After Walter and Jesse's frightening encounter with Tuco Salamanca, they plan a way to murder him before it's too late. Little do they know they have an even more intense future ahead of them.

A combined and streamlined version of Back To The Future 2 and 3 - combining them into one movie as originally planned by Gale/Zemeckis.

Episodes from the 25 best arcs (+2 standalone episodes) are combined to create 27 longer episodes (~40-60m) each presenting a complete, streamlined story without redundant, uninteresting side quests, goofy villains, or childish humor.

This edit focuses on the events of 1912, keeps Rose's narration, and uses the full IMAX aspect ratio throughout. Modern scenes/characters are reduced to an absolute bare minimum. This cut also incorporates limited deleted/extended scenes but only those which further character development of Rose, Jack, and Fabrizio (or otherwise gives better dramatic impact to their scenes).

Summary:
Regraded
Several Jack/Rose deleted scenes added (1080p source)
IMAX aspect ratio throughout
Reworked intro
No more Bill Paxton (Brock) or his annoying sidekick
Focus is on events in 1912
The limited modern scenes have older Rose narrating or show older Rose (no more adventures of the salvage crew)

After getting out of prison, burgler Scott Lang tries to reconnect with his daughter, as his ex-wife tries to keep him away. A desperate robbery gone askew puts him the radar of redacted government scientist Hank Pym, leading him down a path he could of never expected.

This is a tighter version of the film, cutting all of Hank's scenes until Scott meets him, as the film refocuses on his story and the journey he goes through to reunite with Cassie. A new deleted introduction to Hank has been reinserted into the film, other small elements have been cut, and one big infiltration sequence with an unneeded cameo has been entirely removed.

From IMDB: Left for dead on a sun-scorched planet, Riddick finds himself up against an alien race of predators. Activating an emergency beacon alerts two ships: One carrying a new breed of mercenary, the other captained by a man from Riddick's past.

This version has a much shorter pre-tite sequence (with a 'bloody' gun barrel), and in the end, Bond isn't poisoned and doesn't die.

I almost fell asleep watching the original version. The pace is very uneven and the film is too long to keep your attention. This edit makes it more to the point.

The United States as we know it is destroyed in the climax of a Civil war.
Years after the nuclear event a vicious band of raiders, led by the ruthless General Bethlehem, reign terror among the survivors in the Oregon region.
In these desperate times a postman is send to restore communication routes and unintentionally ignites a spark of hope which inevitably crashes with General Bethlehem and his minions.

Kobe Skywalker's The Dark Side Cut of Star Wars: Episode III - Revenge Of The Sith improves upon the original release by making numerous cuts and trims to increase the serious tone of the darkest entry in the saga. Several cringe inducing scenes are removed, single weaker script lines are trimmed, and a few poorly acted moments are cut.

Using my B+ Movie Edition as a foundation (including animation enhancements), this cut completely removes the Olympus scenes, as well as any explicit reference to the gods' interference. This, alongside a few more liberal trims, allows for an action-focused cut for when you just want to blitz through the film, cut to the chase and enjoy a fast-paced adventure.

This edit shortens RoosterTeeth's fourth season of Camp Camp by having a handful of episodes edited and streamlined into one experience in order to remove certain characters, redundant aspects, and political references to maintain consistency with the previous seasons.

Events triggered by Jason Bourne ripple through the rest of the world, as consequences are shown through another agent of a classified program, Aaron Cross.

A film that spends too much time trying to wrap up the previous entry in Act I, and not enough time with our new hero. A Burnt Outcome tries to cut down the opening 15 minutes of the film, while carefully trimming a few over the top action elements, and adds back 3 new deleted scenes to advance the plot and improve the characters.

The Phantom, the Ghost Who Walks, must stop the demented Xander Drax from obtaining the mystical Skulls of Touganda. If obtained Drax would cintia no the power to rule the world.

Cut out what I felt to be some childish moments and unneeded exposition, hopefully helping those who have a soft spot for this ambitious flop enjoy it a little more.

This is Chapter Two of my ongoing fanedit series of See, covering the events of the second half of Season 1.
See is a criminally underseen AppleTV series, one of the more interesting and fleshed out science fiction stories I've seen recently.

I always though that the production was so strong on the show that it would've made a great movie, so I'm playing with that concept. Also, there was a bit of a stylistic shift between the first and second seasons, where a lot of very abstract ideas got sort of left behind in favor of a more action/adventure heavy show. Doing a fanedit of the first season in movie form can help line it up with the style of the rest of the show.

