This is Christopher Caldwell and Zeek Earl's award-winning Sci-Fi Space Western with an enhanced score featuring the delicate music of Agnes Obel. Cee and her father Damon will risk one last trip to the dangerous "Green Moon" of Bakhroma to secure a better future for their small family. Along the way, they must contend with pirates, mercenaries, and a toxic atmosphere, all intent on keeping them from their prize.

Wonder Woman 84 with a proper 80’s soundtrack! The goal was to give WW84 a proper 80’s soundtrack as if the movie studio licensed and properly scored the movie. The action sequences become music videos while preserving the dialogue and sound effects.

The Kenobi show, trimmed down to a movie length. This series started life as a movie script, and the show just feels like a movie stretched to six hours. This keeps most of the main plot point, but makes it fit as an easily digestible Star Wars film.

After arriving at the Lonely Mountain and witnessing Smaug's massacre, Bilbo Baggins finds himself in a bit of a pickle... participating in an all out war! Dwarves, elves, men, orcs... Will our little hero make it out alive and unscathed?

This Octopussy cuts the worst special effect: gone is the hot-air balloon in the final battle. In a franchise famed for using real effects over special effects, that balloon was an awful stage prop! It cuts over the top bits: e.g. no swinging on a vine like Tarzan. It cuts the worst sexism bits: no ogling the bosom of Q's lab assistant, and no "good with figures" joke about the minor Bond girl.

Ah, Robin Hood: Men in Tights...


There is a good, funny movie in there. At least I always thought so. However, Mel Brooks had, in my opinion, began to loose his touch by this time. I guess one might say that what he thought was funny... just was not funny anymore. That said, much of the humor still works, even if it is buried.

The legendary outlaw Star Lord leads a gang of intergalactic criminals, in a relucant crusade against a fanatical warrior with plans to purge the universe of life.

This extended cut reintegrates 7 deleted and extended scenes back into the film, with 4 more minutes of footage. With finished VFX, and a new mid-credits scene, strap into your spaceship, put in your mixtape and get ready to be hooked on a feeling in GUARDIANS OF THE GALAXY: XANDARIAN EDITION!

Explorers. Easily one of the best science-fiction films from the 80's. Unfortunately, most who love the film are quick to point out its flawed third act. Once the boys meet the aliens at the end the film simply falls apart. The alien children, mostly Wak, are completely over the top and ruin the experience.

Another very slight edit of this Howard Hawks masterpiece, with a little more modification than done in my earlier ending-changing Bogdanovich Cut.

I grew up on The Last Starfighter. It is a wonderfully fun and entertaining film. However, it is not free of problems. It drags a bit here and there. Mainly, I wanted to keep the story focused on Alex and keep the tension and threat focused there. Mainly, the subplot with the Beta Unit has been mostly removed. I felt this would better focus the story on Alex and keep the tension up (although removing anything with Catherine Mary Stewart is heartbreaking!).

A realization of the "Cinemassacre Edit", as described in the YouTube link at the end of this description.

This is an edit that combines both of the Kill Bill movies into 1, while keeping the runtime of just 1 of the movies. Large scenes and small cuts are used to achieve this, and a re-structuring to a more chronological order has been done also.

The Final Countdown. This is one of those forgotten gems from the 80's. It is a great film, with a simple idea, that is pulled off quite well. However, the film is bogged down with excessive shots and sequences showcasing the Navy. This is a version of the film with the bulk of those scenes either cut or trimmed down, as well as some other bits here and there.

A story about Princess Shuri and her struggle to deal with the loss of family. The theatrical release fell over itself to tell multiple stories about multiple characters, this edit reduces the focus on other characters and remains fixed on Shuri and Namor.

Batman '89 was/is a pretty solid film, but it does not get Bruce Wayne quite right, in my opinion. Also, the film itself does drag a bit. Therefore, I wanted to see if a slimmed down version of the film would play better than the original. In my opinion, it does.

