Licence to Kill stands out in the Bond series for its sense of danger, brutal villains, and Timothy Dalton's driven 007 – but it's got problems, including off-tone comedy, perplexing love interests, and an obligation to franchise expectations. Licence to Kill: Recut aims to eliminate these problems.

The Living Daylights stands out in the Bond series for its mix of Cold War espionage and escapist adventure, its tender romance, and Timothy Dalton’s vulnerable 007 – but it’s got problems, including ineffective villains, unnecessary comedy, and an overcomplicated plot. The Living Daylights: Recut aims to eliminate these problems.

A version of 'Dick Tracy' that's a little tighter, with more consistent characterization for Dick and Tess.

Changes in v2.0:
Warning screen added to the beginning of the film.
Updated intro sequence with “WW” shield instead of “HP” shield.
Two audio tracks are now available in the video file, a 5.1 surround sound and a 2.0 stereo track.
Adjusted audio volume on Tina ticket scene.
Adjusted Credence/Nagini scenes for coloring and smoother transition to adjacent scenes.


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In this edit, I have added all deleted scenes back to create a new experience for viewers. The introduction has been completely changed including the creation of a custom scene to establish more of Credence's trip from NY to Paris.

Young Han Solo joins a band of smugglers on his first major heist and is introduced to Chewbacca and Lando Calrissian.

Part of an ongoing project to convert the “Avatar: The Last Airbender” series into a more cinematic format, this edit connects all 4 parts of the season 3 finale, removing all blackouts/titles/credits. Some minor changes to the narrative have been made, such as the cutting of “Loser Lord” and the re-placing of Zuko’s visit to his father at the end of the film. The Lion Turtle sequences are also now subtitled.

Revenge of the Sith: Rebalanced is a fan edit of Episode III that sets out to attain the following goals:

1. Keep the best parts while trimming substantial amounts of droid slapstick, exposition, and bloated editing.

2. Shift Anakin's fall to the dark side away from Padmé, and toward Palpatine.

3. Learn from existing edits, use the best of their ideas, and fine-tune each and every scene.

4. Make as seamless and professional an edit as possible. So many fan edits have great ideas, but you can tell if the music is a little uneven, or if the rhythm of a sequence gets off balance. I wanted to create a version that you could watch without knowing anything changed. If an edit, however ideal, resulted in a noticeable glitch, it had to go.

This cut removes Azog as the main villain from the story. The side quests are also gone and the main focus remains on Bilbo's adventure. In addition most of the over-the-top action, violence and silly moments are gone, while still providing a functioning narrative.

This is a Silent Movie edit of “Creature From The Black Lagoon”, re-scored using John Williams’ “Jaws” soundtrack. It makes even heavier trims to the narrative than my B+ edit, removing a further 20 minutes, resulting in a sort of atmospheric “super-cut”.

Narratively, I’ve gone for a different twist on the prologue, aiming for a similar tone to that of Metropolis. Where possible I have also tried to make dialogue reference notable lines from Jaws. Scene-wise I’ve been more liberal with the cutting, removing whole events and pairing up scenes in order to make my new, shorter narrative fit.

A streamlined and fast-paced narrative, in the structural and musical spirit of the Lord of the Rings franchise. Season 2 in 3 hours and 9 minutes, with the epic score of Howard Shore.

The third and final installment of my “Arkenstone” edit trilogy. Like before, I’ve tried to keep the focus as much as possible on Bilbo, Thorin and Gandalf, while still giving the various side characters their moments to shine, without drawing attention away from the main story.

Luke Skywalker and his friends continue their battle against the evil Empire. Experience one of the greatest science fiction stories of all time in this edition that is sure the thrill your younglings without scaring them at the same time. Will Luke and his friends bring freedom to the galaxy or will the Empire put an end to their rebellion once and for all....

