There is a Crisis Coming.
A Crisis that threatens every life in the Multiverse.
And Three Arrowverse Heroes are the key to the survival of all of existence.

The Green Arrow embarks on a mission for the Monitor to create a weapon for the coming Crisis.
The Flash must prepare his Team for his prophesized demise so they can save billions of timelines.
And the Martian Manhunter, with the aid of Supergirl, must come to terms with his dark past so he can become the hero needed for the future.

A Crisis is coming, and the Countdown has begun!

This Fan Edit mixes various storylines from the series ARROW, THE FLASH and SUPERGIRL to tell the tale of the days leading up to Arrowverse crossover event of 2019 -- CRISIS ON INFINITE EARTHS!

"YOU CAN'T HANDLE THE TRUTH!" is iconic. It's an awesome punchline to a very good movie. But not an awesome movie. To fix that, this edit remedies many legal inaccuracies, improves the pacing, and makes the hero more likable and the heroine less inept.

"In the year 2099, with the new millennium only 8 months away, a large, advanced, underwater salvage vessel known as Auriga 7 glides quietly, deep under the ocean surface. On board: a small military-detachment of engineers, their tech, and enough remaining provisions for several months. The few luxuries the crew had the Lieutenant would call contraband. But the men had their vices and much need to blow off a little steam now-and-again. It seemed to affect the Captain the most; the Lunar War back in 2075. With Earth's atmosphere forever crippled from it, and even though travel between Mars and the moons of Jupiter were becoming commonplace, the Boss rarely liked to surface, preferring to spend his time in the endless swaths of deep blackness. But the Captain may have to abandon the team’s current mission. Ship sensors have picked up an unknown signal that leads them into the furthest reaches of an uncharted abyss. Something stirs; waiting, lurking in the depth."

All the interconnected Marvel Studios products become a massive, perfectly structured TV series, to make the journey of the Earth’s Mightiest superheroes the most epic adventure ever.

In order to enjoy the MCU in the most orderly, apprehensible and dynamic way possible, all the interconnected MCU becomes a TV show: reordered, reformatted, post credits scenes rearranged to avoid spoilers, detailed “previously” recaps created and some key deleted scenes added to each episode. Including all the One-Shots, Disney+ Marvel TV shows, Specials... even commercials! Plus, crossover with the X-Men (FOX) and Spider-Man (Sony) alternate universes in a narratively consistent way.

See is a criminally underseen AppleTV series, one of the more interesting and fleshed out science fiction stories I've seen recently.

I always though that the production was so strong on the show that it would've made a great movie, so I'm playing with that concept. Also, there was a bit of a stylistic shift between the first and second seasons, where a lot of very abstract ideas got sort of left behind in favor of a more action/adventure heavy show. Doing a fanedit of the first season in movie form can help line it up with the style of the rest of the show.

More natural color grading. Adds dust, weather, and blood FVX. Not all the mission targets are provided to Deckard.

The main goals of this edit are to:
• rescue these characters (and us) from drowning in a sea of expository dialogue
• remove excessive setups and flashbacks
• reduce over the top moments and dialogue

• refine the story progression without revealing too much too soon

• trim overacting, especially of Dortlich and to a lesser degree, Hannibal

• make Hannibal’s parents more likable (or at least less annoying)

The Thing 2011, Extended and tweaked .

When I contructed "THE THINGS" edit ( a mashup of both the 1982 and 2011 versions), I also made an extended version of the 2011 version.

We all hoped to see the original VFX that were sgot with practical effects that were later replaced in post production, but this will clearly now not occur.

Over the years, I have shared this version with a few on the site, to favorable responses. So on that basis (and yet another request to wither make this oedit or release it), I believe now is the time to re-appraise this film.

The one provisio I make to any who review this is that this was the last Standard Definition edit I made, So please do not scor it down on image on that basis. It was and is DVD quality, and older DVD based edits were not penalised back then, so please bear this in mind.

I will in the fullness of time, make an HD version of this....eventually.

ENJOY to all

W

Star Trek " The Wrath of Khan without the recyled VFX from Star Trek The Motion Picture

Hal Ashby's classic satire with a few of the more distracting elements removed. Several scenes were removed and two were shortened, one sequence was slightly reordered (to accommodate the removals) and the end credits were reformatted.

A young harpist, Imp Y Celyn becomes the greatest musician on the Disc, meanwhile Death (The Grim Reaper) has disappeared and someone else needs to fill in. Here it i presented as more of a Biopic. No time travel, no alternative universes just the basics of the plot with as much of the humor intact as possible.

I love the Hunger Games books, and I thought the movies were well done adaptations, but there were some aspects I thought could be trimmed and the pacing of the final movies improved. Originally I was going to leave the first two movies alone and just work on the last one, but earlier this year I watched MisterCooper's fantastic edit of the Hunger Games movies into an 8 episode miniseries. Because movies 2-4 were so connected the miniseries treatment worked really well. Mine is heavily inspired by his edit so please check out his if you're interested!

