At 2 hours and 32 minutes, "The Batman Unmasked" doesn't redefine the original source but delivers a leaner thriller while maintaining the essential mood and story.

This is a horror version of Willy Wonka and the Chocolate Factory. It uses much but not all of Corridor Crew's VFX. 99% of the music and score is replaced to give it a 70's horror movie vibe. Slightly grindhoused. Warning: rated R imagery. Some viewers may find the content disturbing. Tyler Durden probably spliced some of this film. Enjoy!

Captain America's "Civil War" made us choose between Duty and Friends. It pitted friends and colleagues against each other. Eternals presents this dilemma with far higher stakes. Now we have Duty not just to a government but to the parent/creator, and going against that duty will impact billions of lives. Now the Friends aren't just colleagues for years, but family for millenia.
The stakes are life-or-death high, yet the audience is left largely indifferent because ten (10!) new heroes compete for limited screen-time and character development. None of them earn a place in our hearts the way that better fleshed-out, and relatable, heroes like Captain Rogers and Tony Stark have.
Eternals isn't the best Marvel movie but it is unique and interesting. It deserves criticism, but even more than that it deserves wider viewing.

This edit focuses the narrative on the renunciation, criticism, and eventual opposition to the goals of their god Arishem. IMO this movie was a metaphor for the different ways of questioning authority - misguided soldiers, missionaries, colonizers, etc… these basic concepts are I wanted to elevate.

Using Pink Floyd's "Time" as a jumping off point, this edit also includes new songs from Pearl Jam, Massive Attack, Tool, and the Alan Parson's Project.

After fulfilling a contract killing in Los Angeles, a French hit man becomes the target of a hit himself and tries to flee back to Paris.

Enjoy Scaperat's original vision, with updated visual fidelity, sound design, and transitions. I have been working on enhancing and revising this classic edit by Scaperat.

Batman & Robin DEEP FREEZE doesn't attempt to be as serious as The Batman or as dark as the Nolan trilogy, but something closer to the feel of The Animated Series, just in live form. Mr. Freeze, now a more sympathetic villain, has little to no one-liners, Bane is completely excised and Poison Ivy isn't created by a mad scientist pushing her into a shelf. There is no Elliot Goldenthal Batman theme, but a lot of his music is still included. New opening titles and a small set of end credits have been created (and of course giving Bill Finger the credit he deserves).

This fan edit uses the Snyder Cut as the foundational source but transitions over the course of the edit into the Whedon third act.

A more streamlined and family focused story about Shang-Chi and his power mad father.

24 minutes cut from the film, the pacing is upped and the story is clearer. Less time is spent on subplots, but the important elements remain. Some music homages to the TV series have been added.

A savage and unsentimental a film. Except for an embarrassingly sentimental, sappy prologue and epilogue. This is a version without schmaltz that does not pander to the audience.

Removed narrative clutter for a more fitting tribute to these legendary comics.

This fan edit splits up The Batman (2022) movie into a four episode miniseries, making the 3 hour epic more digestible and providing a Graphic Novel type experience. There are a couple of narrative changes with little cuts here and there, some rearranged and re-scored scenes, a deleted scene added back in and a new ending.

This takes the ultimate edition of Batman V Superman and centres the film on Bruce Wayne.

A guy named Guy and his buddy Buddy argue about Guy's dream girl until she mysteriously appears to be real. Could this be the moment Guy's been waiting for his whole life? Or could there be some dark secret held by this mysterious girl?

More grit, Less 80s humor, some scoring tweaks and more credible.

The full story of Katniss Everdeen but told in the mini-series format which contains many surprises, deleted scenes and new music and score by many different artists.

The longer 1996 cut of the 1971 Disney classic with the worst instances of redubbed dialogue removed, a little less "With a Flair" and a lot more translation.

I've always loved the Harry Potter books, but the movies have been pretty hit or miss for me. I completely love what they have made, but there are many scenes of poor acting, or bad character choices that are completely fixable.

