What is it about? To let people see the true intention of the film, before Miramax crapped all over the director, and to hopefully get enough people wanting to contact Miramax after seeing it so that the real Director’s cut will be released offically to DVD.
The movie’s intended slower, more deliberate pacing is appearant, and is not erratic and all over the place like the
released version. This edit lets the movie breathe. It is quite different in tone.

Wolverine the movie; the closest as possible comic continuity edit.

A 16 minutes shorter version of Spiderman.

After his wife and family are killed, G-Man Frank Castle takes it upon himself to distribute punishment to those responsible for the vendetta.

X-Men 3 extended with several additional scenes.

This adds a little more to the special edition release to be more in line with the famous extended TV version. 5 extra minutes are included.

By both inserting deleted scenes and in a few cases inserting still frames and comic panes, this is the ultimate extended edition of Superman IV, including the complete musical score and all the deleted scenes for a complete and unique watching experience.

This is a COMPLETELY re-built version of Superman II using the best elements from both movies with a whole new opening credit sequence and many, many changes and edits.

This is a Donner biased version of Superman II that is complete. There is far less compromises with this version so for those who loved the Donner material this cut is for you.

Several scenes that were supposed to be in the final cut are now restored. This is supposed to extend Superman to a more complete movie.

This edit adds almost 30 minutes of deleted scenes to improve character development and story. Hulk SMASH!

More adventures from the Marvel 24 universe. Episode 2 depicts the events leading up to the previously released “Marvel 24″ ReMixed by Jorge.

Hulk, X-Men 3, Spider-Man 3 and Fantastic Four 2 all in one episode of marvel24.

This edit combines Superman The Movie and Superman II into a single narrative that strips out the distractions of Lex Luther’s land-grab and instead focuses on the relationship between Kal-El and his father Jor-El, and the challenges that Superman faces in accepting his duty and destiny. With an entirely new ending that does not rely on time travel or memory-wiping kisses, we finally have a Superman with an ending of consequence, where the events we invested our time watching, have meaning.

A short made from the Blade TV series. Vampires, villains, motorcycles and guns!

A fun, Saturday-Matinee, Action/Adventure, tightly focused on Captain America, The Steve Rogers Cut quickens the pace, energizes the action, and re-structures the narrative in humorous and exciting ways to create a very different introduction to The First Avenger.

The Red Hood. Vicious. Methodical. Lethal. Who is he, and what is his connection to both Batman and The Joker?

Batman faces his ultimate challenge as the mysterious Red Hood takes Gotham City by firestorm. One part vigilante, one part criminal kingpin, Red Hood begins cleaning up Gotham with the efficiency of Batman, but without following the same ethical code. Killing is an option. And when the Joker falls in the balance between the two, hard truths are revealed and old wounds are reopened.

This fan edit trusts the audience by removing exposition which tells too much story rather than allowing the viewer to experience the adventure and solve the mystery along with Batman, and Batman himself is now in character: a man of action!

A more streamlined version of Batman Begins, with fewer cheesy jokes, less un-Batman-like behavior and, most importantly, a more tolerable Katie Holmes.

Batman faces off against Ra’s Al Ghul when Dick Grayson is kidnapped away at college. Bruce is then reunited with a one time love, Talia, who he later finds out is the daughter of the felon who has kidnaped his young ward.

To make a family friendly, obnoxious, out-dated, 1980s version of the first Batman movie by adding more Pop Songs and upping the color to be big and bright. What the Red Book Edition of Batman Forever and the De-Assified Edition of Batman & Robin did to those movies, 1980s Edition should do the opposite to Batman ’89.

This fanedit creates an origin story that includes a major villain in the Batman Beyond series, Spellbinder, who is Terry’s guidance counselor, and produces a cohesive storyline where Terry would grow into the Batman of the Kid’s WB Batman Beyond series, and future Batman Beyond films to be edited by myself.

This is a fanedit the combines elements from American Psycho, Batman Begins, The Dark Knight and The Machinist into one cohesive story.

A time travel from Raz Al Gul to the source of fear – Memento style in respect of Chris Nolan’s genius

This DVD contains a series of ten short FanEdits that explore the Batman Universe. Each short FanEdit has been created by a different FanEditor using the many Batman sources available, animation, TV series and motion pictures.

This is a complete revamp of BATMAN FOREVER. Trimmed for a less cheesy and faster paced version, this now way more comes in the spirit of the Burton Batmans.

note: this fanedit has nothing to do with Chistopher Nolan’s THE DARK KNIGHT.

Batman and Batman Returns combined to one film, as if they were happening at the same time. This is not just the standard cut the credits off and stick them together, it is one epic Batman adventure.

The faneditor took ‘Batman & Robin’, tried to strip away as much ‘ass-ish-ness’ as possible and reconfigured it into a still watchable film.

The point was to put more focus on the parts directly adapted from the Frank Miller graphic novel while putting the mystery and mystique back into Batman’s origins.

Batman Forever is a great movie, but there are things in it that definitely ruin the experience. Tim Burton’s absence wasn’t the problem.