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9.7 14 10
TV-to-Movie December 06, 2021 4424
(Updated: February 20, 2022)
Overall rating
Audio/Video Quality
Visual Editing
Audio Editing
Frank Herbert’s Dune is a faithful adaptation of the novel, overall. I really enjoyed Spence's original edit of this television miniseries. It has sat next to Spicediver's edit of the 1984 David Lynch film for years.

Spence's revised edit allows the story to breathe by showing (instead of telling) in just a few hours. The edit explores the political, religious, and mystical elements in detail. Paul and Jessica’s journey through the sand dunes of Arrakis, establishes the desert dwelling Fremen culture through detailed scenes of their ritual and customs and gives plenty of necessary screentime to the character of Chani, the Fremen woman whom Paul first meets in his dreams and with whom, falls in love. Everything is told in a cohesive manner.

The color regrade works beautifully. The golds and indigos for Emperor Shaddam IV’s palace and deep reds for House Harkonnen are more vibrant. Also, visually striking is the intense blue glow of Fremen eyes that adds a unique mystical characteristic to these characters and the world they inhabit.

Spence took the time to painstakingly crop each frame to create a more realistic cinema experience. I can't fathom the time and effort required to pull off this endeavor.

Spence used the Children of Dune score which was a stroke of genius. Now present is a greater sense of tension and urgency than was present in the original production. This alone, has the desired effect of causing the viewer to enjoy a cinema type experience and changes the entire ambience.

Overall, Frank Herbert’s Dune was originally a puzzling, at times frustrating effort. It was satisfying to see such a faithful adaptation, yet disheartening to see that the story wasn’t given the proper production that Dune desperately deserved. Spence has created the movie that the miniseries could have been.

I wonder if it was my familiarity with the world of Dune, or if it was Spence's edit overpowering its limitations—the ultimate triumph of storytelling over form, where stories themselves contain the power to enlighten, compel, and transcend their medium and resonate on intellectual, emotional, and spiritual levels that caused Spence's edit to come to life as the best version of Dune.

It’s difficult to put into words, but it’s something that I feel every time I experience a compelling story.

Spence has edited this mini-series in a manner in which the narrative comes to life and displays that timeless power of story to speak to us in ways beyond conventional means we are familiar with and immerse us into a journey through a strange and magical world. I love it! I am honored to be a small part of it!

The best version of Dune! Highly recommended!

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