The eighth consecution project features a whopping total of 14 short fanedits, spread across two-discs (a first for these consecutions). Come join us as we travel through space and time...

Bill & Ted travel through time to prepare for a big history project that will make or break their grade.

A missed opportunity gets a second chance.

The story of a father and son who share a unique gift: the ability to travel through time.

Three friends, separated by vast tracts of space and time, are reunited through a series of highly improbable events.

The machines rose from the ashes of the nuclear fire. Their war to exterminate mankind had raged for decades, but the final battle would not be fought in the future. It would be fought here, in our present. Tonight... in Reno, Nevada.

Captain America and the Red Mask battle in the stratosphere!

The Man never wanted any trouble. All he wanted to do was oggle naked ladies through his binoculars. He really shouldn't have gone off into the woods that day...

After being told "for the millionth time" the somewhat sad and pathetic story of how his parents met, Marty wakes up in 1955 to witness it first hand and gets three chances to live the same day over again and change the course of (his)story.

The ill-advised 1999 reunion special of celebrated BBC historical comedy Blackadder was never very funny but the time-travel plot was a hoot. So what if all the jokes were cut? Would it make the plot stronger and also would it become oddly funnier? The time-travel consecution seemed the ideal way to find out!

From the future comes the Terminator. His mission: eliminate Sarah Connor. In the balance, life or death of the human race.

This is the story of a post-nuclear war experiment in time travel.

I wanted to take the 3 time-travel episodes of Babylon 5 ('Babylon Squared' and 'War Without End' P1 and P2) and includes just the scenes from Zathras' perspective.

I wanted to tell a beautiful story of first-love through the prism of time-travel, incorporating a musical finale and maintaining a highly condensed version of the original film's mirrored story structure.

1899: The End of the Victoria Era of Adventure, and the Dawn of the Pulp Age of Heroes!
When a threat so evil emerges that the fate of the entire world hangs in the balance, the League of Extraordinary Gentlemen is assembled. The LXG must unravel a diabolical plot and face off against one of the world's most infamous villains!

This edit of the 1968 masterpiece tightens up the pacing and eliminates some of the parts that are too "In your face". I've also removed some of the stuff that I just didn't get and had to look up online to understand (Mostly the rape scene). So anything that was only understandable if you had read the book is now gone.

As a war between humankind and monstrous sea creatures wages on, a former pilot and a trainee are paired up to drive a seemingly obsolete special weapon in a desperate effort to save the world from the apocalypse.

Pacific Rim is one of the best and most memorable films from Guillermo Del Toro (Cronos, Devil's Backbone, Pan's Labyrinth, Hellboy), and is easily the best 'monsters vs. giant robots' movie to date. However, as imaginative as Del Toro's film is, it suffers from a flawed and distracting subplot involving a pair of over-the-top scientists. This cut removes the superfluos material to keep the movie focused on the Jaegers, their pilots and their Kaiju nemesis.

Spider-Man tries to defeat the new menaces in the city. Soon he will discover that something bigger than him is happening.

I just tried to speed up the pace of this movie and make it more fun and enjoyable without yawning. I was kinda like "Eh?" when I saw the theatrical version, not really blown away like I should have been. So making the movie more fast paced with more of the action is what I was aiming for.

As an editing exercise, I condensed the primary storylines of Lost Season 1 into a 3 hour (ish) film. With the exception of one major flashback that was moved into my Season 2 cut, the goal was to include enough information for all subsequent seasons to make sense for someone who hadn’t seen the show.

A leaner, meaner and more realistic cut which retains the nihilistic mood and tone of the theatrical cut and minimizes the poor characterization and excess 'emotional' moments resulting in a far darker and better Monster movie... The stars of this version are not the humans, but the monsters.

During an assignment to take down a new arms dealer in Miami, Sonny Crockett runs into a ghost from his past which sends him spiralling down a path of regret and darkness. As his focus on the case slips, he becomes involved with a mysterious femme fatale, a person he knows is playing him but lets her anyway. Crockett goes on a personal voyage, questioning his motives, morality and existence in what are widely considered to be the best episodes of the original show.

The Vice squad has a new commanding officer, Lieutenant Martin Castillo, a tough ex-DEA with a dark past. Crockett and Tubbs stumble upon a plot to heist a hotel vault and attempt to intervene, leading to the discovery of a much larger and more dangerous criminal enterprise involving an old nemesis of Castillo's from his days in the Golden Triangle drug zone. The Vice team is quickly forced into a game of cat-and-mouse with a deadly foe.

Miami Beach, 1984. Colombian drug kingpin Calderone is ruthlessly seizing territory, eliminating all competitors in a series of violent murders. Miami Vice Detective Sonny Crockett is assigned to take down the drug lord but is faced with double-crosses, assassination and incompetence at every turn. Enter Ricardo Tubbs, a stranger from New York who has a personal vendetta against Calderone. Crockett and Tubbs are forced into an unlikely alliance that will take them from the sandy shores of Miami to the clear waters of the Bahamas in a hunt for Calderone, full of danger, death and pastel suits.

I've been a lifelong Marx Brothers fan from my earliest memories but all of their films come with certain baggage...

Due to the commercial neccesities of the time and due to the radical nature of their comedy they usually peppered the popular songs of the day throughout the films, to keep people happy. At the time, this formula was boxoffice dynamite but some of these songs have not aged well and I almost always fast-forward through them. Also sometimes the plots, subplots and supporting talent isn't up to the match of The Brothers' firecracker humour. So wouldn't it be wonderful to have a collection of these films with all the killer and none of the filler?

In the late 1990s, when David Chase was shopping around his script for The Sopranos, he was convinced that, even if he got a pilot made, no one would ever pick it up. In fact, he was hoping that this would happen because it would give him the push to be able to turn The Sopranos into a feature film that he’d always dreamed of making. Fortunately for us, this didn't happen. But what if The Sopranos wasn't picked up? What would Chase's film look like?

This is the most complete version of the film Serenity. All deleted scenes have been added back in and whenever possible, they have been scored with music from the score composed by David Newman.