Good Guy Deckard

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9.4
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(Updated: July 14, 2022)
Overall rating
 
10.0
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10.0
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10.0
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10.0
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10.0
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10.0
TRIGGER WARNING: HERETICAL CINEMATIC BLASPHEMY FOLLOWS

BLADE RUNNER was one of those films that I just HAD to watch when I was a wee teenage lad due to the sheer legendary status that surrounded this film. What they were able to do in terms of sets, special effects, costumes, and a truly tangible atmosphere is simply astounding for a film that was made in 1987; and it's a film that has truly transcended time and still feels relevant today. But MAN does it DRAG! The film is gorgeous to look at, but there's only so much beautiful slow shots that one can take before the beauty just becomes stale from the constant bombardment of said beautiful slow shots! I wanted to like it, I swear! But the way the story was told was just dreadfully boring. Keo has a warning that states, "this edit is for a VERY small audience," but I insist that I could not be in the minority in finding this film a drag; I insist that most people say they like this film simply because they're afraid to go against the cinematic religious belief that "BLADE RUNNER IS A MASTERPIECE." In other words, most people are lying when they say that they enjoyed BLADE RUNNER. There, I said it!

That being said, this edit has really done a phenomenal job in streamlining the film without sacrificing AT ALL the atmosphere, story, and overall message of the film. In fact, the message was actually improved and made clearer in this edit! I mean, seriously, how could anyone find the Replicant gang sympathetic when they look so sinister and they kept casually killing people with little to no remorse throughout the film?! Keo fixes that. For the first time ever, I TRULY felt bad for Roy Batty in the end. And the pacing is dramatically improved, not ONCE was I ever bored watching this. And thank you for not including the goddamn unicorn sequence. It's a neat idea, but it does feel ultimately shoehorned in and it didn't really add much except forcing a "mysterious twist" within a film that didn't really need it.

My only complaint is not adding the year and all mentions of the year. I mean, why do that? Is it because the film takes place in 2019 and we're in 2022 and thus ruining the "immersion magic"? I mean, sure, but how hard is it to just imagine that this film takes place in an "alternate universe?" Eh, just a minor nitpick.

Thank you Keo. You've helped me to FINALLY appreciate the claims that this film is a "masterpiece." An excellent edit, plain and simple. And if you ever do a version that includes the voice overs, I would be intrigued in watching that as well!

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Top 500 Reviewer 6 reviews
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10.0
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10.0
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Thank you so much for removing that messed up scene that happens to Rachel in Decker's apartment. I read an interview where the actress said that scene was added as revenge against her because she refused to "date" the director. Completely messed up and had absolutely nothing to do with Decker or his "growth".

I enjoyed this edit tremendously. Much better than the original, IMHO. I found the original to be kind 9f slow and bored me at times. This edit flowed much smoother.

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Overall rating
 
9.9
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10.0
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10.0
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9.0
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10.0
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10.0
Great edit. Excellent use of deleted scenes and alternate takes to give some scenes a bit more breathing room. My favorite in particular is Leon's entrance on to the street where Roy is with the large neon sign backlighting him. Great stuff. Good sense of pace to the edit, really brings Deckard's noir mystery story in focus.

Only nitpick would be a lack of any atmos/foley over the first part of the rescored scene where Rachel plays piano and takes her hair out. Adding that "Deckard apartment ambience" back in would add a lot to it I think. Great work, otherwise.

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(Updated: February 02, 2022)
Overall rating
 
10.0
Audio/Video Quality
 
10.0
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10.0
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10.0
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10.0
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10.0
Excellent edit, excellent. By removing every reference to the killing committed by the escaped replicants, you made them more sympathetic. I also liked the fact that Deckard in this version is forced to go back to work, because obviously Bryant has something against him (maybe Deckard actually retired a human by mistake, and Bryant knows about it ?).
No unicorn dream made the exact nature of Deckard more ambiguous, I prefer it this way, I never really liked the idea that Deckard is a replicant, I prefer to see him as Blade Runner who slowly becomes aware that replicants are actually more human than human.
The deleted scenes are cool, I feel even more sorry of Holden, now that we see him in coma.
Also thanks for sparing Sebastian, his death was unnecessary, the poor guy is already living hell, no need for Roy to brutally kill him.
My only complaint is about the unicorn origami in the end. Now that Deckard is no longer having that dream, it seems a little out of place. But maybe it can be viewed as a random origami left by Gaff meaning that he knows about Rachel, and he is willing to let them escape.

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Yes
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D
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Overall rating
 
9.3
Audio/Video Quality
 
10.0
Visual Editing
 
10.0
Audio Editing
 
10.0
Narrative
 
9.0
Enjoyment
 
9.0
As someone who's always admired Blade Runner, but had a hard time liking it, this edit is a gift. The rapey parts are gone, and there's added deleted scenes that return some of the humanity to Deckard. While there are splendidly cleaned-up technical edits (TM2YC deserves all the accolades he received for the breathtaking BR: Penultimate Cut), this is possibly the most enjoyable version of the film, with a Deckard that's a little easier to spend time with. The choice to leave the entire film grainy so the deletions don't stick out works as a wonderful aesthetic choice.

My only quibble would be the presence of the unicorn origami at the end. With the excision of the unicorn dream, it doesn't seem to serve much purpose. Also, as someone who'll stick up for the narration, I'd love to see GGD with a voiceover, just in case Keo decides to revisit this edit. But if not, no great loss, this is still an essential version of one of the most gorgeous films ever made.

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Yes
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Digital
R
Top 50 Reviewer 124 reviews
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