Order of the Phoenix is actually one of my favorite HP movies, alongside Prisoner of Azkaban. The movie is fast-paced, often intense, and it has big stakes for our characters. I think the movie’s biggest flaw is its feeling of complete dissonence from the rest of the series, feeling much less like a Harry Potter movie and much more like a drama/thriller piece. Therefore, my biggest priority has been to establish a greater connection between this and the rest of the series - including remastered versions (by myself) for Voldemort’s Theme, A Window to the Past, Hogwart’s Theme, Neville’s (upcoming DH) theme, Gilderoy Lockhart’s Theme (now more of a Dark Arts Class theme), Quidditch Theme and more.

The movie has also been color graded to remove the heavy reliance on blue, as well inclusion of two deleted scenes, removal of Filch as an idiot and a lot of new SFX and even new scenes.

The 'Entirely Respectable Edition' seeks to remove all material that is silly, overplayed, misjudged, overly comical, ridiculous and generally inconsistent with the more serious tone established in the earlier 'Lord of the Rings' Trilogy. It is not a radical restructure, or a two-film cut and does not set out to streamline narrative, quicken pacing, or remove characters and plot-threads. The more time we spend in Middle Earth the better, I just want Middle Earth to be a more sensible place while we're there.

Knowing how many different takes there are on The Phantom Menace - and has been since 1999 (!), what stood out for me very clear since the beginning, apart from a bunch of what I thought were brilliant ideas that could work - was to make it different. Not make it a Fanedit, but a FanFix - more of a remake, if you will. Only then could it actually be worth many years of my time.

I grew up with the love of Star Wars and the excitement around The Phantom Menace and the prequel trilogy, but I never felt the magic stay with me for The Phantom Menace and Attack of the Clones (and to a degree RotS as well) as it did with the Original Trilogy. This was the red herring that made me interested in the creation and intellectual process behind the making of TPM, that made me realize the lost potential and go for a search on how to make it work. And thus The Ancient Lore was born.

As the title suggests, this edit removes all the unnecessary bloat that was added to the trilogy. Clocking in at just over five hours, this film aims to be as close as possible to what Jackson would've created in the originally planned two-part saga.

Spoilers of course. Though usually people come here knowing the score.
This edit aims to eradicate the paternal cause of some questionable narrative that essentially removed the viewer from the fantasy of adventure and also other complaints I had with the level of schlock falling lower than was necessary. It also aims to strike a balance for those that didn’t mind or could live with certain things like cgi bugs or iconic atomic silhouettes... Cutting the best part of twenty minutes was as far as I’d like to go to try to keep a feature length feel. There be aliens ahead, but differently presented...

This cut removes the whole side plot on Canto Bight and focuses on the journey of our main heroes. It further changes the fate of some key characters as well as their motivations and lets them shine in a new light, providing some surprises for viewers of the original film along the way.

As part of the 25th anniversary celebrations, I have put together a new Power Rangers Zeo fanedit. It's the season finale "Good as Gold" with it's climatic battle radically altered so that the Zeo Rangers face off against Lord Zedd and Serpenterra.

Just like Thor's haircut, this edit trims off the more over-the-top elements and leaves us with a cleaner, more presentable movie.

Four years after the failure of Jurassic Park, John Hammond reveals to Ian Malcolm that there was another island on which dinosaurs were bred before being transported to Isla Nublar. Left alone since the disaster, the dinosaurs have flourished, and Hammond wants Malcolm to observe and document the reptiles before Hammond's financiers can get to them. All deleted and extended scenes have been masterfully reintegrated into the movie. adding 2 new scenes and 7 more minutes of footage.

A new edit of The Hobbit, two years in the making, inspired by the original two-film script. The first film, The Gathering of the Clouds, tells the story of Bilbo, who is whisked away on an adventure to save the homeland of a band of thirteen dwarves by Gandalf the wizard. During his travels Bilbo discovers his own resourcefulness and courage, as a plot unfolds that might affect all the lands of Middle-Earth.

The Second film, There and Back Again, sees Bilbo and his companions tested as their adventure takes an unwelcome turn. Their quest becomes entangled in a battle for the fate of Middle-Earth. And yet, the greatest dangers may lie within. This high quality edit provides a more focused telling of the classic story, with completely restructured and even partially rewritten plot lines. It is heavily inspired by Tolkien lore. Each film has a clear beginning, middle, and end, both in plot lines and character arcs. The tone is more similar to The Lord of the Rings Trilogy, and it's color correction has been completely redone to create a visually consistent, five part saga.

