There are changes to the film such as all deleted scenes included that not only tie in with the sequel(T2) but flesh out the original story of the terminator & also a film that can stand on it's own regardless of the sequel(T2).

Many new sound effects are also present throughout the whole movie in which I implemented these sound effects frame by frame & scene for scene.

Twenty-five years after a streak of brutal murders shocked the quiet town of Woodsboro, a new killer has donned the Ghostface mask and begins targeting a group of teenagers to resurrect secrets from the town’s deadly past.

Three deleted scenes, including a new altenate introduction for a legacy character has been reintegrated into the previously unnumbered fifth film, as there is now a new title card for SCREAM 5

Arrow Parallel present, for the first time, John Carpenter's 'The Thing' from 1951. While some damage inevitably remains due to the nature of interdimensional travel, the content has been painstakingly restored and largely remains in excellent condition. Please enjoy this insight into an alternate history through what is, quite literally, "The Thing" from another world...

After recently seeing Infinity Pool and greatly enjoying it, I decided to go back and revisit the first film that introduced me to director Brandon Cronenberg: Possessor. After studying both cuts of the film for nearly a month, I got it in my head that I would attempt to create the longest version possible of this film using as much footage from both cuts as possible and reinserting the deleted scenes present on the releases.

I am proud to present: Possessor Complete.

57 years after Ellen Ripley had a close encounter with the reptilian alien creature from the first movie, she is called back, this time, to help a group of highly trained colonial marines fight off against the sinister extraterrestrials. But this time, the aliens have taken over a space colony on the moon LV-426. When the colonial marines are called upon to search the deserted space colony, they later find out that they are up against more than what they bargained for. Using specially modified machine guns and enough firepower, it's either fight or die as the space marines battle against the aliens. As the Marines do their best to defend themselves, Ripley must attempt to protect a young girl who is the sole survivor of the nearly wiped out space colony.

After coming across two edits of Aliens that greatly renewed my interest in the film, I decided to create a cut of the film that would check all of the boxes for me when it came to a version of the film that would be perfect for me. I present that very cut to you all as "Aliens Revisited".

This cut rearranges the scene order to tell a thought provoking, subtle, compelling story. The result is more of a slow burn-- with gradually escalating conflict (and a little less Hannibal).

From IMDB: 25 years after a streak of brutal murders shocked the quiet town of Woodsboro, Calif., a new killer dons the Ghostface mask and begins targeting a group of teenagers to resurrect secrets from the town's deadly past.

The fifth installment in the Friday the 13th franchise follows a teenage Tommy Jarvis (John Shepherd), who still suffers from nightmares of the mass murderer Jason Voorhees—whom he killed as a child—and is institutionalized at a halfway house near Crystal Lake. However, Tommy has to face his fears when a new hockey-masked killer begins another series of violent murders.

Kidjupiter92 presents his definitive edition of the fifth installment of the Friday the 13th franchise.

When Sally hears that her grandfather's grave may have been vandalized, she and her paraplegic brother, Franklin set out with their friends to investigate. After a detour to their family's old farmhouse, they discover a group of crazed, murderous outcasts living next door.

This edit introduces the characters straight away and gets them on their road trip to Wolf Creek without the unneeded
party, buying junk cars, mailing postcards and morning after scenes.

This version has a new opening and ending and fixes a lot of the films pacing issues and includes an updated 90's soundtrack.

This is the director’s cut with some stuff taken out that always bugged me and adding back some stuff back from the theatrical cut. I also fixed the very inconsistent colour grading which varied from shot-to-shot in a few scenes.

"Do not be afraid. My name is Indrid Cold. In a place this size, Equator. 300. 300 will die. Wait for me. I will return. I will see you in time."

Experience the most underrated film ever made, now cut to 73 minutes of tightly paced story. No more dragging scenes, no more melodrama. Just pure cosmic horror.

A moderate edit that keeps the central themes intact but presents them in a less heavy-handed fashion. Some action sequences have been re-cut, FX shots tweaked, and bad/expository dialogue is kept to a minimum, with some scenes rescored to help create a more consistently ethereal atmosphere. Some tweaks for pacing have been made, but the nonlinear structure is retained. One flash forward is cut, another is incorporated as a voice-over, and most are trimmed. The lighthouse finale is left untouched. The 5.1 surround track is preserved and I have also put together an isolated score track.

The main goals of this edit are to:
• rescue these characters (and us) from drowning in a sea of expository dialogue
• remove excessive setups and flashbacks
• reduce over the top moments and dialogue

• refine the story progression without revealing too much too soon

• trim overacting, especially of Dortlich and to a lesser degree, Hannibal

• make Hannibal’s parents more likable (or at least less annoying)

The Thing 2011, Extended and tweaked .

When I contructed "THE THINGS" edit ( a mashup of both the 1982 and 2011 versions), I also made an extended version of the 2011 version.

We all hoped to see the original VFX that were sgot with practical effects that were later replaced in post production, but this will clearly now not occur.

Over the years, I have shared this version with a few on the site, to favorable responses. So on that basis (and yet another request to wither make this oedit or release it), I believe now is the time to re-appraise this film.

The one provisio I make to any who review this is that this was the last Standard Definition edit I made, So please do not scor it down on image on that basis. It was and is DVD quality, and older DVD based edits were not penalised back then, so please bear this in mind.

I will in the fullness of time, make an HD version of this....eventually.

ENJOY to all

W

This edit modernizes the film with a new score and color grading. Downplays the preachy tone and reduce the characters over-verbalizing thoughts, fears and motivations, as if this were a stage play. Finally, it tighten ups action sequences and reduces dated VFX.

The film Hannibal is recut to bring the character back in line with Silence of the Lambs, a sick serial killer, not some romantic fellow with a moral code. A drastically changed ending and other recut footage, incorporating deleted scenes, drastically changes the feel of this film.

To make this made for Television film to look like a lost classic in Black/White.

A group of obsessed movie fans of Summer 1999's 'The Blair Witch Project' head out into the black forest of Maryland to tour the sights and history of the legendary witch, which the movie was based on. After a night of partying and drinking, the group wakes up with a loss of memory and the lines between fiction and reality begin to blur... Is it a case of mass hysteria? or is there truly evil in these woods after all..

This edit turns the movie into a psychological thriller rather than a horror slasher, a night of partying and boozing slowly descending into madness and delusions. The movies plot will also now not be spoiled immediately, and all will be revealed within the last 8 minutes of the film, leaving the viewers in a state of shock and surprise - just as the director intended. This edit, unlike the theatrical cut will not spoil anything.