The Scott Pilgrim film adaptation did not have a straightforward production history. It was written and filmed while the final volume of the original comic book series, Scott Pilgrim’s Finest Hour, had not yet been released; and a substantial amount of the movie had to be cut or reshot due to the MPAA® rating rules changing during production.

These changes meant that, for example, characters would not be allowed to smoke on-screen (leading to a much shorter, reshot first date, in which there is unfortunately less chemistry between the leads), and certain words had to be bleeped out or scenes cut entirely to remove them. Many others were simply cut for time.

While the altered ending that also resulted from these reshoots is more faithful to the comic book and more true to the characters, many of the other changes appear to be driven less by the filmmakers’ creative vision and more by the various externalities of the movie industry.

Spectre was an attempt by Eon Productions and director Sam Mendes to embrace the grandiose nature of the Bond films of yesteryear, both in terms of the locales used, the scope of the picture and in bringing back the arch villain Blofeld and the Spectre organisation. Whilst it was wildly successful at the box-office, the reception on the film was very mixed. Some reveled in the large scale nature of the film, whilst others cited a poor script, lacklustre direction and a poorly executed idea of linking all the Daniel Craig Bond films together - not to mention the little controversial storyline regarding Blofeld being related to Bond as an adoptive brother.

Young Han Solo joins a band of smugglers on his first major heist and is introduced to Chewbacca and Lando Calrissian.

Anchorman 2, but funny. And 36 minutes shorter.

Crafted using a mixture of the Theatrical, Unrated, Super-Sized Version, and blu-ray supplemental material, the aim of this edit was to create a funnier, tighter film worthy of being a successor to the first Anchorman. Entire subplots have been removed, and jokes have been pulled from all commercially available material, resulting in a much more focused film and, in my opinion at least, a much funnier one as well.

Here is G'Kar's last tale. His performance is thoroughly enjoyable. As always. Originally much in Legend of the Rangers detracted from G'Kar's adventure. Not anymore. Now you can enjoy your favorite Narn in a solid story of exploration, intrigue, and humor.

This uses The Assembly Cut as it's base and introduces Theatrical Cut elements that I have a preference for. I also attempt to clean up the colour and contrast imbalances in certain composite shots. I also add extra FX for dramatic effect in places, to improve visually on the original or to technically facilitate differences in lighting between the 2 versions when using footage for the same scenes.

A streamlined and fast-paced narrative, in the structural and musical spirit of the Lord of the Rings franchise. Season 2 in 3 hours and 9 minutes, with the epic score of Howard Shore.

The arc reactor has triggered an arms race and is poisoning Tony Stark. Filled with self-doubt and alcohol, Stark must rise above his inner demons to contain the arms race, to overcome his enemies, and to find a cure.

Vanko is a determined but minor villain who never rises to Stark's level. Hammer, though naive, is more ruthless in his thirst for power. I imagine him in a future story as enabler for villains. And Pepper mostly stands by her man instead of the angry on-again-off-again relationship. Iron Man 2 introduces Black Widow and War Machine, and sets the stage for the Avengers movie.

This is an editing project combining material from Jurassic World and Jurassic World: Fallen Kingdom into a flashback structure.

This edit includes various visual and audio elements from all released versions of Blade Runner in an attempt to make it the best available presentation with a few narrative edits for personal preference. Most notable inclusions are the technical updates from The Final Cut, with the visual elements re-graded to match the legacy colour tones of the previous releases - and particular attention being paid to literally preserving the original portions of the legacy frames as well as grading the changes where masking was appropriate. The film's narrative follows more closely the Workprint and tacitly rejects Ridley Scott's attempts to render the human/replicant philosophical analogue as effectively superficial. This version takes out any connection to references made by Scott in interviews and indeed the Director's Cut relating to Deckard's origins. Instead this film is content to literally study/contrast the philosophical state of all the humanity on display or lack thereof from all participants.

Knowing how many different takes there are on The Phantom Menace - and has been since 1999 (!), what stood out for me very clear since the beginning, apart from a bunch of what I thought were brilliant ideas that could work - was to make it different. Not make it a Fanedit, but a FanFix - more of a remake, if you will. Only then could it actually be worth many years of my time.

I grew up with the love of Star Wars and the excitement around The Phantom Menace and the prequel trilogy, but I never felt the magic stay with me for The Phantom Menace and Attack of the Clones (and to a degree RotS as well) as it did with the Original Trilogy. This was the red herring that made me interested in the creation and intellectual process behind the making of TPM, that made me realize the lost potential and go for a search on how to make it work. And thus The Ancient Lore was born.

