This is for people who think “Please don’t edit Andor, it’s already perfect… I’d take it as movies though.”

This is Andor season one, rearranged into four movies of roughly two hours each, removing no content whatsoever, just focused on smoothly presenting each major A-plot as a movie whilst moving the supporting B-plots around to keep each movie as focused as possible, so each movie is self-contained and easily digestible.

This is a condensed edit of Season 1 of The Mandalorian. The intent is to use the footage to create a single movie edit that follows the classical Star Wars movie structure and focuses on the core plot of the season.

Sword Art Online Abridged is an abridged series by Something Witty Entertainment under the YouTube channel SWEabridged. It is a parody of the anime series Sword Art Online. Ascending Aincraid is the same story in movie form.

In 2022, a virtual reality massively multiplayer online role-playing game (VRMMORPG) called Sword Art Online (SAO) was released. With the NerveGear, a helmet that stimulates the user's five senses via their brain, players can experience and control their in-game characters with their minds. Both the game and the NerveGear were created by Akihiko Kayaba. On November 6, 10,000 players log into SAO's mainframe cyberspace for the first time, only to discover that they are unable to log out. Kayaba appears and tells the players that they must beat all 100 floors of Aincrad, a steel castle which is the setting of SAO, if they wish to be free. He also states that those who suffer in-game deaths or forcibly remove the NerveGear out-of-game will suffer real-life deaths. Kirito, a beta tester of the game, adventures through Aincraid to keep himself, and those around him, from dying and beat Sword Art Online.

The main problem with this season was that instead adapting third book "Blood of Elves" writers have decided to go all in with their poorly written fan-fiction and most of the season was completely unrecognizable to the fans of the books. So, the idea was to create something at least resembling proper adaptation of "Blood of Elves" as there was no way to make it really faithful to the book. This edit is a movie build from book-accurate elements, things that keep the spirit of the books intact (and theoretically could happen in the story but were not described by Sapkowski in detail), some of the Netflix additions that I didnt mind too much and some of those that I do mind, but they're needed for continuity reasons.

I'm calling this The Bass Reeves Cut of HBO's Watchmen. It turns the 9 episode miniseries into a 2 hour and 22 minute movie. My edit primarily concentrates on the mystery of what happened to Judd Crawford and the origin story of Hooded Justice. It centers on Angela Abar and Will Reeves. There's no Adrian Veidt, no Dr. Manhattan and just a bit of Laurie Blake.

I absolutely adore Leslie Nielsen. I love the Naked Gun and Police Squad, although I feel the latter hasn't aged all that gracefully. The good parts are terrific, but jokes are re-used in each episode up to the point where you are annoyed and it feels lazy. So I aimed to fix that and effectively make a fourth Naked Gun movie instead.

My goal was to make a miniseries edit that didn't simply feel like a chopped up version of the movies. Overall this worked surprisingly well without too much editing, though the Return of the King had to have some extra reordering of scenes to make it work.

The vast majority of each movie is retained, though I changed a handful of things that I thought weren't so well done in the movies (Bridge collapse leaning, Frodo and Sam "rock" cloak at the Black Gate, etc). I cut a few other scenes that were from the extended editions that I felt did not add to the movies at all (extra Gimli humor, Merry and Pippin drinking water to get taller, etc). And lastly, I rearranged some scenes to help the pacing of each episode. With the new format this was needed, mainly in the Return of the King. I added chapter titles to every episode and they appear within the first 10 minutes matching how the original movies did it, I kept the short 45 second intro credits and "Lord of the Rings" Title sequence for each episode, and then added a shortened 60 second credit sequence for each episode.

My goal was to make a miniseries edit that didn't simply feel like a chopped up version of the movies. Overall this worked surprisingly well without too much editing, though the Return of the King had to have some extra reordering of scenes to make it work.

The vast majority of each movie is retained, though I changed a handful of things that I thought weren't so well done in the movies (Bridge collapse leaning, Frodo and Sam "rock" cloak at the Black Gate, etc). I cut a few other scenes that were from the extended editions that I felt did not add to the movies at all (extra Gimli humor, Merry and Pippin drinking water to get taller, etc). And lastly, I rearranged some scenes to help the pacing of each episode. With the new format this was needed, mainly in the Return of the King. I added chapter titles to every episode and they appear within the first 10 minutes matching how the original movies did it, I kept the short 45 second intro credits and "Lord of the Rings" Title sequence for each episode, and then added a shortened 60 second credit sequence for each episode.

