenant fanmix, but not because Paradise was inadequate. On the contrary, if I never got around to it, I wouldn’t feel that bad. I still have this gem to come back to.

First off this will be my go to when re-watching the franchise. I can actually add these two (combined) to the collection.

The originals as we know have always been a disappointment (Covenant reminiscent of the bargain bin days) but honestly this was a stroke of genius regarding editing. Combining the two for a David-centric story line (as it always should of been) provides us with all of the best moments the films produced i.e. Fassbender meets Fassbender.

My only gripes are some minor character elements which would of given just that bit extra (honestly not much to add at all) i.e. Tennessee's reaction to his wife's outcome as I find I don't really care at all for the rest of the cast which could just give this edit that final chord. Also the ending's choice of music (Beatlemania); as an intense atmosphere is created throughout, when it came to the end the choice of song just didn't sit with me and I found myself brought out of the terror that is the final curtain draw. Even just using the voice-over (which I liked) and maybe cutting in that song as the ship drifts off into the black sunset might of made a difference for myself.

But please folks do yourself a favor and watch this excellent edit!

Truly JobWillins a very well done!

BRILLIANT Fan Edit!!! For both Alien lovers and movigoers Paradise should be considered as a good movie. The way JobWillins assembles Prometheus and Covenant in one single piece is extraordinary. The selection of the footage material is carefully chosen resulting in a great cinema exercise. David centric story is indeed the strongest aspect of this edit. Splitting the intro conversation between him and Weyland (Beginning scene from Covenant) in different parts and inserting them along the movie, the editor shows us David´s personality and motivations in a way that the official movies failed to. I won´t extend myself describing all unnecessary and stupid humour scenes which are deleted alongside the plot inconsistencies with Alien universe.

Audio and Sound editing are top-notch. In this regard, it is not possible to imagine a better quality for a fan edit. The only remark I appreciate is the addition of some tracks which in my opinion doesn´t fit with the tone of the movie (i.e. a couple of Beatles songs). This soundtrack editing either you love it or hate it.

I enjoyed so much this fan edit and it completely replaces the original movies. I didn´t grade higher because of the original available material which in some cases makes impossible to fix it. The editor has nothing to do with it. Giving the source material, Paradise is a jewel in Alien universe and from now on I will revisit it with the first and second entries of the saga.

Congratulations to JobWillins who is certainly a remarkable fan editor!

P.S. Please, watch the mix Man of Steel and Batman vs Superman edit "Man of Tomorrow" absolutely a must.

spoilers ahead

Overall, wow. I'll start with the "enjoyment" category (I give the highest marks there), and work my way up.
Why do I enjoy it so much?

Focusing on the synthetics works so nicely. While it's easy to wish for the suspense of the original Alien, this edit shows that a nearly equal feeling can be achieved through unease. Job gives that sense of unease throughout this movie by focusing on the (to quote Walter) "disturbing" performance of Fassbender. David is the most intriguing character to come out of the films, but is presented in a muddled way in the original films. The question of who David is and who we ought to sympathize with is poorly handled until placed in Job's hands.

That said, I think even more could have been aggressively cut to limit the confusion of multiple crews, plots, moralities, and creations. As such, the narrative still struggled with extra baggage. Moreover, the complete abandonment of Shaw's character and the Engineer plotline so that the movie becomes a more obvious Alien prequel makes for a lackluster story that fanediting can't redeem entirely. As far as the climax - for me it was the moment we realize with few doubts that David killed/mutated Elizabeth (why have a grave in the first place if her corpse is still in your bestiary?). Everything after that is a bit lackluster, reduced to a shoehorn for Alien.

For the most part I enjoyed the audio editing, especially the use of the "farewell elegy to Elizabeth" throughout the movie. That said, the Beatles use at the end didn't seem appropriate, particularly since Walter had already played the Beatles and we had just recovered from a synth switcheroo.

The visual editing had some masterful edits. As others have mentioned, the interwoven infection scenes is the highlight of this edit. However, some of the transitions between crews aren't paced as well.

As for quality, I watched the Vimeo stream at 720p with stereo sound. It looked and sounded lovely considering the source.

Well done Jobwillins! Thanks for sharing your labor of love!

'Paradise' totally saves what I think are two visually stunning Blu-rays in my collection suffering from an overarching vagueness and the inexplicable antics of the crews with their cliched foolhardyness, incompetance and inglorious bastardy. The fantastic editorial here sweeps out the worst of this and turns what is left into impactful moments of intrigue. Bringing in an overarchingly vivid mainstay to the previously broken stories. Polishing off may be necessary on the odd dice and blend. Its heavy on the editing though. This may be as good as it gets without stock footage to string things out with. One really has to concentrate to pick out the nicks. And with the engageing plot weaving that highlights the best parts of the originals in the best ways the viewing is fully enjoyable.

It might be a good idea to offer some further textual explanations of the tooings and froings between Prometheus and Covenant but this itself will be a gripe for some (myself included) as it cant be done for the parts where the switching gets complex. Therefore it might well be left as is for the sake of consistency. It starts out a bit confusing with only the oringal mission info blurbs and some very brief notes which kind of pass by subconsciously. I actually quite liked the fact I was getting a bit lost as it adds a puzzle aspect. Its a mystery unravelling. It all pays off beautifully in the end!!