What would a modern day Blade Runner score by Vangelis sound like? This edit rescores Blade Runner 2049 with new music from the composer’s 2016 album Rosetta and his Blade Runner tribute album from 2007. The music is supplemented by some earlier Vangelis tracks, as well as material by John Barry and others. No music from the original Blade Runner is used, except when sampled by Vangelis on the BR tribute album. In addition, the edit is approx. 15 minutes shorter, mainly from trimming Wallace’s scenes to a minimum and cutting Gaff and Rachael.

This cut removes the whole side plot on Canto Bight and focuses on the journey of our main heroes. It further changes the fate of some key characters as well as their motivations and lets them shine in a new light, providing some surprises for viewers of the original film along the way.

A new edit of The Hobbit, two years in the making, inspired by the original two-film script. The first film, The Gathering of the Clouds, tells the story of Bilbo, who is whisked away on an adventure to save the homeland of a band of thirteen dwarves by Gandalf the wizard. During his travels Bilbo discovers his own resourcefulness and courage, as a plot unfolds that might affect all the lands of Middle-Earth.

The Second film, There and Back Again, sees Bilbo and his companions tested as their adventure takes an unwelcome turn. Their quest becomes entangled in a battle for the fate of Middle-Earth. And yet, the greatest dangers may lie within. This high quality edit provides a more focused telling of the classic story, with completely restructured and even partially rewritten plot lines. It is heavily inspired by Tolkien lore. Each film has a clear beginning, middle, and end, both in plot lines and character arcs. The tone is more similar to The Lord of the Rings Trilogy, and it's color correction has been completely redone to create a visually consistent, five part saga.

The Amazing Spider-Man 2 in its purest form. No subplot about Peter uncovering his parents' disappearance. No impending plane crash abruptly interjected into the final showdown to instill a false sense of real-world consequence. No meandering scenes that only serve to distract from the overall narrative the film seeks to tell. This, coupled with the addition of deleted scenes to help keep the plot moving along at a healthy pace, creates the sequel that viewers both expected and deserved back when it released in 2014.

Back to the Future's sequels were filmed at the same time. It feels that they planned one sequel and realized there was too much material to put it all in one movie. Instead of trimming the story, they padded it to make two cinema-length movies. In today's age of binge-watching, this results in "fast-forward" moments of repetitive exposition and repeating opening and closing scenes. Back to the Future 2 - Biff Changes Time removes the padding to create a stream-lined, less convoluted story that combines smoothly with Back To The Future 3 - Marty Changes History for a double-feature viewing experience.

Marty McFly, a 17-year-old high school student, is accidentally sent thirty years into the past in a time-traveling DeLorean invented by his close friend, the maverick scientist Doc Brown. The Greater Scott Edition extends Back to the Future to it's longest possible length using a variety of sources. All deleted and extended scenes have been masterfully reintegrated into the movie. adding 10 new scenes and 8 more minutes of footage.

A streamlined and fast-paced narrative, in the structural and musical spirit of the Lord of the Rings franchise. Season 1 in 2 hours and 36 minutes, with the epic score of Howard Shore.

Thrilled by his experience with the Avengers, Peter Parker returns home under the watchful eye of his new mentor Tony Stark. Peter tries to fall back into his daily routine – distracted by thoughts of proving himself to be more than just your friendly neighborhood Spider-Man – but when the Vulture (Michael Keaton) emerges as a new villain, everything that Peter holds dear will be threatened.

Friendly Neighborhood Spider-Man is mere 3 minutes shorter than the official cut, with a few trims here and there that improve an already great film. Rescoring, cutting, trimming and moving scenes and jokes all feature here to make the movie the best it can be.

The Hill Valley Chronicles takes the enormously popular Back To The Future Trilogy and adapts it to a 'Quantum Leap' style 30 minute teatime TV show comprising of ten episodes. This new adaptation puts a fresh spin on the trilogy by reshaping the narrative so the parallel events of November 12 1955 in the trilogy collide with each other in action packed fashion.

Two years ago, in the final battle between Superman and Zod, Metropolis was destroyed. Now the city is slowly rebuilding, but some wounds never truly heal, and a dark vigilante has emerged from the shadows to bring justice to the man responsible. Featuring material from both versions of the film, Mr. Blue presents a faster paced, action packed recut of the most highly anticipated comic book movie of all time

This is a black and white silent edition of the Star Wars saga presented in the form of a old serial. No voices, 4:3 aspect ratio (Pan & Scan), no sound effects, dialogue cards, only John Williams music. This video is Episode VII (55 minutes).

