Lovecraft Actually

This was a fun one! I think it works at a core level, but I might have liked to see In The Mouth of Madness used more as a framing device since it is so structurally different - Sutter Cane unleashing the horrors that remain relatively off-screen in Carpenter's version with Deep Rising and The Mist then providing the "world descending into chaos" for the audience, which the edit approaches during the tremendous "God Only Knows" sequence. Such a restructuring, however, might have ended up repacing things a bit much and cut too much of the narratives of the latter two instead of letting them all play out together. I love The Beach Boys, and I think it was smart to use audio as a sort of narrative glue bridging the edits... while I enjoy the tonal dissonance, I do wonder if there was a greater reason for it (outside of... y'know, Lovecraft... water... tentacles... beaches). Great work!

Its definitely experiemental. Really hard to rate this as achievement here is probably to the max of the possible. In the end though the contrasts are glaring at times with vastly different screenplays. And this does slant viewer experience towards the downside. Slightly.

One glitch was seen with a red blur when woman is holding glasses in office.... intentional effect?

Lets call this narrative score a LUCKY7!! All's well that ends well & this show wraps up quite enjoyably!!

Simply fantastic. Great cocept and one of the best compilation edits I've seen. And I very much liked the use of the Beach Boys music. It gave lovecraft actually a weired tone of it's own and bound the 3 movies together somehow.

What a fabulous concept and great new way to intertwine a common theme. The use of audio was superb, transitions were fluid, and the focus always maintained the direction the maker was going for. The only qualm I saw was In The Mouth of Madness needed more focus to even out the ordeal. There was a cut during the ITMOM segments that was abrupt and felt too rushed at one part. ITMOM needed more room to breathe and if another 5-10 minutes were added I'd think we'd see an even tighter film. Great job nonetheless, absolutely fun to watch. The use of the Beach Boys soundtrack made this all the more interesting and it benefited using it for transitions.

Overview - Mr. Willins takes three apocalyptic films, “The Mist,” “In The Mouth Of Madness,” and “Deep Rising,” tosses them into the chopper, and makes a dark homage to “Love Actually.”

Video - 1920 X 1080 m4v. Note: My setup could not handle m4v, so I converted to mp4. Some of the edits here are audacious. The jump cuts, in particular, are inspired and jaw-dropping. This, for me, is one of the best aspects of this edit.

Audio - 192 kbps AC-3, 2 channel stereo. No subs. Depending on the source material, the audio ranges from good to murky. Much of “The Mist” is a pain to understand, and Sam Neill’s mumblings during “In The Mouth” were not worth replays.

Narrative - Three different films that do not link or mirror each other. Sorry. The tones vary, as do the “look” of each. One is a talkfest, one is an action ride, one is the dark plunge. The Beach Boy numbers do not serve to unify proceedings, either. Plus, for me, way too much time was spent on “The Mist,” the least compelling of the trio.

Enjoyment - Mixed. I appreciate what the editor was attempting. Full marks. This is a fail, though. There should have been other or different films used, where the same actors would be seen in other roles, hopefully engaging with other actors used in this mix. I have enjoyed works from this editor before, but this one does not work for me.