Generally speaking, I love Logan's Run as it is. However, it does have some pacing issues as well as some logic issues that I really wanted to address. I believe this edit tightens up the film and makes for a faster and more consistent experience, while also removing some of the cringe (just a few things).

When the last survivor of an alien planet crash lands on Earth, his incredible superpowers cause a paradigm shift for the planets heroes.
Witness the story behind the formation of the most famous superhero team in comics history, the Justice League, as legends assemble to face threats the likes of which the world has never seen.

Live Free or Die Hard is my second favorite Die Hard movie (behind the original, of course). For most it is probably Die Hard - With A Vengeance, which I also love, but I have always enjoyed Live Free (except for one scene, the F35 scene).

For me it goes;
Die Hard – A nearly perfect movie.
Live Free – Slightly flawed, but I enjoy.
With a Vengeance – Nearly perfect.
Die Hard 2 – A good (but not great) action movie, with no glaring flaw that can be fixed by an edit and doesn’t necessarily need it anyway.
A Good Day to – Very flawed and just not a good movie at all. I already did an edit of it, trying to make it at least tolerable as part of a rewatch.
But back to the point of this post, Live Free or Die Hard. This edit uses the unrated version as the base and adds back in most of (if not all) that was removed from the theatrical to make the unrated version. The only things that were not added back are the lines that were directly replaced with a new line. And the biggest changes are to the F35 scene near the end.

White Water Summer was a solid piece of 80's escapist fun. However, it was painfully undercut by the insertion of cuts scenes and narration by Sean Astin that frame the events of the film as a flashback. The sole intention of this edit was to remove these cuts scenes and narration and to allow the film to play out in a linear fashion without the interruption of these intrusive moments.

My goal was to make a miniseries edit that didn't simply feel like a chopped up version of the movies. Overall this worked surprisingly well without too much editing, though the Return of the King had to have some extra reordering of scenes to make it work.

The vast majority of each movie is retained, though I changed a handful of things that I thought weren't so well done in the movies (Bridge collapse leaning, Frodo and Sam "rock" cloak at the Black Gate, etc). I cut a few other scenes that were from the extended editions that I felt did not add to the movies at all (extra Gimli humor, Merry and Pippin drinking water to get taller, etc). And lastly, I rearranged some scenes to help the pacing of each episode. With the new format this was needed, mainly in the Return of the King. I added chapter titles to every episode and they appear within the first 10 minutes matching how the original movies did it, I kept the short 45 second intro credits and "Lord of the Rings" Title sequence for each episode, and then added a shortened 60 second credit sequence for each episode.

There was a story about 2 brothers who had a natural talent for alchemy called Fullmetal Alchemist. This story was originally told in a manga, but before the manga was finished an anime was put out. The anime had to change and create some original story elements because the manga was still ongoing at the time.

After the manga had finished they wanted to revisit the anime with a version closer to the actual story told in the manga. This would be known as Fullmetal Alchemist: Brotherhood. The only thing was due to retreading some story elements told in the original anime, they shortened some story beats for FMAB.

Serving as a continuation to The Last Jedi - Consistency Edition, this edit modifies The Rise of Skywalker to be a more fulfilling end to the trilogy by smoothing out the plot, removing convoluted elements, and modifying aspects of the film to elevate the story.

BUT THERE ARE SO MANY HOBBIT EDITS! WHO IS THIS FOR?

This is a Movie-to-TV edit based on AdamDens' 'The Hobbit: The Original Two-Film Structure', with a few further tweaks.
Therefore, this edit will be most suitable for people who want-
* A high quality edit with well-considered changes, tightened and polished and with minimal frustration
* Tonal and visual consistency with the Lord of the Rings movies, and the retention of the majority of content which sets up its plotlines
* A digestible, episodic structure (8 episodes of ~50 mins each)

As a longtime Sonic fan, I thought it was an ok movie that could've been better with more references to the classic games, a less funny villain, and the main character with a more "rock n'roll" attitude. This edit was primarily aimed at getting rid of most of the "Careyims," as I call Jim Carrey's overacting. If you pay attention, Robotnik has a more malevolent and sinister side in the script that was buried because of Jim Carrey's over the top persona. Robotnik is now more sinister, most of the film's songs have been replaced, and various sound effects from the classic Sega games have been used.