I don't want this to sound like I am bashing MisterCooper's edit because I really enjoyed it and mine is heavily inspired by his. But I did have some things I wanted to change, mainly around pacing, a couple story choices, and the music. Most of his series worked really well for me, but some of the pacing didn't feel right, such as starting his third episode with the last few minutes in the arena from the first movie. It felt anticlimactic to me to resolve the first movie in the initial ten minutes of that episode. His Catching Fire arena episode also ended up being a lot longer than the rest of his episodes, and while that isn't inherently bad I wanted to find a way to make the episode lengths more similar across the board. I also wanted some different story and music choices, such as my edit getting rid of most of the Gale romance from the latter movies as I thought it wasn't well done and didn't add much, and then keeping more of the original music from the series.

A fan edit that condenses Kubrick's film into a more feasable sub-90 minutes. This is the first in a series of Kubrick shortening edits.

Indiana Jones embarks on the story you love as presented in a less intense Saturday morning kid friendly way. Same plot, less pew pew, blood splat, face melting and nightmare inducing ghosts.

Indiana Jones and his father embark on the the quest to find the Holy Grail in this edit of the story you love with slightly less intense moments.

A faster paced version of Crystal Skull. Removed a lot of filler and bad dialogue and weird action sequences, but it still remains essentially the same story as the original.

The Wrath of Khan as it might have been, had it not been made on a tight budget with recycled VFX by the Paramount Television Unit (which it was astonishingly)

I wanted to bring out the great film that was hidden beneath layers of exposition and bad jokes. I have trimmed many scenes to improve pacing, removed as much exposition as possible, removed the bad jokes, re-recorded dialogue for several characters, and adjusted the colours of the film.

"In the twilight of the 1950s, on one fateful night in New Mexico, young switchboard operator Fay and charismatic radio DJ Everett discover a strange audio frequency that will change their lives forever... "

The Vast of Night is a 2019 American science fiction mystery little film (a dialogue heavy one) premiered at the Slamdance Film Festival and acquired later by Amazon Studios for its streaming service. Despite being an interesting movie, it was too long and dull and required a good snip so that the benefits it contains could be truly appreciated, So it's shorter now, like an episode of an old mystery TV show.

This is a sequel to "The Last Wish" edit. It continues the story of Geralt of Rivia, omitting big part of plotlines that were not based on the books. Unlike "The Last Wish" edit, there was no way to base this edit only on book material because more than half of the second book, "Sword of Destiny" was omitted in the show. For that reason, this edit uses some of the non-book material to complete the story and presents it in chronological order.

Carlito's girlfriend Gail takes up a lot of screentime so I wanted to just keep the scenes that really needs to be there and cut the movie down for a better pace. To tell faster more streamlined story.

This edit gives the viewer the chance to experience and interpret the story as it unfolds rather than constantly being told what is happening and how to feel about it. Commodus’ actions alone are what shows us his depravity, and he actually acts upon his lust for his sister. Lucilla (the sister) is also depicted as a much stronger woman.

New elements of the Tarantino screenplay are incorporated along with a retro, gritty color re-grade and new Tarantin-esque soundtrack and musical scoring. No music/score is borrowed from his other films. Additional blood/gore VFX is the cherry on top of this Hyperviolent Cut. Other edits which used Tarantino's original screenplay seemed to include most/all deleted scene footage which adds new Tony Scott material, including lowbrow penis jokes that does not jive at all with the QT screenplay. Other edits also rearranged scenes at a high level, to give a basic similar arrangement, rather than at a more detailed scene by scene level. IMO this edit is the truest edit (so far) to the spirit of Tartantino's screenplay.

A Kill Bill Vol. 1 + 2 combo NO ANIME cut upscaled to 4K (also available in 1080p). Runtime 3 hours 45 minutes. The best Kill Bill has ever looked.

This edit modernizes the film with a new score and color grading. Downplays the preachy tone and reduce the characters over-verbalizing thoughts, fears and motivations, as if this were a stage play. Finally, it tighten ups action sequences and reduces dated VFX.

The film Hannibal is recut to bring the character back in line with Silence of the Lambs, a sick serial killer, not some romantic fellow with a moral code. A drastically changed ending and other recut footage, incorporating deleted scenes, drastically changes the feel of this film.

ZSJL was a major improvement to the travesty which occurred in 2017; however, Snyder’s 4 hour release was rushed in production and stuffed with significant filler. Releasing such a long cut, open matted, was probably more for production speed than artistic reasons. This cut re-scores, reduces, and rearranges this film for a more epic feel, with greater dramatic impact in a much shorter runtime.

This is my own take on editor, JobWillins, overall concept in his brilliant edit Man of Tomorrow, which merges Man of Steel and Batman v Superman into one film. See further details for how Son of Krypton differs from Man of Tomorrow.