A lighter edit of the film primarily removing a large portion of the rathtar sequence with a few trims to "humorous" lines and one vfx replacement shot.

The galaxy has been plunged into total war! As clones and Jedi alike are sent far and wide to stop the separatist's advances, Palpatine hatches a wicked plan to end the war and seize total control of the galaxy.

Quantum of Solace but with Black & White flashbacks to Casino Royale in order to make it more emotionaly involving.
The first hour of Casino Royale is skipped over so the first flashback is of Bond meeting Vesper on the train.

Star Wars with a rocking soundtrack! Heavy Star Wars takes the existing action and adventure, trimming away unnecessary story/action/bad acting, and replaces the soundtrack with Rock music!

This edit makes The Last Jedi a respectful sequel to The Force Awakens as best as possible while also including some elements from The Rise of Skywalker. The terrible humor, unnecessary characters, and pointless side plots have been removed. Characters feel closer to how they were before. The result is a more serious and engaging movie that fits better with its predecessor.

Main changes include the addition of several deleted scenes to expand Padme's presence, the silly antics of R2 & 3PO are removed from the factory and arena battle, and a few of Ani's whiniest/creepiest moments are removed (but I kept in all the cringe romance).

Added several deleted scenes, removed some droid slapstick and Vader's "Noooo!".

A lighter edit of The Phantom Menace than most, removing only the worst of Jar Jar's antics and Ani's acting and trimming the podrace a bit.

Eliminates most of the first half hour of the film to get into the main action faster and preserve the mystery of at least a few of Han's origins.

By removing the love triangle this turns out to be a great action and war movie about a day the US will never forget.

Storywise this fan-edit doesn't differ from the movie. It only tells the story in a more clear and intimate way, and adds a bit more suspense.

Winners of the 1990 and 1992 Worst Parents Awards are accidently seperated from their 8 year old son, as he is at home, left to severely torture and mutilate 2 grown men.

The Holiday Special Edition adds back 14 deleted, extended and alternate scenes to this Christmas classic, with over 10 minutes of new footage.

In my view this movie suffers from a narrative which aims to tell a complex political and sociological aspect. By no way i condem this approach but it isn´t told in a proper way and jumps back, forth between narrative locations and merge at the end.

So how i want to tackle this in hope that the movie becomes more interesting?
My approach is similiar to @L8wrtr ´s in his American Gangster - Two Tales edit (definitely a recommandation!) amd inspired me to try the same, kind of. Telling two stories separately before they flow into each other.

See is a criminally underseen AppleTV series, one of the more interesting and fleshed out science fiction stories I've seen recently.

I always though that the production was so strong on the show that it would've made a great movie, so I'm playing with that concept. Also, there was a bit of a stylistic shift between the first and second seasons, where a lot of very abstract ideas got sort of left behind in favor of a more action/adventure heavy show. Doing a fanedit of the first season in movie form can help line it up with the style of the rest of the show.

The Thing 2011, Extended and tweaked .

When I contructed "THE THINGS" edit ( a mashup of both the 1982 and 2011 versions), I also made an extended version of the 2011 version.

We all hoped to see the original VFX that were sgot with practical effects that were later replaced in post production, but this will clearly now not occur.

Over the years, I have shared this version with a few on the site, to favorable responses. So on that basis (and yet another request to wither make this oedit or release it), I believe now is the time to re-appraise this film.

The one provisio I make to any who review this is that this was the last Standard Definition edit I made, So please do not scor it down on image on that basis. It was and is DVD quality, and older DVD based edits were not penalised back then, so please bear this in mind.

I will in the fullness of time, make an HD version of this....eventually.

ENJOY to all

W

Star Trek " The Wrath of Khan without the recyled VFX from Star Trek The Motion Picture

I love the Hunger Games books, and I thought the movies were well done adaptations, but there were some aspects I thought could be trimmed and the pacing of the final movies improved. Originally I was going to leave the first two movies alone and just work on the last one, but earlier this year I watched MisterCooper's fantastic edit of the Hunger Games movies into an 8 episode miniseries. Because movies 2-4 were so connected the miniseries treatment worked really well. Mine is heavily inspired by his edit so please check out his if you're interested!