THE CLONE WARS: REFOCUSED presents the entire Clone Wars as a complete series of five seasons of about ten TV-length episodes each. Now structured and presented with the conventions of a more mature modern TV drama, it tells the complete narrative of the Clone Wars, retaining all the most important and enjoyable elements of the show, whilst trimming a vast amount of the weaker content, saving you over 17 hours total while still telling the same core narratives. Episodes have been refined, refocused, reordered and recontextualised to maximise story quality and viewer enjoyment, both for the show’s own complete end-to-end story, and for those seeking a supplement or introduction to new canon like the Mandalorian, Bad Batch, and wider Filoniverse.

Live and Let Die, the Goldilocks version: tempo is dialed up (no more looking at your watch during the boat race), jokes and stupidity are dialed down, Bondgirls are less bumbling, sheriff is mostly removed, and nobody pops like a balloon.

Eon Returns is an edit of Ben 10,000 Returns that keeps Ben’s future unknown by establishing Ben 10,000 as another alternate future version of Ben, while also providing small hints to Eon’s identity earlier in the episode.

I was always intrigued by Legend, but it wasn’t until the lost Director’s Cut was released on Blu-ray in 2011 that I decided to finally sit down and watch it. After watching the different versions of the film, I thought the Director's Cut was the best of the bunch, but felt like it was hampered by some of the pacing/editing and childish humor. With that in mind, I set out to make an edit that used addressed some of those issues, while including specific scenes from each version to hopefully create a more tonally consistent, polished film.

While an enduring cult classic, the original Tron film suffers from a critical pacing issue in its opening act. Cutting between the world of the Grid and the real world only serves to alienate new viewers and confuses the internal logic of the story. By removing the first 8(ish) minutes, the plot is not only clearer, but gets going much faster and with fewer distractions.

Ben 10: Race Against Time - Armageddon Edition is my attempt to improve the first live action Ben 10 movie. The film has its good moments but unfortunately they are overshadowed by some glaring flaws. Overall this edit aims to give a better cartoon to live action experience by removing the cringe and weird moments. Bringing it closer to the tone of the original series.

As a long time fan of first two Mortal Kombat games I was always a fan of this movie too and always wanted to do an edit of it one day. And here it is. This time it isn't as much about changing the plot, but about modyfing the tone & overall feel of the movie. Not to fix it (as it doesn't need that), but to alter it enough to offer a unique watching experience, quite different than original. To achieve that, the movie was completely re-scored with music from martial art films and fighting games with some other additions. Some additional footage taken from other movies was included as well as additional or alternate dialogue lines. Also, some blood VFX and grindhouse effects were added.

This is vastly different than the original cut. We have a new opening to recap the ending of Part 1 and a subsequent scene not seen in Part 1. The tone is less cartoonish and more balanced. There is a lot of new music and deleted material used to flesh out the movie. Much like Part 1 this has the focus on Peter and Gwen's relationship without all the other distractions.

Electro is pushed back to a secondary villain and Harry is brought up to being the primary villain. Electro's motivation is different as well. The accident simply drove him insane and he hears voices in his head.

A reserved fanedit that shows just how much fun you can have when you’re not stopping for a quip or applause shot every five seconds.

A combined and streamlined version of Back To The Future 2 and 3 - combining them into one movie as originally planned by Gale/Zemeckis.

Episodes from the 25 best arcs (+2 standalone episodes) are combined to create 27 longer episodes (~40-60m) each presenting a complete, streamlined story without redundant, uninteresting side quests, goofy villains, or childish humor.

