This takes the ultimate edition of Batman V Superman and centres the film on Bruce Wayne.

(All three movies generally focus on the inherent nature of mankind.)

Main changes:
• Remove the Africa incident and change public reaction to events of MoS.
• Better establish the classic Kryptonian boy scout in the first Act.
• Remove Batman killing people (he still “lets” bad guys die, but doesn’t kill outright)
• Refine Lex into a better villain – less weird, more obviously paranoid, less daddy issues, more calculated (i.e. making doomsday as a backup plan more understandable.)
• Clarify the conflict the world has with Superman – its all about fear.
• Batman doesn’t actually see the future, does not see the Flash
• Change Batman’s moral return to be prodded by fear and the similarities to his parent’s killing - not the realization that their mothers have the same name.
No foreshadowing of Superman’s resurrection.

Two years ago, in the final battle between Superman and Zod, Metropolis was destroyed. Now the city is slowly rebuilding, but some wounds never truly heal, and a dark vigilante has emerged from the shadows to bring justice to the man responsible. Featuring material from both versions of the film, Mr. Blue presents a faster paced, action packed recut of the most highly anticipated comic book movie of all time

'No Justice' refocuses "Batman v. Superman" on its central conflict between Man and God. All aspects of its 'Dawn of Justice' subtitle are excluded: Wonder Woman, the Justice League, Doomsday, Darkseid and the Kryptonian ship. These omissions create a more coherent and accessible story, intended for a wider audience.

The main change is that the Martha-name-correlation as the basis for Batman's change of mind is removed and replaced by Lois Lane's work to discover how Lex Luthor manipulated them all. That major change led to all the other changes in this fanedit, that imho benefit the movie.

'Man of Tomorrow' is a narrative experiment that combines Man of Steel and Batman V. Superman into one film. The goal was to use material from both films to form a single, feature-length, 3-act structure that focuses on Superman.