This is an attempt to take the two parter Sarah Jane Adventures serial "The Wedding of Sarah Jane Smith" and turn it into one of the 2009 Doctor Who specials for outgoing Doctor David Tennant.

'Man of Steel: A Symbol of Hope' does not try to radically reshape MOS because I liked most of it already. I just wanted to tweak the character of Superman to make him feel more heroic. So if you hated everything about the original MOS, then this isn't the FanFix for you. There are several 10-minute chunks of this edit that are unchanged (aside from the regrade) but when I did change something, I hope it feels significant.

Paradise is an editing project combining Prometheus and Alien: Covenant into a single, David-centric narrative.

In 2008, a relatively unknown Faneditor going by the name of Adywan shook the Fanediting galaxy with his release of 'Star Wars: Revisited'. From that day, Faneditors and film enthusiasts from around the world (and we'd like to think throughout the galaxy…) have waited in eager anticipation for the continuation of Adywan's Revisited saga. That day has arrived! Prepare yourself to relive the magic of Star Wars with Adywan's 'The Empire Strikes Back Revisited'.

Come watch the speeders fly, the heroes flee and the sabers clash in this instant Fanediting classic. We'll see you in a galaxy far, far away…

The biggest difference here, is that a half an hour movie is now trimmed down to a standard TV pilot, where everything the Fox studio clearly had 100% control over is gone, and what we have left is something better paced and hopefully more enjoyable.

The Dark Side of the Force has awakened. Risen from the ashes of the Empire, the First Order seeks to destroy the New Republic and once again shroud the galaxy in darkness. The mysterious Kylo Ren has extinguished the new Jedi order. Without the guidance of the Force, who will stand and resist against this growing threat?

Watch the story you've come to love in a brand new way with DigModiFicaTion's edit, Heir to the Force. Featuring all new special effects, music, and mystery. Experience the awakening. (Extended reveal of Kylo Ren; Original OT Falcon turret sfx; TFA, EU & John Williams cues to enhance scenes; Holograms; A new ending).

Where other edits have changed the sequences surrounding Starkiller Base (Hal9000) or simply attempted to minimize over the top humor (ironman23), this edit leaves the key sequences in place, is more aggressive in it's edits to remove silliness and extends Kylo Ren's parentage reveal as well as gently addressing the issue of R2-D2 being asleep and Snoke's non-Star Warsy looking hologram. This edit also removes the distraction of Luke from the end of the movie.

Bootstrap Edition consolidates the trilogy into a single movie, and rewrites the time travel rules from a paradox ridden headache of alternate timelines into a streamlined causal loop.

'No Justice' refocuses "Batman v. Superman" on its central conflict between Man and God. All aspects of its 'Dawn of Justice' subtitle are excluded: Wonder Woman, the Justice League, Doomsday, Darkseid and the Kryptonian ship. These omissions create a more coherent and accessible story, intended for a wider audience.

There and Back again turns the three films into two volumes which focuses on Bilbo's adventure, but in context of Thorin's journey as well. Their stories are intertwined so this edit seeks to strip away as many elements as possible that interfere with their respective stories. This is not a 'book' cut that seeks to conform to the novel, so it maintains many of the added story elements that help it serve as a prequel or bridge to Jackson's Lord of the Rings trilogy, but they are reduced and tightened up so as to not interfere with the primary focus of Bilbo's journey.

This is a fanedit of 'Bram Stoker's Dracula' (1992), re-imagined as a silent film. The inter-titles are adapted directly from Bram Stoker's novel, and the score is sourced from 'Dracula' (by Philip Glass and Performed by the Kronos Quartet) with an alternate version performed by Michael Reisman. The intention is to present a version of the film faithful to the source material released around the turn of the 20th century, in the style of Nosferatu (1922).

'Ghostbusters (2016)' recut to remove 75% of the improv jokes, so the film stays on script and on character. Less is more... less jokes... more funny.

I liked 'Star Trek Into Darkness' a lot but from the first viewing I could see the flaws and could see ways to fix them. So this is an attempt to create my ideal version, a version that brings out the best of what was always there. The "plot holes" remain (Removing them would be like trying to make a bowl, out of a sieve) but the emotional impact and character motivations are now what I think they should have been.

