September 13, 2017
"Prometheus" and "Alien Covenant" fused into a single film. Decent enough plan, although it seems Mr Willins has done this twice already with his "Derelict" and "Ripley" edits.
Video - 1280 X 720p AVC. The visuals for "Prometheus" are simply better than those for "Covenant." The opening moments with the TED talks could have used less fade-outs. Afterward, the editing is assured and masterful ... for awhile. With "Prometheus" the editor has a strong concept and it shows. The editor has his craft down so I have no comments on technical aspects.
Audio - 128 kbps AAC. 2 Channels. No subs. The editing is smooth, though the audio is spotty at times - in both films. Dialogue is muffled or indecipherable. From hollering to whispering. I listen over speakers, I listen through headphones. No difference. I viewed the 5 GB file, I don't know if the larger, 10 GB file offered 5.1, or if it would have made a difference.
Narrative - As with the previous "Derelict" and "Ripley" edits, Mr Willins runs concurrent stories. With those edits, the story bounces back and forth like a ping pong match. Like an ADD incessantly switching channels. With "Paradise" Job Willins finally hones his storytelling. This becomes David's story, more pronounced and effectively done with the "Prometheus" half. "Covenant" is much too talky.
Enjoyment - Hit n miss for me. The last thirty minutes were repetitive to the point of tedium. Too many climaxes, I just wanted them all to die at that point. In a word, too much "Covenant."
With "Prometheus" he cut most of the garbage I hated. "Covenant," I predicted would be more challenging, and to me he did not successfully carry this off. Comment - songs by the fab four were distracting and incongruous.
Job Willins displays superior abilities and I would like to see him shift away from these back n forth twofers.