My main goals overall:
- Create light edits that don't try to reimagine or create anything new, but rather just enhance the original movies
- Remove small annoyances and some poor performances (Harry shushing Ron, Barty Crouch Jr tongue flicks, dumbing down Hagrid, etc)
- Retain as much world building as possible (Clock in the Weasley's home, monster roar at housekeeping in PoA, etc)
- Keep the original music to their own movies, except for a few rare occasions
- Tighten up action wherever I could

Goals for Deathly Hallows p2:
- Incorporate a select few deleted scenes
- Change young Lily's eyes to blue
- Fix bad writing and acting wherever possible

In a funkadelic future Los Angeles, a jaded ex-cop hunts down three androids designed to look human, and he isn’t too concerned about killing a human by “mistake.” Whoopsie.

The trip to Naboo has been cut and instead Anakin and Padme go straight to Tattoine after leaving Corouscant. In the Jedi council scene Mace Windu now does not tell Anakin to take Padme to Naboo instead Yoda tells him to hide out on Tatooine with Padme.

From Padme packing her bags until the Funeral of Anakin's Mom almost all scenes have been rearranged.

Obi Wan's investigation into Kamino and who created the clone army has him doing more detective work, gathering more clues and now has a satisfying conclusion to the Sifo Dyas mystery.

Various cuts and trims to Anakins dialogue to create a stronger character and beter romantic arc with Padme.

Scenes cut:
Anakin and Padme traveling to Naboo as refugees.
All the Naboo scenes (with the exception of the Fireside Conversation scene which now will take place on the Lars Moisture farm on Tatooine. The scene now comes in between Anakin returning with the dead body of his mother and her funeral).

Added deleted scenes:
Padme in the Senate.
Obi Wan and Mace Windu on the landing platform as Obi Wan is leaving for Kamino.
Obi Wan with Analysis droids (This scene now takes place on Kamino after he talks to Jango Fett. The Droid dialogue will be replaced so that when they analyze the Dart they discover the toxic poison comes from the Moons of Bogden.)
Anakin and Padme speak with Dooku on Geonosis.
Anakin and Padme are sentenced to death by Poggle on Geonosis.

This is a leaner version of Black Widow that adds back in multiple deleted scenes

I've always loved the Harry Potter books, but the movies have been pretty hit or miss for me. I completely love what they have made, but there are many scenes of poor acting, or bad character choices that are completely fixable.

My main goals overall:
- Create light edits that don't try to reimagine or create anything new, but rather just enhance the original movies
- Remove small annoyances and some poor performances (Harry shushing Ron, Barty Crouch Jr tongue flicks, dumbing down Hagrid, etc)
- Retain as much world building as possible (Clock in the Weasley's home, monster roar at housekeeping in PoA, etc)
- Keep the original music to their own movies, except for a few rare occasions
- Tighten up action wherever I could

Goals for Deathly Hallows p1:
- Incorporate a select few deleted scenes
- Fix bad writing and acting wherever possible

Two main goals here, beyond just the general nips and tucks. ONE - Give the film more of an OT vibe with color correction, film grain, and new music throughout. TWO - Improve Anakin’s story. I find his fall to the dark side in the theatrical film to be rather sudden and unconvincing. So here my job was to sort of smooth out the kinks - trying to make Anakin more sure of himself and his allegiance to Palpatine before the turn, and then somewhat softening his words and actions after the turn. There’s a lot of subtle little changes and tweaks that went into this all across the film, but I do feel like the sum is that his story in this version is more believable.

This is a "Rey Nobody" edit, removing her link to Palpatine. The other major change is that Leia dies toward the beginning of the film, removing her from the plot.

The core idea is to strengthen the ties to The Force Awakens and The Last Jedi to give a clear character arc to both Rey and Kylo Ren.

I also removed some unnecessary jokes and tidied up some action beats. The goal is to create a fun, engaging movie that satisfies as an ending to these character's stories.

A fresh attempt to implement Roger Ebert's suggestion for the climax of Psycho by cutting down five minutes of anticlimactic psychiatric exposition that would already be obvious to modern viewers. A new, more seamless edit than the one apparently used by Stomachworm in their original version of this edit.

• Disclaimer: Another edit admittedly for a small audience – those that likes Dune 2021 but thought the 1984 version was too confusing. Not for Lynch fans as probably too much is cut for them.

Paul Atreides, a brilliant and gifted young man born into a great destiny beyond his understanding, must travel to the most dangerous planet in the universe to ensure the future of his family and his people. As malevolent forces explode into conflict over the planet's exclusive supply of the most precious resource in existence - a commodity capable of unlocking humanity's greatest potential - only those who can conquer their fear will survive.