The purpose of this edit is to re-conceptualize Season 1 of this amazing series into a two part feature film duology.

It reorganizes the scenes for a more cohesive story, congruous concept and dramatic impact, removing a lot of extraneous filler material. While Season 1 was just plain outstanding (for the most part), it had substantial bloat. I consider this edit an improved, definitive version, and also a good way to watch it again before Season 2 is released—a very full story told in 5 hours instead of 8½ hours.

Overall, this edit is intended to be even more of a gut punch than the original. And the most important thing is:
NO SHITTY PUNS WERE HARMED IN THE MAKING OF THIS FANEDIT.

Recut The Last of Us into a 3-part miniseries solely focused on Joel and Elli's journey. A 4th "special episode" includes the majority of the cut content as short films.

Star Trek: Picard Season 2 cut down to a 3-hour movie

"The final arc of four episodes of Clone Wars should have been released as a theatrical film: it's epic, emotional, sinister and unforgettable. Fans like me are calling it ‘one of the best stories of all’, even compared with the movies. Well, this is that film. ‘Star Wars Episode III: The Phantom Apprentice’ takes place parallel to ‘Star Wars: Episode III Revenge of the Sith’ and it’s the true closing of the prequel trilogy and the Republic era, before entering the dark period of absolute domination of the Empire (Rebels, The Bad Batch, Obi Wan Kenobi, Solo, Andor, Rogue One...)."

“The story: The Clone Wars are coming to an end. Republic forces are suffering heavy losses and, in the wake of Order 66, Ahsoka, Anakin’s former apprentice, try to survive to the Great Jedi Purge.”

The origin of the world's first Bionic Man is revealed!

Using the season one premiere episode "Population: Zero" as a foundation, the viewer will learn our hero's bionic beginnings through flashbacks to previous tv movies and episodes, all the while retconning the roles of Oscar Goldman and Alan Oppenheimer's Dr. Wells in Steve's origin.

This is the entire second season of See cut down to one action packed, epic movie. This is the third part in a planned 4-part series that will condense the entirety of the show into a film format. Season 2 of See changes the tone of the show rather drastically, becoming a lot more action/adventure focused while also broadening the scope of the world. This film is longer than the previous two, but contains the arc of an entire season's worth of story. This film is also a lot more action-packed, with intense fight scenes and epic battles.

I’ve always loved the philosophical questions that the Blade Runner world poses. So I was very excited for Black Lotus, but ended up feeling frustrated at the end of almost every episode in season one, despite so many positives. Odd pacing in dialogue, weak writing, and an overall slow pace. The flashback episode was excruciating. After accepting that it is what it is, I tried to make the best of what we got.

The Kenobi show, trimmed down to a movie length. This series started life as a movie script, and the show just feels like a movie stretched to six hours. This keeps most of the main plot point, but makes it fit as an easily digestible Star Wars film.

INVASION! EARTH-X! ELSEWORLDS! COUNTDOWN!
The Final Chapter is here!

The CRISIS has arrived!

The Multiverse is under attack and only the Heroes of the Arrowverse can save the day.
Bionic Bob takes the 5 part CW television event and unites it into a single epic movie experience!

My goal was to make a miniseries edit that didn't simply feel like a chopped up version of the movies. Overall this worked surprisingly well without too much editing, though the Return of the King had to have some extra reordering of scenes to make it work.

The vast majority of each movie is retained, though I changed a handful of things that I thought weren't so well done in the movies (Bridge collapse leaning, Frodo and Sam "rock" cloak at the Black Gate, etc). I cut a few other scenes that were from the extended editions that I felt did not add to the movies at all (extra Gimli humor, Merry and Pippin drinking water to get taller, etc). And lastly, I rearranged some scenes to help the pacing of each episode. With the new format this was needed, mainly in the Return of the King. I added chapter titles to every episode and they appear within the first 10 minutes matching how the original movies did it, I kept the short 45 second intro credits and "Lord of the Rings" Title sequence for each episode, and then added a shortened 60 second credit sequence for each episode.

Originally released as an 8 part mini-series on Netflix, The Defenders was met with a lukewarm reception from fans and critics. This edit is a fairly straight-forward but thorough reduction to make this Marvel TV crossover faster paced and more excting.

After Walter and Jesse's frightening encounter with Tuco Salamanca, they plan a way to murder him before it's too late. Little do they know they have an even more intense future ahead of them.

