The two 1965/1966 Peter Cushing 'Dr. Who' films stand apart from the 'Doctor Who' BBC TV show (Of the same period) in several respects. They were in colour, the Doctor was human and the TARDIS was his eccentric "Garden-Shed" invention rather than a time-machine he had stolen from the Timelords. I set out to reverse or omit these elements.

This is ‘Milo & Otis’ synced up to a Pink Floyd masterpiece.

‘Milo & Otis’ is a Japanese film about a cat and dog swept up in hazardous adventures in the wild. ‘Animals’ is a progressive rock album by Pink Floyd, inspired in part by George Orwell’s ‘Animal Farm’. It takes aim at politics, with deeper themes of life and death, manipulation, greed, blind faith and power. And it’s pretty rocking.

In this sequel to The Atom Man, Superman's battle against his most dangerous foe continues. Just when the Atom Man is about to destroy Metropolis, the Kryptonite power in his blood runs out. In order to get ahold of one of the remaining pieces of Kryptonite, he teams up with the sinister Sydney. Knowing that Clark Kent is Superman, they lure the mild mannered reporter into a trap, intent on finishing him off for good, so they can finally rule the world.

Atom Man in Metropolis is a story arc spanning 19 episodes. The original episodes have a running time of about 12 minutes, including an intro and an outro, a commercial break and recaps, as well as many drawn-out scenes of repetitive or expositional dialog. In order to enhance the pacing I removed all of the unnecessary stuff, rearranged bits of dialog, and cut some episodes almost entirely. I also added music, which the originals didn't have at all, and several sound effects.

The cinematic cut scenes from the "Star Wars: Bounty Hunter" videogame, along with some special features.

In this thrilling sequel to The Scarlet Widow, Superman battles the most dangerous foe he ever encountered: The Atom Man. Using a piece of Kryptonite, Der Teufel, a mad Nazi scientist, transformed young Heinrich Milch into said monster, in order to first enslave Superman and then the rest of the world.

If you liked Vol. 1, I'm sure you will love the sequel. Not only is it an entertaining story, it also feels like some sort of historical time capsule. The way they address Nazis, WW2 or the Atomic Bomb is pretty mindblowing, considering this was a show aimed at kids. Volume Two is also darker and more action packed than the previous edit.

Two fanedits and a collection of material related to the making of the Star Wars Bounty Hunter videogame.

The Adventures of Superman is a radio serial that aired from 1940 to 1950. Every episode has a runtime of about 12 - 15 minutes, including an intro and an outro, a commercial break and rather long recaps as well as scenes of repetitive or expositional dialog. You're basically left with about 6 to 7 minutes of actual story. I removed all of the unnecessary stuff and turned eleven episodes into one. I also added sound effects and musical cues from John Williams' score (plus a few seconds of Hans Zimmer).

The 11 episodes I picked are the beginning of a 76 episode story arc; the longest sequence the show ever did. It's the story of The Scarlet Widow stealing the only existing piece of Kryptonite and splitting it between four of Superman's enemies. One part of the Kryptonite is stolen by Der Teufel, a crazy Nazi scientist, to power The Atom Man.

A newly engaged couple have a breakdown in an isolated area and must pay a call to the bizarre residence of Dr. Frank-N-Furter.

"Continuing the legacy of projects which overcome great technological hurdles, but provide little to zero entertainment value, viewer reward, societal insight or benefit." %20

What is AARRSSTW - WTSSRRAA?
The 1997 Star Wars Special Edition resorted by shot length. Ascending and Descending the 2291 shots of 0002 to 1765 frames. %20's attempt to create a possibly equally perplexing retelling, which lives up to the "Specialer" moniker.

To remove the most offensive elements of the SE and try different improvements than what LFL made.

This is a synchronization project that sync’s the film “The Nightmare before Chistmas” with cover songs by artists such as Marilyn Manson, Fallout Boy and Fiona Apple.

In the year 2005, the Autobots and the Decepticons are still locked in battle, but a deadly new force enters the fray–a giant killer planet known as Unicron. The heroic Autobots must fight for their own survival and to save their home planet from destruction.

In the midst of a new Borg incursion ten years after the Battle of Wolf 359, Starfleet Cadet Qaylan Furlong is given an opportunity by Q (John de Lancie) to go back in time and prevent his father’s death in the historic battle. (From the games back cover.)

Inspired by the music-only version of the Star Wars saga by Adigitalman this is a music & sound effects version of LOTR (with some narration/dialogue thrown in for good measure) in honor of Howard Shore’s impressive score.

A hybrid cut of Return of the Jedi using the Blu-Ray release and Harmy's Despecialized Edition (in AVCHD).

Imagine if you were able to have a search engine sort through all the media ever created on a topic of your choice and it would create a program of your determined length.

A feature length film made from the Wii version of the video game: Star Wars – The Force Unleashed.

This is the first of three KNIGHTS OF THE OLD REPUBLIC from-game-to-screen movies about the great plot of the famous SW game.

To make the Clone Wars cartoons feel like part of the Saga and keep them in-line with the ADM editions.

“The Story of The Empire Strikes Back” was an audio LP following the adventures of Luke Skywalker during TESB. Now this recording has been visualized using movie scenes and images. Spectacular!

To remove the most offensive elements of the SE and try different improvements than what LFL made.

Now you can enjoy the terrific score without all the talking.

“The Story of Star Wars ” was an audio LP following the adventures of Luke Skywalker during ANH. Now this recording has been visualized using movie scenes and images. Spectacular!

The most offensive elements of the SE are removed. It also contains several other different improvements over what LFL made.

Ever wonder how the adventures in Back To The Future would appear in the history books? Here it is, the chronological teleplay of each event in date order, splicing all three films into one huge epic!.

The movie “Pulp Fiction” edited so the whole movie runs in chronological order.

Roger Ebert once wrote…
“If I were bold enough to reedit Hitchcock’s film, I would include only the doctor’s first explanation of Norman’s dual personality: “Norman Bates no longer exists. He only half existed to begin with. And now, the other half has taken over, probably for all time.” Then I would cut out everything else the psychiatrist says, and cut to the shots of Norman wrapped in the blanket while his mother’s voice speaks (“It’s sad when a mother has to speak the words that condemn her own son…”). Those edits, I submit, would have made “Psycho” very nearly perfect. I have never encountered a single convincing defense of the psychiatric blather.”

Very little to this edit, actually. It adds the scene of the T-1000 searching John’s room into the Special Edition. This scene was included in the Special Extended Edition on the official disc, but you also had to watch the alternate ending to see it. Now you don’t.

After their house gets vandalized Daniel and Kristi decide to install cameras as a security measurement, but it soon turns out that whatever broke into their house is not human and every night the teror grows stronger…

But it is not only Kristi who falls victim to this paranormal force after much talk her sister Katie convinced her boyfriend Micah to get a camera and monitor their house, because Katie is sure that they are not alone…

This is the footage fans missed between season 2 and season 3 of 24. It is taken completely from the videogame: 24 THE GAME.