Changes in v2.0:
Warning screen added to the beginning of the film.
Updated intro sequence with “WW” shield instead of “HP” shield.
Two audio tracks are now available in the video file, a 5.1 surround sound and a 2.0 stereo track.
Completed green screen work on the Dudley Redemption scene and added this back to the montage at the beginning of the film.
Added effects to the rabbit chase scene (wand effects, scorch marks on tree).
Adjusted volume levels on the Death Eater searching Hermionie’s house scene.
Adjusted audio of the tent scene.
Dark tint removed.
Added Neville/Seamus bridge scene with completed green screen work.
Added music to the Shell Cottage scene.
Adjusted brightness and coloring of beach scenes so they don’t look as blown out.
Added audio effect to Voldemort’s voice in the 2 places where he speaks so everyone can hear. I wanted to make the audio more ominous, something that would warrant the reaction the people give.

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This edit is a combination of the final 2 Harry Potter movies into one complete movie. Deleted scenes have been added back to create the ultimate extended edition for the uber Harry Potter fan to enjoy. Two scenes have been moved from their original movie locations in order to create a smooth transition between the two movies. Color correction has been done to ensure the two films have similar coloring throughout.

The first live-action superhero movie, released as a twelve-chapter serial, cut down to a 120-minute feature length film.

Changes in v2.0:
Warning screen added to the beginning of the film.
Updated intro sequence with “WW” shield instead of “HP” shield.
Two audio tracks are now available in the video file, a 5.1 surround sound and a 2.0 stereo track.
Adjusted coloring on the scene as Newt/Jacob go to see the snakes.
Adjusted audio in the added scene of Credence tearing up the city and Newt showing up at the police barricade.


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The next film in the Wizarding World extended edition set is Fantastic Beasts and Where to Find Them.. All deleted scenes have been added back into the movie. One scene was trimmed due to a repeated set of lines that appear later in the film. Scenes were color corrected to match the main film for seamless integration. As with my previous EE's, the audio has been mixed down to stereo. Captions are included in the M4V file.

This edit takes the HD transfer on the 'Ultimate Director's Cut' blu-ray and goes in and fixes, alters, or replaces every single changed shot to "Reconstruct" the original 'Theatrical Cut' in almost the same HD quality. So we can once again enjoy the film the way it was meant to be seen 1979, without compromising on visual quality.

If adventure has a name, it must be Indiana Jones! Join Indy, his young sidekick Short Round, and famous American vocalist Willie Scott, on a quest for fortune and glory.
Indiana Jones and The Temple of Doom is our hero’s darkest adventure. After finding the remains of an ancient Chinese Emperor, Indy travels from China to India. There he risks his life, and soul, to recover a holy relic from the deadly cult of Kali worshipers.

The Willie Scott edition is a fanedit with a stronger female lead (removing excessive screaming and whining) and fewer distractions that pull the viewer out of the story (removing badly-dated special effects). Care was taken to cut as little as possible to achieve these goals. Where possible, excessive screams were silenced without cutting frames.

Just wanted to make this movie a little more fast paced and with a kick ass soundtrack.

Think of this one as the "Page One Edit", named so because we get to find out just what "page one" and that whole deal with the leaf was all about before the episode ends, rather than wait for a filler pre-titles when you reach Rings of Akaten.

A streamlined and fast-paced narrative, in the structural and musical spirit of the Lord of the Rings franchise. Season 1 in 2 hours and 36 minutes, with the epic score of Howard Shore.

Die Hard is the pinnacle of action movie goodness in my opinion and cannot be improved upon as its completely perfect as it is. However as its one of my favourite films I was intrigued whether I could put a different spin on it to give it some fresh appeal. It struck me that as McClane spends nearly the entire runtime of the movie apart from all the other protagonists I could maybe use splitscreen to give the impression of multiple events taking place at once. Thus the idea for Die Hard 'til Midnight was born, and the edit evolved as a Die Hard/24 style (semi) real-time thriller.