This edit focuses on Paul’s journey to awakening, telling only a part one story while avoiding Lynch's wild third act altogether, leaving the weirder parts for the theoretical Part 2 and avoiding the audience-distancing elements until they would have better understanding of the Dune Universe.

This should just be an exciting teaser, using Lynch's visuals, into the world of Frank Herbert's Dune and make you want to learn more. There are many nods to deeper meaning of motivations that can be found in the book for the other characters, but if their arc is not fully filmed in high quality, I try to just give them enough to be interesting and warrant a deeper dive into the source material.

To make a version of the movie for those of us that are not fans of the Scooby Doo B-plot with Millie Bobby Brown (MBB). She only appears in a brief cameo now.

It was important to keep the flow of the main plot while trimming a lot of fat. Lots of trimming even during the main plot; cutaways, repeated dialog etc. It was crucial to me that it still felt like an actual movie while watching this; not just a supercut of the battle scenes or leave you feeling like pieces are missing.

I've always loved the Harry Potter books, but the movies have been pretty hit or miss for me. I completely love what they have made, but there are many scenes of poor acting, or bad character choices that are completely fixable.

My main goals overall:
- Create light edits that don't try to reimagine or create anything new, but rather just enhance the original movies
- Remove small annoyances and some poor performances (Harry shushing Ron, Barty Crouch Jr tongue flicks, dumbing down Hagrid, etc)
- Retain as much world building as possible (Clock in the Weasley's home, monster roar at housekeeping in PoA, etc)
- Keep the original music to their own movies, except for a few rare occasions
- Tighten up action wherever I could

Goals for Half-Blood Prince:
- Incorporate most of the deleted scenes
- Try to establish Harry and Ginny's connection better
- Cut out as much bad acting, dialog and writing as I could

Alien: Resurrection Resurrected is a definitive cut of the 1997 cult classic, combining the best from both official cuts of the film.

Tightened up the editing/pacing, removed all the unnecessary exposition dumps & cut moments where the Dark Entity slips into humor.

Beyond my normal tightening up of the editing/pacing & giving the film a more consistent tone, I've also removed as much of the 'Haunted House' element as possible, making it easier to tie this one into the continuity of the rest of the series.

I've always loved the Harry Potter books, but the movies have been pretty hit or miss for me. I completely love what they have made, but there are many scenes of poor acting, or bad character choices that are completely fixable.

My main goals overall:
- Create light edits that don't try to reimagine or create anything new, but rather just enhance the original movies
- Remove small annoyances and some poor performances (Harry shushing Ron, Barty Crouch Jr tongue flicks, dumbing down Hagrid, etc)
- Retain as much world building as possible (Clock in the Weasley's home, monster roar at housekeeping in PoA, etc)
- Keep the original music to their own movies, except for a few rare occasions
- Tighten up action wherever I could

Goals for Order of the Phoenix:
- Incorporate most of the deleted scenes
- Cut out as much bad acting, dialog and writing as I could

Luke Skywalker has vanished.
In his absence, the sinister
FIRST ORDER has risen from
the ashes of the Empire and
will stop at nothing until
Skywalker, the last Jedi, has
been destroyed.

As the peaceful New
Republic struggles to fight
this resurgent menace,
General Leia Organa gathers
her allies and leads a brave
RESISTANCE. She is
desperate to find her brother
Luke and restore hope to the
galaxy.

Searching for clues to Luke’s
whereabouts, Leia’s most
daring pilot has been
intercepted by the First Order
on the desert planet of
Jakku…

The movie is about the united states war on drugs and what does it mean for the ones affected by it, actively and passively. We get to experience it through Kate (as she´s us) and aren´t able to fathom the politics of it.
Additionally Taylor Sheridan incorporated the view of a mexican police officer, named SIlvio. That´s the point where my thoughts and edit comes in. As Sheridans approach and intend is just, i never connected to SIlvio and his fight to provide for his family. Perhaps we shouldn´t. Therefore i got the feeling that the movies grip is loosen on me. So i thought:
What would it be like, if all reference to silvios background is cut and he´s just a corrupt cop who´s merly a tool for both sites? Alejandro certainly doesn´t care much as well as the cartel.
What this war does to mexican people is a little more in-depth with Solimas Sequel.

A movie of The Punisher that feels more in line with the character and takes out the overindulgence the movie tends to have.