I don't want this to sound like I am bashing MisterCooper's edit because I really enjoyed it and mine is heavily inspired by his. But I did have some things I wanted to change, mainly around pacing, a couple story choices, and the music. Most of his series worked really well for me, but some of the pacing didn't feel right, such as starting his third episode with the last few minutes in the arena from the first movie. It felt anticlimactic to me to resolve the first movie in the initial ten minutes of that episode. His Catching Fire arena episode also ended up being a lot longer than the rest of his episodes, and while that isn't inherently bad I wanted to find a way to make the episode lengths more similar across the board. I also wanted some different story and music choices, such as my edit getting rid of most of the Gale romance from the latter movies as I thought it wasn't well done and didn't add much, and then keeping more of the original music from the series.

Indiana Jones embarks on the story you love as presented in a less intense Saturday morning kid friendly way. Same plot, less pew pew, blood splat, face melting and nightmare inducing ghosts.

Indiana Jones and his father embark on the the quest to find the Holy Grail in this edit of the story you love with slightly less intense moments.

The Wrath of Khan as it might have been, had it not been made on a tight budget with recycled VFX by the Paramount Television Unit (which it was astonishingly)

Thor Love and Thunder arrived in cinemas to the sounds of raucus laughter, and the sound of footsteps as people walked out of the cinema, disgusted at what a blundering fool Thor had become. Whilst many people enjoyed Taika Waititi's unique blend of humour and emotion, There are many people who felt he had taken it too far.

Thor Love and Thunder Minus Comedy takes the worst of the comedy out and aims to focus on Thor's emotional journey, rediscovering love and accentuating the threatening presence of Gorr the god-butcher.

Thor discovers that Gorr is aiming to kill all gods and sets out on a mission to raise an army to rescue the abducted children of Asgard. It's not yet clear how this army will come about but on the way, he meets the enigmatic Zeus whose allegiances are never quite clear, and rekindles a romance with Jane Foster who has her own secrets.

Carlito's girlfriend Gail takes up a lot of screentime so I wanted to just keep the scenes that really needs to be there and cut the movie down for a better pace. To tell faster more streamlined story.

This edit gives the viewer the chance to experience and interpret the story as it unfolds rather than constantly being told what is happening and how to feel about it. Commodus’ actions alone are what shows us his depravity, and he actually acts upon his lust for his sister. Lucilla (the sister) is also depicted as a much stronger woman.

New elements of the Tarantino screenplay are incorporated along with a retro, gritty color re-grade and new Tarantin-esque soundtrack and musical scoring. No music/score is borrowed from his other films. Additional blood/gore VFX is the cherry on top of this Hyperviolent Cut. Other edits which used Tarantino's original screenplay seemed to include most/all deleted scene footage which adds new Tony Scott material, including lowbrow penis jokes that does not jive at all with the QT screenplay. Other edits also rearranged scenes at a high level, to give a basic similar arrangement, rather than at a more detailed scene by scene level. IMO this edit is the truest edit (so far) to the spirit of Tartantino's screenplay.

A Kill Bill Vol. 1 + 2 combo NO ANIME cut upscaled to 4K (also available in 1080p). Runtime 3 hours 45 minutes. The best Kill Bill has ever looked.

ZSJL was a major improvement to the travesty which occurred in 2017; however, Snyder’s 4 hour release was rushed in production and stuffed with significant filler. Releasing such a long cut, open matted, was probably more for production speed than artistic reasons. This cut re-scores, reduces, and rearranges this film for a more epic feel, with greater dramatic impact in a much shorter runtime.

This is my own take on editor, JobWillins, overall concept in his brilliant edit Man of Tomorrow, which merges Man of Steel and Batman v Superman into one film. See further details for how Son of Krypton differs from Man of Tomorrow.

In this edit the story now takes place entirely during 1918, the action sequences are much improved, young Diana receives a more serious portrayal, cartoonish comedy is toned down, and Steve is still funny-- but in scenes where it's warranted. This release intended to be Part 1 of a trilogy followed by my edits Son of Krypton and Justice League: Gods of Earth.

Like many of the other Disney+ MCU series, this clearly felt like it was originally envisioned as a film that was then stretched out to fill out a limited series. It's a good story with some great moments, but it drags on and is stretched too thin. This edit attempts to reorganize the fairly simple plot into a single film of 2 hours and 22 minutes, an average run time for an MCU film.

A fasted paced grindhouse inspired combo of the two classic Tarantino films.