The Eighth Doctor falls trying to save a life, and is soon given a choice of a new path and a new life...sometime later, that path takes him to Earth and to a young shop worker called Rose, together they come up against the terror of the Autons.

The Doctor, fresh off an adventure fighting killer robots, is left with a burning question and a moral dilemma...can Clara Oswald help him answer it? Or will she hinder him? Is The Doctor a good man?

Gotham's crime bosses are in fear. A mysterious dark crusader is bent on wiping out the city's heads of crime, for good. All evidence points towards the Batman. Has the cape crusader crossed the line and become the very thing he has sworn to protect Gotham from, or has a darker presence emerged in the night?
Watch the mystery unfold in DigModiFicaTion's TV cut of Mask of the Phantasm. See the origin of the Batman in episodic form, presented as a pilot series of the Emmy winning Batman: The Animated Series.

Featuring:
- Batman: The Animated Series Opening and Closing Credits
- Custom Mask of the Phantasm Title Cards
- Previously on Batman openings
-Removal of visually suggestive themes to align with 90's TV

A 45-minute trim of the 2012 Doctor Who Christmas special The Snowmen.

Christmas is coming, and if the Great Intelligence has his way, so is eternal winter. Sentient and savage snow is descending, eager to consume us all, can The Doctor, the Paternoster Gang, and nanny Clara save a family from the merciless lady of the lake?

Recut the 3 episodes (126minutes) into a single movie (100minutes). I streamlined the narrative by focusing on only two story arcs -- Barry and Ollie. Gone is the Kid Flash and Prof. Stein subplots as they are unnecessary to drive the main plot. Also, significantly cut the Arrow episode so it feels less like an anniversary celebration episode, thus stopping the story dead in its tracks, and more like it is part of the Dominator's plan.

The edit removes the bookends of the treasure hunt, this edit is purely 1912. It cuts down on the Rose/Jack name calling, and Jack egging Rose on so much. Him calling her stupid is removed. Some deleted scenes are added to add depth where Old Rose voice over has been removed, and there is a newly constructed ending.

A rollercoaster edit in 88 minutes.

Warning screen added to the beginning of the film.
Updated intro sequence with “WW” shield instead of “HP” shield.
Two audio tracks are now available in the video file, a 5.1 surround sound and a 2.0 stereo track.
Added Neville/Seamus bridge scene with completed green screen work.
Added music to the Shell Cottage scene.
Adjusted brightness and coloring of beach scenes so they don’t look as blown out.
Added audio effect to Voldemort’s voice in the 2 places where he speaks so everyone can hear. I wanted to make the audio more ominous, something that would warrant the reaction the people give.

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The final film in my set of Harry Potter extended editions.. Certain deleted scenes have been incorporated that were not added back to the TV versions, or scenes created from other content to allow for the inclusion of a deleted scene. For DH2, a majority of the deleted scenes on the blu-ray have been added back in,

Changes in v2.0:
Warning screen added to the beginning of the film.
Updated intro sequence with “WW” shield instead of “HP” shield.
Two audio tracks are now available in the video file, a 5.1 surround sound and a 2.0 stereo track.
Completed green screen work on the Dudley Redemption scene and added this back to the montage at the beginning of the film.
Added effects to the rabbit chase scene (wand effects, scorch marks on tree).
Adjusted volume levels on the Death Eater searching Hermionie’s house scene.
Adjusted audio of the tent scene.
Dark tint removed.

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The fifth film in my set of Harry Potter extended editions. Certain deleted scenes have been incorporated that were not added back to the TV versions, or scenes created from other content to allow for the inclusion of a deleted scene. For DH1, a majority of the deleted scenes that have been released on the Blu-Rays have been reincorporated into the original movie.

Changes in v2.0:
Warning screen added to the beginning of the film.
Updated intro sequence with “WW” shield instead of “HP” shield.
Two audio tracks are now available in the video file, a 5.1 surround sound and a 2.0 stereo track.
Dark color tinting removed.


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The fourth film in my set of Harry Potter extended editions. Certain deleted scenes have been incorporated that were not added back to the TV versions, or scenes created from other content to allow for the inclusion of a deleted scene. For HBP, all deleted scenes that have been released with the Blu-Rays have been reincorporated into the original movie.