Star Wars, the prodigal son of The Hidden Fortress, comes home to Papa. Through the music of John Williams and numerous subtitle changes, The Hidden Fortress is transformed into a Star Wars experience.

I have cut over half of the cumulative running time of the films. What was once a bloated, 542-minute trilogy is now a more digestible 247-minute epic. In general, I’ve tried to keep the spirit of the book intact by removing unnecessary subplots, characters, ridiculous action scenes, and so on.

'Jurassic World' is a film regarded by many as a fun popcorn flick, but one with contrivances that keep it from being anything more than what it is. I want to fix that!

This edit takes the episodes of AOS that dealt with the season's story arc and turns them into a single feature. This will be the first of a trilogy of films that cover the first season. The episodes covered in this edit are: The Pilot; The Girl In The Flower Dress; The Bridge; and The Magical Place.

Experience the amazing sequel of The Avengers with 6 minutes and a half of extra scenes. Since I made the extended edition of the first Avengers film, which was a huge success here in the website xD, I've decided to create an extended edition of the second film. I enjoyed a lot Avengers 2, and while it may have some little flaws, I still believe it's actually a great sequel with the same quality as the first one. Many of the "troubles" people find on this film don't bother me at all

Peter Jackson's The Hobbit trilogy cut into one 4-hour film.

With more than 600 impious subtitles and minus heaps of violence and miracles, this godsploitation edit breathes new life into the story of Jesus's death.

For seven years Harry Potter has been pursued by Lord Voldemort. Unable to hide any longer, Harry goes in search of the Horcruxes--powerful objects that contain portions of Voldemort's soul. Only by destroying them can Harry stop the one responsible for his parents' deaths.

The third episode of my Clone Wars Movie Series. Nine episodes of the TV series are presented in the classical Star Wars movie structure.

Carrying on from Episode II, the Separatists have taken control of the Outer Rim and launched an attack on the Planet Ryloth. With jedi master Di trapped on the surface, Anakin Skywalker leads an assault to break the blockade and free Ryloth.
With the Jedi distracted the evil lord of the Sith plans a strike on the Jedi Temple, which could spell the end of the jedi order.

The 1994 Spider-Man animated series three-parter “The Alien Costume” is recut to play as a single feature. Production errors, poor animation and weak writing are also removed. It’s a classic Spidey story, and it’s even better than you remember!

Halloween. Most people think little further than the strange custom of having their children wear masks and go out trick or treating in the hope of getting some candy.

An unexplained event of terrifying horror in 1963 however, would change the sleepy little town of Haddonfield forever. Whilst the town would still celebrate the festival of Halloween, Doctor Sam Loomis knew that it was only a matter of time before the shape of terror which formed itself back in 1963 would return. Thus, it is time to unveil a portrait of terror which will haunt you forever.

This Version of 'Man of Steel' has been edited down a bit for a slightly faster pace, while it also has been completely re-Colored and Re-scored using the Classic john Williams soundtrack.

Ian Fleming’s 007 gets a new lease of life in the form of newcomer George Lazenby, as Bond finds himself on a mission to Switzerland which could lead to the final capture of Ernst Stavro Blofeld, the head of Spectre. Obtaining the information on Blofeld’s whereabouts however, comes at a cost, particularly when it derives from the head of a European Crime Syndicate, the daughter of whom, becomes part of a deal which will have unforeseen personal consequences for Bond.

The second episode of my Clone Wars Movie Series. Seven episodes of the TV series (Cloak of Darkness, Lair of Grievous, Death Trap, Lethal Crackdown and the Malevolence Trilogy) are presented in the classical Star Wars movie structure.

Carrying on from Episode I, the Clone Wars continue to rage. Republic forces have captured Viceroy Gunray and it is up to Luminary Unduly and Ahsoka Tano to escort this valuable prisoner to Coruscant. Meanwhile, the Seperatists continue to ambush Republic fleets with a deadly new battleship. Can this new weapon be stopped before Count Dooku's forces take control of the outer rim?

"Prometheus" wasn't exactly an Alien prequel, but this treats it as such by intercutting the events of Alien with Prometheus in a dual narrative structure.

"Derelict" is in black & white to better marry the visual quality of the two originals (and also because both films look great in black & white). Roughly 30 minutes has been cut from Prometheus and about an hour of Alien has been used in its place. Some content from the deleted scenes of Prometheus was also used.

This is Natural Born Killers edited as closely as possible to Quentin Tarantino's script. All of the music has been replaced with pieces from previous Tarantino films.