My goal here was, as always, to tighten the editing & remove filler- but I've also put more emphasis on the "Face Your Fears & Believe In Yourself" theme, which heavily alters the ending.

My goal here was mostly just to tighten up the editing & remove filler.
The altered ending of NoES [raymix] helps bridge the story together.

Aside from tightening up the editing/pacing, my main goal here was to change original ending- creating something that feels conclusive & also builds a bridge into the sequels.

With this being an episode dealing with the TARDIS as the enemy, I chose to use music more electronic sounding, so Forbidden Planet seemed like a nice addition. I also felt like there were some plot holes on why Susan went nuts earlier on in the episode.

Taking 7 short episodes and editing them down to 2 thrilling longer episodes, this is an edit that I'm VERY proud of. The Daleks continue to be menacing while the Thal's are more mysterious until we learn they are our friends.

In this edit, the Doctor and the gang initially meet in the same way, but when we land in the cavemen era, the story pushes forward a lot more. Major plotlines with no payoff are gone and we see how they learn to work together to escape their situation.

Moved the pre credits Skydive sequence till after the monastary scene.
Used the precredits scene from A View To A Kill as the new opeing for Moonraker.
Removed Jaws having a girlfriend and many of the Wile E. Coyote comedy slapstick involving Jaws.
Removed the gondola-hovercraft in St. Marks square.
And lastly toned down some of the other silly gags such as the use of the Magnificent Seven theme, but still tried to keep the tone of Moonraker fun and lighthearted.

No more funky, out of place disco music during the opening and closing credits.
All new opening credits that are more consistent with the franchise.

I've always loved the Harry Potter books, but the movies have been pretty hit or miss for me. I completely love what they have made, but there are many scenes of poor acting, or bad character choices that are completely fixable.

My main goals overall:
- Create light edits that don't try to reimagine or create anything new, but rather just enhance the original movies
- Remove small annoyances and some poor performances (Harry shushing Ron, Barty Crouch Jr tongue flicks, dumbing down Hagrid, etc)
- Retain as much world building as possible (Clock in the Weasley's home, monster roar at housekeeping in PoA, etc)
- Keep the original music to their own movies, except for a few rare occasions
- Tighten up action wherever I could

Goals for Goblet of Fire:
- Remove the Ron and Harry's broken friendship subplot
- Cut out as much bad acting, dialog and writing as I could
- Take out all instances of the Crouch Jr tongue flicks

The present day date is moved back by two years to set the film on a real Friday the 13th.
There are many cuts made to alter the timeline, remove filler, tighten the editing & improve the overall ambiance.
I've also made many cuts & alterations in order to make the characters more likeable.
I've used parts of the classic Harry Manfredini score from the original 1980 film to help make this one feel like a classic Friday the 13th.

There are many cuts made to alter the timeline, remove filler, tighten the editing & improve the overall ambiance.
I've given the film a shot-by-shot color correction which removes the awful blue filter & deepens the black levels without crush.
This makes the picture more colorful & consistent with the other Friday the 13th & Nightmare on Elm Street films.

There are many cuts made to alter the timeline, remove filler, tighten the editing & improve the overall ambiance.

The date is moved forward by one year so that the movie begins on a real Friday the 13th.
There are many cuts made to alter the timeline, remove filler, tighten the editing & improve the overall ambiance.

I've always loved the Harry Potter books, but the movies have been pretty hit or miss for me. I completely love what they have made, but there are many scenes of poor acting, or bad character choices that are completely fixable.

My main goals overall:
- Create light edits that don't try to reimagine or create anything new, but rather just enhance the original movies
- Remove small annoyances and some poor performances (Harry shushing Ron, Barty Crouch Jr tongue flicks, dumbing down Hagrid, etc)
- Retain as much world building as possible (Clock in the Weasley's home, monster roar at housekeeping in PoA, etc)
- Keep the original music to their own movies, except for a few rare occasions
- Tighten up action wherever I could

Goals for the Prisoner of Azkaban:
- This is my favorite movie and will probably have the least changes
- Trim some of the poor performances (Hermione's laughing, some of Harry's acting)
- Cut out some of the one liners and poorly written lines and scenes (Neville's "I'm okay" joke, Hermione mocking Trelawney, and Harry always needing to get a final word in)
- Reduce some of the more over the top stuff (Trim the whole whomping willow scene)