This edit focuses on the events of 1912, keeps Rose's narration, and uses the full IMAX aspect ratio throughout. Modern scenes/characters are reduced to an absolute bare minimum. This cut also incorporates limited deleted/extended scenes but only those which further character development of Rose, Jack, and Fabrizio (or otherwise gives better dramatic impact to their scenes).

Summary:
Regraded
Several Jack/Rose deleted scenes added (1080p source)
IMAX aspect ratio throughout
Reworked intro
No more Bill Paxton (Brock) or his annoying sidekick
Focus is on events in 1912
The limited modern scenes have older Rose narrating or show older Rose (no more adventures of the salvage crew)

This is a relatively light edit of "Sonic the Hedgehog" that trims some of the humor that didn't land for me and replaces some of the pop music with music from the video game series where appropriate. I hope fans of the movie and game series enjoy this!

A boy obsessed with '50s sci-fi movies about aliens has a recurring dream about a blueprint of some kind, which he draws for his inventor friend. With the help of a third kid, they follow it and build themselves a spaceship. Now what?

From IMDB: Left for dead on a sun-scorched planet, Riddick finds himself up against an alien race of predators. Activating an emergency beacon alerts two ships: One carrying a new breed of mercenary, the other captained by a man from Riddick's past.

Implementing the suggestion of the eponymous filmmaker and critic, to make what he considered the theoretically ideal version of this iconic 1948 western.

The United States as we know it is destroyed in the climax of a Civil war.
Years after the nuclear event a vicious band of raiders, led by the ruthless General Bethlehem, reign terror among the survivors in the Oregon region.
In these desperate times a postman is send to restore communication routes and unintentionally ignites a spark of hope which inevitably crashes with General Bethlehem and his minions.

Kobe Skywalker's The Dark Side Cut of Star Wars: Episode III - Revenge Of The Sith improves upon the original release by making numerous cuts and trims to increase the serious tone of the darkest entry in the saga. Several cringe inducing scenes are removed, single weaker script lines are trimmed, and a few poorly acted moments are cut.

Using my B+ Movie Edition as a foundation (including animation enhancements), this cut completely removes the Olympus scenes, as well as any explicit reference to the gods' interference. This, alongside a few more liberal trims, allows for an action-focused cut for when you just want to blitz through the film, cut to the chase and enjoy a fast-paced adventure.

This edit shortens RoosterTeeth's fourth season of Camp Camp by having a handful of episodes edited and streamlined into one experience in order to remove certain characters, redundant aspects, and political references to maintain consistency with the previous seasons.

The Phantom, the Ghost Who Walks, must stop the demented Xander Drax from obtaining the mystical Skulls of Touganda. If obtained Drax would cintia no the power to rule the world.

A lighter edit of The Rise of Skywalker removing a few quips, poorly thought out narrative elements (lightspeed skipping, knife compass), while adding a few extended shots to slow the frenetic pacing of the film a bit.

A light edit of The Last Jedi removing a few quips, adding a couple deleted scenes, and shortening Finn & Rose's codebreaker mission.

Cut out what I felt to be some childish moments and unneeded exposition, hopefully helping those who have a soft spot for this ambitious flop enjoy it a little more.

This is Chapter Two of my ongoing fanedit series of See, covering the events of the second half of Season 1.
See is a criminally underseen AppleTV series, one of the more interesting and fleshed out science fiction stories I've seen recently.

I always though that the production was so strong on the show that it would've made a great movie, so I'm playing with that concept. Also, there was a bit of a stylistic shift between the first and second seasons, where a lot of very abstract ideas got sort of left behind in favor of a more action/adventure heavy show. Doing a fanedit of the first season in movie form can help line it up with the style of the rest of the show.

A lighter edit of the film primarily removing a large portion of the rathtar sequence with a few trims to "humorous" lines and one vfx replacement shot.