On Her Majesty's Secret Service - The LS Cut
- NTSC DVD-5
Alternate Main Feature audio track (which switches Louis Armstrong's "We Have All the Time in the World" to the main title sequence, and uses an instrumental version of the theme during the Bond/Tracy love montage)
- Cut Bond breaking the fourth wall with his line "This never happened to the other fella"
- Inserted Louis Armstrong's "We have all the time in the world" over the start credits (,alternate audio track only - Barry's instrumental theme remains in the primary audio track)
- Trimmed the aftermath of Bond's fight with one of Draco's henchmen, removing the shot where his eyes roll upwards and he passes out. Also removed Bond talking to himself as he exits the room, commenting on the quality of the caviar.
- As Bond is taken to meet Draco, removed the janitor whistling the theme tune to Goldfinger.
- Removed Draco's dialogue "To dominate her... to make love to her enough to make her love him". It always seemed too over the top, even for a Bond film from the 60's.
- Trimmed scene of Bond packing up his desk as he contemplates retirement from the secret service. This is to remove too many blatant attempts at paying tribute to previous Bond movies. Music also replaced with Barry's score from OHMSS.
- Tracy and Bond fall in love montage, replaced Louis Armstrong's vocal "We Have all the time in the world" with Barry's instrumental version, sound effects added (,alternate audio track only - Armstrong's vocal version remains in the primary audio track)
- Streamlined scenes of Capmbell following Bond as he arrives in Switzerland
- Bond's helicopter journey to and subsequent arrival at Blofeld's research laboratory trimmed
- Replaced the "playful" instrumental version of "We Have all the time in the world" as Bond is searching his room for any survelience devices, with a more fitting and slightly tense piece by John Barry
- Substantially shortened the scene between Bond and the Angels of Death in the Alpine Room
- Cut Nancy waiting for Bond in his room. His seducing of Ruby is enough for this movie, particularly as he should really have Tracy on his mind ;)
- Cut Bond and the girls curling, and the scene between Blofeld and Bond. All we have now is Campbell trying to climb to the top of Piz Gloria, only to get caught by Blofeld's guards, albeit unseen (added music during Campbell's ascent)
- Slighty trimmed the sequence where Bond is trying to get back inside (having been caught and locked inside a room which houses the inner-workings of the cable car system), whilst the Angels of Death receive their ever so special christmas presents
- As Bond escapes back to town, have cut down the sequences leading up to his rendezvous with Tracy at the ice rink, including the excising of his fight amongst all those bells with one of Blofeld's men (a good fight scene no doubt, but at this point you're just wanting him to meet up with Tracy again, so let's move things on)
- Stock car rally sequence, very slightly trimmed
- Various cuts made during the attack on Piz Gloria, including the rearranging of a scene where Bond skids across the ice on his belly, fixing a continuity error
- Rearranged the countdown of the planted explosives to make it seem more natural and believable
- Made some cuts to the bobsled chase between Bond and Blofeld, mainly to address the worse uses of front/rear screen projection work
- Cut the use of the James Bond theme during the credits. Coming after such a heartfelt and sad ending to the film, it just doesn't work at all. Replaced with an extended version of the instrumental "We have all the time in the world"
Another solid Bond improvement from Last Survivor. This edit convincingly replaces the original.
Distractions are removed, we get back to the ultimate Bond girl faster, the narrative is tighter and more rewarding. The (enjoyable!) leisurely pace is retained. Lazenby comes into his own better than ever before.
Visual and sound editing are excellent. The one visual hiccup is a helicopter making a small jump on screen when they attack the mountain. And we get another editing masterclass with the audio commentary.