Changes in v2.0:
Warning screen added to the beginning of the film.
Updated intro sequence with “WW” shield instead of “HP” shield.
Two audio tracks are now available in the video file, a 5.1 surround sound and a 2.0 stereo track.
Reversed the last 2 deleted scene additions to better match the facial wounds on Harry.


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The third film in my set of Harry Potter extended editions. Certain deleted scenes have been incorporated that were not added back to the TV versions, or scenes created from other content to allow for the inclusion of a deleted scene. For OotP, all but 1 of the deleted scenes that have been released with the Blu-Rays have been reincorporated into the original movie.

Changes in v2.0:
Warning screen added to the beginning of the film.
Updated intro sequence with “WW” shield instead of “HP” shield.
Two audio tracks are now available in the video file, a 5.1 surround sound and a 2.0 stereo track.
Adjusted volume levels during the Yule Ball deleted scene.

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The second film in my set of Harry Potter extended editions. Certain deleted scenes have been incorporated that were not added back to the TV versions, or scenes created from other content to allow for the inclusion of a deleted scene. For Gof, all deleted scenes that have been released with the Blu-Rays have been reincorporated into the original movie.

Changes in v2.0:
Warning screen added to the beginning of the film.
Updated intro sequence with “WW” shield instead of “HP” shield.
Two audio tracks are now available in the video file, a 5.1 surround sound and a 2.0 stereo track.
Coloring adjusted on the spinning Knight Bus scene.
Added smoke effect to Great Hall post-Hogsmeade scene.
Trimmed the Fat Lady torn portrait scene to remove the duplicated line that was in the post-Hogsmeade scene. In my original edit, I left the duplicated line in to try to make it seem like Ron was overly excited about the Shrieking Shack. I received complaints about the duplicate line, so it was removed.

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My inaugural fanedit and the first film in my set of Harry Potter extended editions. Certain deleted scenes have been incorporated that were not added back to the TV versions, or scenes created from other content to allow for the inclusion of a deleted scene. For PoA, all deleted scenes that have been released with the Blu-Rays have been reincorporated into the original movie.

This is an attempt to take the two parter Sarah Jane Adventures serial "The Wedding of Sarah Jane Smith" and turn it into one of the 2009 Doctor Who specials for outgoing Doctor David Tennant.

The Goblet of Fire needs a much more cohesive tone to follow along with the rest, as the tone of the fourth movie is in many ways quite different from the rest of the series - not just in score and pacing, but in visual style and tone.

I also noticed how Goblet of Fire Director, Mike Newell, tried to get back in some of all the warm, golden, cozy colors of Columbus' entries, and when listening in on the Commentary Track I found it odd how these choices came into play. Prisoner of Azkaban had a silver/brown color palette to it that looked very lived-in and real, and then suddenly Mike Newell decided to throw all of that away - despite all the critical acclaim for the visual style of the Prisoner of Azkaban, because he always liked the warm tone of the Columbus' movies, yet he continued with the visual presentation (Hogwarts tracking shots and movie style editing) created by Alfonso in PoA.

The entire movie is tonally and stylistically confusing, and that was the most important thing for me to fix - along with franchise continuity.

So, after my first edit, The Return of Sherlock and a month of experience, I have decided to make the sequel. I feel that this edit focuses on Sherlock, John, and of course Mary.

This edit removes the gorilla from the island and restores the original widescreen presentation as well as adding a custom 5.1 surround track.

For starters, kidjupiter92 and I are going to hope to collaborate to a unified continuity canon with no sentinels, yet no time travel and we hope we can incorporate The Wolverine (Kuzuri) and the original trilogy in with the new movies without much confusion. So, this will be the official first installment of this new canon.

With that out of the way, let's get started. Among many changes, this is focused on Erik. So, we only meet a character Erik meets them or is connected to someone Erik knows like Moira is connected to Shaw and in turn Erik. Darwin's death and Angel's switch (it seems she was always with Shaw) will be cut.

A rollercoaster cut of Kong: Skull Island.