L.A. Confidential Recut

What a pleasure L.A. CONFIDENTIAL is. A story of cops burdened by their corruption and their consciences, lots of moral ambiguity, and wonderful characterizations and acting. But while I admire the film, I didn’t quite love it when I last saw it several years ago. I wondered, could Neglify’s edit change my mind?

Let’s begin by accentuating the positive. Technically, the edit works on its own terms. Meaning there are no holes created in story, character, etc., and I didn’t detect a single issue in audio or video editing. If I didn’t know the movie beforehand, I wouldn’t have guessed it was an edit.

Some of the choices really worked for me. The editor cuts the beginning and ending from Bud meeting Lynn – following the rule of “enter late, leave early” – a good way to maintain audience interest. And nothing is really lost. In fact, it’s a gain: budding romance is still suggested, but with more subtlety.

I was also happy to skip Bud and Lynn’s first love scene, which felt like it was included in the original simply to tick the “sex” box for the marketing campaign. We don’t need to peep on the couple’s private time. Besides, we get to be voyeurs again when Ed and Jack watch them through a window later.

Other changes I didn’t enjoy as much. Sure, we don’t need Bud discussing the Nite Owl case with Lynn. But I missed the grace note of her Arizona backstory, which gives the character something of a life outside her relation to the film’s events. I also missed Ed talking to Lynn at the station, which provides a breather between scenes of corpses piling up. Without that scene, things start to feel rushed.

Rushed is how I would describe the ending, as well: a big action sequence, fade out, roll credits. To me, the arrival of a film’s end credits feels like the closing of a book. Here, I wanted to linger on the last page a little longer, i.e. I wanted an extra 5 seconds of black with nothing but Jerry Goldsmith’s music before the end credits rolled.

Lastly, I wonder if the editor considered keeping the final scenes of Ed being questioned and receiving a hero’s medal (of course, Lynn would have to be removed from this). These scenes could add some character interest after all the action while still providing a suitably cynical finish. Or were these scenes considered part of the unnecessary Hollywood happy ending with Bud and Lynn?

I’m not sure I’ve succeeded at accentuating the positive in my review… But to be honest, I find that song pretty annoying. So one more positive point: thank you for removing that song from the end credits.

In summary: I appreciated L.A. CONFIDENTIAL RECUT for its subtler romance and for dropping the sugary ending. But a little too much material was cut and the conclusion felt rushed, so I ended up enjoying the edit about as much as the original. 8.5/10.

A crackling, tightly paced crime noir tale!

A part of me feels bad for poor Kim, as I enjoy her performance in the original (though definitely not Oscar worthy) but this edit clearly proves this movie works wonderfully with less of her.

I still love the original, but this alternate version moves swiftly and the tension remains taunt throughout. The new ending by Neglify is far more fitting for a noir tale and I applaud his choice.

It should be noted, I watched this one with my bride who is a crime movie addict, and she LOVED this edit, and could not believe anything had been cut out until I popped in the original afterwards for comparison. So fantastic work Neg!

Thumbs UP!

Pretty freaking swell edit.

First of all, I would like to apologize to Neglify, as it has taken me a very long time to finally watch this. Second of all, I would like to thank Neglify for making such a cool edit.

Here, LA Confidential is a non-stop noir thriller. And it's awesome. Why don't they make movies like this anymore? I know the phrase is overused, but I really feel like we're missing out. Anyway, seamless editing here. Really seamless. I knew I was missing stuff from the original, but from where? I didn't know. Really flawless editing. And a lot less Kim Basinger. That's always a plus.

So I guess the question is, did I prefer this version to the original? I think my answer is no. Like I said, here LA Confidential is a non-stop noir thriller. I just feel like the original is all of that and then some. But I really love this edit. Cutting back on Basinger and removing the epilogue really does work very well. I'm glad to have this version of the film as well as the original. Awesome work.

I like the original too. A great movie where "mister brain" needs to team with "mister muscle" to solve the intrigue.
Now, Neglify's edit is, IMO, better than what I remember the original to be.
I always loved Kim Basinger, but isn't it strange that in two recent fanedits that I saw (Batman - Descent Into Mystery by Dwight Fry and this one)removing a lot of Kim's scenes helps a lot the pacing! It simply flows better than what I remember.
A great "simple" fanedit, where the movie is still the same but, IMO, improved.
Great video and audio quality, nice menu and presentation.

I have no problems with the original film, but enjoyed Neglify's recut version. The editing is perfect, and if I had not seen the original, I would not know that this had been fanedited. All the cuts are well thought out and the ending works well.

Video and audio quality are high. I liked the DVD menus, but scope does not really work for menus, so in my opinion the main menu video should have been cropped to 1.78:1 or integrated into some sort of background. I like the lettering, and the drinking game is a nice touch. There is good cover art by the faneditor.

All in all, this is great work. Well done, Neg!