The Arrowverse Crisis Saga continues!
As the Crisis looms closer, the stakes become more dire!
Green Arrow must team up with his grown children from the future to build a weapon to save the Multiverse.
The Flash turns dark just when the world needs him most.
And a new foe emerges for the Martian Manhunter and Supergirl to face.
Will our heroes be victorious in their trials?
They better be! As only they can save us all from The Coming Crisis!

This is a TV to Movie Fan edit. It intertwines storylines from the CW series Arrow, The Flash and Supergirl. There are literally hundreds of cuts, trims and changes. The objective to keep the focus on our core heroes and jettison all filler plotlines.

This is Chapter Two of my ongoing fanedit series of See, covering the events of the second half of Season 1.
See is a criminally underseen AppleTV series, one of the more interesting and fleshed out science fiction stories I've seen recently.

I always though that the production was so strong on the show that it would've made a great movie, so I'm playing with that concept. Also, there was a bit of a stylistic shift between the first and second seasons, where a lot of very abstract ideas got sort of left behind in favor of a more action/adventure heavy show. Doing a fanedit of the first season in movie form can help line it up with the style of the rest of the show.

The galaxy has been plunged into total war! As clones and Jedi alike are sent far and wide to stop the separatist's advances, Palpatine hatches a wicked plan to end the war and seize total control of the galaxy.

There is a Crisis Coming.
A Crisis that threatens every life in the Multiverse.
And Three Arrowverse Heroes are the key to the survival of all of existence.

The Green Arrow embarks on a mission for the Monitor to create a weapon for the coming Crisis.
The Flash must prepare his Team for his prophesized demise so they can save billions of timelines.
And the Martian Manhunter, with the aid of Supergirl, must come to terms with his dark past so he can become the hero needed for the future.

A Crisis is coming, and the Countdown has begun!

This Fan Edit mixes various storylines from the series ARROW, THE FLASH and SUPERGIRL to tell the tale of the days leading up to Arrowverse crossover event of 2019 -- CRISIS ON INFINITE EARTHS!

See is a criminally underseen AppleTV series, one of the more interesting and fleshed out science fiction stories I've seen recently.

I always though that the production was so strong on the show that it would've made a great movie, so I'm playing with that concept. Also, there was a bit of a stylistic shift between the first and second seasons, where a lot of very abstract ideas got sort of left behind in favor of a more action/adventure heavy show. Doing a fanedit of the first season in movie form can help line it up with the style of the rest of the show.

A young harpist, Imp Y Celyn becomes the greatest musician on the Disc, meanwhile Death (The Grim Reaper) has disappeared and someone else needs to fill in. Here it i presented as more of a Biopic. No time travel, no alternative universes just the basics of the plot with as much of the humor intact as possible.

This is a sequel to "The Last Wish" edit. It continues the story of Geralt of Rivia, omitting big part of plotlines that were not based on the books. Unlike "The Last Wish" edit, there was no way to base this edit only on book material because more than half of the second book, "Sword of Destiny" was omitted in the show. For that reason, this edit uses some of the non-book material to complete the story and presents it in chronological order.

As a fan of The Witcher books I anticipated this adaptation but was eventually disappointed by it. The main reason of that disappointment was the fact that the writers decided to add unnecessary filler (in order to enlarge roles of Yennefer and Ciri which I consider to be huge mistake), and at the same time omitted important parts that were crucial to the story. This caused the show to be crippled version of the book, full of incosistencies, logical errors and boring plotlines. It is not possible to fix all of this, but I could at least make it closer to the books, especially the first one in the Witcher Saga, titled "The Last Wish". As it is in fact a collection of short stories, this edit aimed to create exactly that. A collection of stories about Geralt of Rivia based on what was actually in the books (more or less).

After a plane crash killed his billionaire parents, Danny Rand was raised by monks to become their guardian defender, known as the Iron Fist. However, Danny wanted nothing more than to go back home, unlike his new best friend Davos. With his new found powers, Danny makes his way back home to find that his friends don't recognize him and that his father's company is now run by a mysterious crime syndicate.

Danny seeks the aid of Colleen Wing, an experienced martial arts instructor yearning for a purpose to help him defeat the Hand and save his family legacy. Little does he know, this entire operation has been manipulated by an old friend who should not be walking among the living.

Like many of the other Disney+ MCU series, this clearly felt like it was originally envisioned as a film that was then stretched out to fill out a limited series. It's a good story with some great moments, but it drags on and is stretched too thin. This edit attempts to reorganize the fairly simple plot into a single film of 2 hours and 22 minutes, an average run time for an MCU film.