I anticipated seeing this edit for a long time now.
I liked the theatrical cut enough to appreciate it without the obvious comparison to the source material, but was always curious to check another take on it - mostly one that was praised to be more competent and straightforward.
However, to my disappointment, the edit tries to shorten the distance between the movie and its anime counterpart but ends up making one that falls short of both of them.
For better or for worse, the theatrical relied heavily on Major's backstory to keep its pace and character development, and that's whats mostly compromised in the edit. In this version, everything happens so lightning fast and the movie never stops to think any reason to be moving at all. At the core of Kuze's unveil there is originally a detective story, where Section 9 follows several clues and locations to spin a thin thread of what's going on. In the edit, this all boils down to scene-hopping from point A to point B with little cohesion. As a result, the Major is just along for the ride. Even though as fans we're familiar with Kusanagi's pragmatic attitude, the edit reduces her to an effectively soulless action doll who beats people, shoots people, stops once in while for a repair and goes at it again. Whitewashing controversy aside, the whole Mira subplot involving her past was necessary to give the movie any identity, even if it dumbed down the quintessensial Ghost in the Shell philosophical ramblings of self and soul to the cliché corporate conspiracy. On top of that, the removal of some lines thin the exposition a little too much. Like the aforementioned Major's subplot, some of the original lines present in the theatrical cut clearly wanted to convene a critique about ownership and autonomy of self on the information era. Even if the execution of these ideas was originally clunky (like the "i give my consent" silliness), the edit is poorer for the complete absence of them.
To the edit's merit, it's well cut and with no jarring transition whatsoever. The added scenes and music are great, and the overall nitpicking (like fixing the movie title persistently repeating in the opening credits) do give the film a subtle refinement. The encode is very good and lives up to an already gorgeous looking movie - in my opinion, one of the most beautifully realised cyberpunk scenery ever made in film.
Overall, I think, Lean & Mean is a technically great editing work that unfortunately doesn't do the original narrative any favors.
GITS : L&M
I was lucky enough to see this excellent edit because the editor kindly aided me.
I was not happy with the original film as a fan of the ..everything GITS.
The film missed all the right notes but I felt it had everything it needed to be a solid entry if it could find someone who could play music.
The friendly editor took all the issue I had with the source material and solved them as best they could with what they had.
The editing and as a result narrative was far tighter and accurate to the source material.
I found that if you liked the anime then you will probably like this edit.
Only at one point was I even aware it was an edit and in my memory this is the definitive version. #
If you did not like the junk they added about the Majors back story and all the other fluff then this is the edit for you.
Also I am not aware of any other edits so the fact that the edit we have is a good one is a big win for all!
If you hated the film the edit won't help you but if you wanted to love it but struggled then I would say this might help.
The edit was creative and functional and helped tell the story in a more cohesive and impactful manner.
The audio and visuals were excellent.
I was very impressed by this edit. The pacing was really good and it flowed very well. I enjoyed this far better than the theatrical cut. It felt more faithful to the source material than the original cut. The movie itself is gorgeous and I feel like less = more which was shown by your cut. The didn't hate the original cut, but I came away cold and it felt too dumbed down. I'm glad this was rectified with this cut.
As much as I enjoy the unfairly maligned 2017 film adaptation of the Ghost in the Shell manga, this leaner and tighter fan-edit outdoes it in my opinion. Every change made is 100% smart and justified, it really improves the pacing -- which is kind of amazing since the original cut is an already well-paced film -- and somehow even manages to better capture the spirit of the original source material. Really great stuff.
To be clear I have not yet delved into the gits franchise or watched the original live action film. In fact, I have only seen the animated film that started it all. I liked the themes of the animated film, and it's imagination for what it saw in our potential future.
When it comes to live adaptations, I am not one of those that likes them only and only if they are extremely resembling their original materials. I am more than happy if they are crisp, and have interesting things to say. Another thing I dislike is when they are westernized, especially if being adapted from eastern media. A good example of this is the death note adaptation in 2018. In westernizing media, it is made generic, and in my opinion loses what makes it unique.
Now that that is out of the way, when I saw the beginning of this film with the intro and all, I was like "Holy shit!!!" I found myself enjoying the themes portrayed, and the questions posed by the movie. I also, loved how to the point and concise your edit was. It was streamlined. There were some cuts that were noticeable, but they didn't break my flow of the film to a halt. I really do believe that based on the noticeable cuts, you were able to strengthen the narrative focus of this movie. And props to you for that.
I can't even wrap my head around how this film was made. It is so packed with visual activity. I had dismissed it originally because of the reviews, but this edit made me interested in checking it out. Thank you so much for your time and effort into making this. I loved this movie/edit. There are very few fan edits on here that capture that perfect narrative flow, and in my opinion those are the best ones. I don't know about everyone else, but yours is one of them in my books.