This edit is a bit polarizing for me. On the one hand, I love all the little things in this edit, the fixing of continuity errors and slight trims here and there to really tighten things and remove some of the more dated and silly elements. On the other hand, the removal of two scenes dampen my enjoyment a bit. The first is the rearranging of Campbell's ascent and capture, as I feel without the scene where they're all playing curling we lose sight of Blofeld for too long. I love Telly Savalas as Blofeld and feel the removal of this scene hurts the film by keeping him out of frame for far too long. The second is the removal of the bell room fight, one of my favorite action scenes in the film. I understand why it was cut, but I think it adds a certain element of danger to Bond's escape, that he's far from being out of the woods even when he makes it to the town. I love all the other work LastSurvivor has done, such as removing some of the egregious rear projection shots and recutting the battle at Piz Gloria to be more coherent and suspenseful, and the musical changes throughout to correct some baffling bits of tone-deafness on the part of the soundtrack. I feel that if these two scenes were retained or only slightly modified, I'd consider this a replacement for the theatrical version, hands down. Perhaps at some point in the future, there will be another version of this edit that fixes my minor quibbles. I won't hold my breath, though. However, aside from those complaints, this is a superb edit. Nearly seamless visual and audio editing and a good grasp of story and character make this an edit to seek out, even though it might not fully replace the original. It's still fun to see attention being paid to what is, in my opinion, the greatest James Bond film ever made.
A very good edit that trims away some of the problems I have with the original. Most prominently, the scenes with the Angles of Death. The film at least moves on now, instead of dies completely. Vultural's review below really says it all, so I will only commend LS's skills as a editor. Though I would argue against Vutural that this cut makes Lazenby quite alright as Bond (despite the poorly inserted one-liners they gave him). No silly callbacks and I like some of the fights in this, especially the one on the beach.
Then again, "Lazenby would always pick the wrong wine" is a wonderful description!
A clear improvement. Well done!
LastSurvivor tightens up one of the better Bond films in sleek fashion. I appreciate the nips & tucks, including less Diana-Rigg-slapping.
Too bad there was no tidy way to edit the story so that the most heavily armed medical spa ever could be assigned a less goofy, more menacing purpose. However, that's a minor issue in an overall strong fanedit. *SPOILER KLAXON* By making Tracy more central to the story, LS brings greater poignancy to the tragic end.
I enjoyed the commentary track as much as the feature experience. LS gives his insights into Bond history, Rigg's pivotal role, his editing decisions, and even his second thoughts as to what he could have edited differently, making his commentary a fanediting class in session.
Major tinkering by one of the site’s best editors. Included is a terrific audio commentary which is particularly enjoyable and entertaining, in which the editor elaborates on alterations and shares his enthusiasm for this, his obvious favorite Bond outing. Also included is a third audio track featuring an unaltered music score.
Video - 1920 X 1080p mp4. Solid editing and wise choices all the way around. The Alpine scenery always featured stunning blues and whites, and the night scenes hold up masterfully. I can appreciate that numerous small cuts are often trickier to pull off rather than wholesale pruning with the editing chainsaw. Source selected, by the way, was the HD mp4.
Audio - Mono. Really? Yes, truly, though Last Survivor does discuss that in his commentary. Keep in mind the original was mono, as well, so I can understand his reluctance not to use the “upgraded” sound. No subs, though clarity of dialogue excellent throughout.
Narrative - I grasp Last Survivor’s concept, trying the excise the condescending and belittling scenes and comments aimed at Lazenby. In that regard, LS has succeeded marvelously. Lazenby comes across smoother and more professional. There were no modifications to the structure, consequently the story remains cohesive.
Enjoyment - No change as far as I am concerned. The action sequences were and remain outstanding, far ahead of their time, actually. Barry’s score is one of my favorites. Most of the actors are fine, Savalas surprisingly so. Ms. Rigg notwithstanding, the “Bond girls” were sorority also-rans.
In the audio commentary, Last Survivor makes a persuasive case for Lazenby as a most excellent Bond. Sorry, I never bought Lazenby as 007 when the film was released, and if anything I am even less convinced now. Aside from the poorly choreographed, laughable fisticuffs, which seem closer to serial cliffhanger antics, there is Mr. Lazenby’s overall presence. The actor exudes palpable menace, an absolute necessity for a 00 agent, yet there is, for me, a distressing thuggish quality to Lazenby. As a villain, he could have been ideal; an anti-Bond if you please. Yet as Bond himself? Hardly. Lazenby would always pick the wrong wine.