Review Detail

Splicing the studio credits with glimpses of Lara giving birth felt awkward. I would rather it be kept like the theatrical cut except with a gradual fade-out as Jor-El looks down on the baby. There's a few odd frames that's all black with lens glare before we see Clark in the classroom. The transitions could be smoother in the early half of the movie.

Story-wise, the linear editing to the narrative made it easier to connect with Clark and the Kents. It also made the Kryptonians mysterious and intriguing when their past is explained. Placing the Krypton scenes within Jor-El's exposition to Clark was a good decision because it was repetitive in the theatrical cut, however I would rather the transition be subtle rather than an artistic effect. The edits in the latter half of the movie were very well-done. They felt natural and kept the scenes focused. Cutting down awkward dialogue made the script much better.

Overall, this edit made me like the movie more than before. It cleaned up rough edges while keeping the story and the majority of the movie intact. Sometimes simpler is better. Since the story itself isn't very complex, the linear narrative improved the viewing experience.